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Independent Quotes

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Independent Quotes

“When you are on a major record label, you're just forced to think big. You are forced to think about things like "how many radio spins did we get this week?" or "how many albums did we sell across the country. Being independent, you are just focused on the city that you are playing in tonight. How many people can I meet and become friends with tonight. That's one of the great things about being an independent artist.”

“Why would one's identity be a matter of feelings? I think that that's a misuse of terms, philosophically. Identity is mind independent. It's something that is objective, regardless of how you feel. So, the term gender identity seems to me to be something of an oxymoron. It's not really about one's identity. It's rather a matter of one's self-perception or one's feelings about oneself.”

“I think polling is important because it gives a voice to the people. It gives a quantitative, independent assessment of what the public feels as opposed to what experts or pundits think the public feels. So often it provides a quick corrective on what's thought to be the conventional wisdom about public opinion. There are any number of examples that I could give you about how wrong the experts are here in Washington, in New York and elsewhere about public opinion that are revealed by public opinion polls.”

“I think polling is the best way of gauging public opinion - doing something that's independent, that's quantitative, that doesn't give just the loud voices about how things are going; or doesn't give so called experts the notion that they know what public opinion is. I think that's what makes public opinion polling pretty important. Qualitative assessments of public opinion; going out and talking to people and understanding the nuance to what's behind the numbers. I think it's awfully important as well.”

“In London, there must be thousands of people in the business of making films, whereas in Nottingham or Sheffield, you're probably talking about below a hundred. So there aren't thousands of people scrapping for the same money and for the same jobs. I went out in Nottingham the other night and there's a really beautiful community of people who are really supportive. It's not this back-stabbing thing, high-rent, high-cost, high-tension. Up here we are independent filmmakers and there's a lovely sense of camaraderie.”

“The chance to tell personal, language-specific, culturally specific stories is really flourishing on TV and I think it's just the nature of movies and international demands that you need to get a much bigger audience. TV is more like independent film was. The forms of adult drama and certain kinds of sophisticated comedy, there's no room for them in the tentpole movie universe.”

“My view is, in between environmental determinism and personal responsibility, we say, "where there's a will there's a way." It's not true. You really need both and they're somewhat independent. We must both cultivate will and pave the way. If you inspire an impassioned people so that they have the will but there's no way, all around them are walls with no doors or windows. It's terribly frustrating. On the other hand, if you put a very nice way at their feet and they have no will to follow it, that doesn't produce anything very good either. Will is not way. You need both.”

“Virgil Thomson, the great classical music critic, who was also a composer, but said that criticism was the only antidote he knew to pay publicity. Critics at their best are independent voices people take seriously their responsibility to see as many things as they can see, put them in the widest possible perspective, educate their readers, I really do think of myself as a teacher. Newspapers that don't carry arts criticism at all while not fulfill this function. And probably their arts journalism will be deprived as a result.”

“I see basically two models of law firms in the world. One of the global law firm they go by the name of one-stop shops, which will open an office, everybody see and opportunity and will also practice the local law of that jurisdiction. That's a successful model as well but that's not the only model. And the other model is those of independent law firms, national champions which have some unique strengths as well and I think both have their strengths and weaknesses.”

“There has to be a kind of grassroots push, a movement, as it were, against the inherent isolationism of American capitalism as practiced in the publishing industry. There need to be grants and government support and a few publishers, mainstream and independent, who are not afraid to challenge American readership. We need to build a network of translators, publishers and readers. We hope that our annual anthology might provide an upsurge in interest for European fiction and then, as we publish it every year, become a habit to many readers.”

“Independent means one thing to me: It means that regardless of the source of financing, the director's voice is extremely present. It's such a pretentious term, but it's auteurist cinema. Director-driven, personal, auteurist... Whatever word you want. It's where you feel the director, not a machine, at work. It doesn't matter where the money comes from. It matters how much freedom the director has to work with his or her team. That's how I personally define independent movies.”

“Whenever I'm asked about independent cinema, I think of what Fidel Castro said during the Cold War about the league of non-aligned nations. He said that really, there were only two non-aligned nations: the U.S. and the USSR. The rest of us have to be aligned somewhere. I say similarly, in a way, Paramount, Sony, and Warner Bros. are the only true independents, because they're the only ones who can do whatever they want and have distribution for their films built in.”

“Hollywood is so fixated on keeping it that way because it's generating the buzz, but that representation isn't right. I definitely feel like it's getting better - it's not only for blacks, but for people that are of all different skin colors. It is very important that black independent films get seen. We need to start getting used to black people. They exist. And they've been around for a long time. It's amazing that people still feel, "Oh my gosh, it's a black guy."”

“When I was doing Goodenough, I'd hired a few people to work in my office, but then, toward the end of the '90s, I decided that this is not what I should be doing. I didn't want to make a big company and have to hire lots of people. I felt like I was better as an independent or as a solo operator. So I made the decision to finish everything and work alone just with an assistant or two. Although maybe there isn't the potential that there is in having a bigger company, it's good for me.”

“I'm inspired by strong, courageous women. My mother is the definition of a self-sufficient, independent woman whom I have always looked up to. I also greatly admire incredible women like Aung San Suu Kyi, and human rights attorney Nasrin Sotoudeh, who was wrongfully imprisoned for 4 years in Iran, simply for giving a voice to the voiceless and defending the helpless. And I'm in awe of the young Pakistani student and activist, Malala Yousafzai, for her bravery and resilience in the face of brutal repression.”

“Truth exists independent of style. It involves all kinds of issues. Properly considered, it's a quest, a pursuit. To say that vérité is more truthful than something that is narrated is just misplaced. Completely wrong. And the fact that people still talk about it as though they're really talking about something... it puzzles me greatly. A moment of reflection about it tells you that it makes no sense!”

“I had been really obsessed with Jonestown for a long time - many years - and had read everything there was to read about it, seen all the footage and the documentaries. I found it really chilling in a personal way - the question of people submitting all their personal power and agency and independent thought it the name of a group or ideology. I could not find a way to write about it directly that didn't feel too heavy.”

“I was really strict about my daughter sleeping in her own room, and now she's really independent and likes it that way. So I think for all new moms, I can totally see how you can get wrapped up in making your child 100% your time. But if you could just take 5% or 10% for yourself a day, it won't just make the difference in your confidence, but also your sanity. I think once you just set boundaries and how you're going to parent - everyone parents differently so I hate to be that person to tell them how anyone should parent, I think whatever works for you works.”

“Increasingly, men are realizing exactly that - that having an educated, economically independent partner reduces the pressure on them to be the sole provider. Many men are also beginning to understand that participating in housework and childcare can be rewarding. Women with higher education and/or earnings are so much less likely than other women to divorce, that by age 40, they are more likely to be married than any other group of women.”

“My first book came out again - the re-issue from 2001. I was rereading it to make sure that I didn't miss any mistakes, and I didn't know who had written some of these stories. I really didn't. I am a different person now. It's weird. I think if stories are good, they have to have a life of their own that's independent of the writer. I like to think of my characters out there in other peoples' heads. That's a nice thing to think about.”

“If I had lost the popular vote but won the electoral college and in my first day as president the intelligence community came to me and said, "The Russians influenced the election," I would've never stood for it. Even though it might've advantaged me, I would've said, "We've got to get to the bottom of this." I would've set up an independent commission with subpoena power and everything else.”

“I've worked with a variety of presidents over the years on both sides of the aisle and congressmen and senators, so I'm not into trying to demonize anybody. It used to be that people would fight like hell on the floor of the house and they'd go have a beer together. Now it's like you're radioactive if you talk to the other side, which keeps us from getting anything done. I'm an independent personally, and I vote for who I believe will make the biggest difference.”

“I've been on my share of network dramas and comedies, and the problem sometimes in a network is they have a single-minded focus on making the show true to whatever genre it is. If you're on a drama, it better be procedural, it better fulfill all the demands of a procedural show, and you better keep those episodes independent, so if I'm watching the show in seven years as its syndicated on some other cable network, I don't have to know what happened before or after the episode. If you're on a comedy, everything has to be funny and wacky and zany.”

“Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.”

“Today, 90% of terrorist activity on the Internet takes place using social networking tools, be it independent bulletin boards. The most important terrorist communiques and videos are virtually all initially released on certain password-protected chat forums run by Al-Qaida supporters. These forums act as a virtual firewall to help safeguard the identities of those who participate, and they offer subscribers a chance to make direct contact with terrorist representatives, to ask questions, and even to contribute and help out the cyber jihad.”

“I'm not very enthusiastic about smaller nations forming their own states, particularly those in the West, where they would, after gaining 'independence', remain in the alliances that are oppressing and plundering the entire world: like NATO or the European Union. The breaking of the great country of Yugoslavia into small pieces was a hostile, evil design by the West. The dissolution of Czechoslovakia after the so-called "Velvet Revolution" was a total idiocy. But Catalonia, if it became independent, would become one of the richest parts of Europe.”

“Ask anyone who makes a full-length movie that's shown in the art world if they'd rather have a career as a film director or as an artist. Invariably, they'd rather be known as a film director, because that's what they are. But there's not really a system of independent distribution anymore that allows for that, and so the art world has kind of become all-enveloping. It's absorbed all of these disciplines that don't have a home anymore.”

“I have a bad rote memory, but I tend to learn through my experiences. And then when I went into the markets, and then starting my business as an entrepreneur, that affected my thinking a lot, too, because in order to be successful as both an investor and an entrepreneur, one has to be an independent thinker and bet against the consensus and be right. Because the consensus is built into the price, and if you're not an independent thinker in the markets you won't succeed. And if you're not an independent thinker as an entrepreneur starting out, you're not going to bring anything special.”