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Iris Murdoch Quotes

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Iris Murdoch Quotes

“Bellamy found simply living a task of amazing difficulty. It was as if ordinary human life were a mobile machine full of holes, crannies, spaces, apertures, fissures, cavities, lairs, into one of which Bellamy was required to (and indeed desired to) fit himself. The machine moved slowly, resembling a train, or sometimes a merry-go-round. But as soon as Bellamy got on (or got in), the machine would soon eject him, sending him spinning back to a place where he was once more forced to be a spectator. Perhaps, that was in some mysterious sense his place, his destiny. But Bellamy did not want to be a spectator, nor could he (having no money of his own) afford to be one. Moreover he had never really mastered the art, apparently so simple for others, of passing the time. His failure to find a métier, to find a task which was his task, caused him continuous anxiety, nor did it occur to him to emulate the majority of mankind who positively resigned themselves, seeing no alternative, to alien and unsatisfying work. At one time he had suffered from depression, and was nearer to despair than his friends realised.”

“There is a pointlessness of summer London more awful than anything which fogs or early afternoon twilights are able to evoke, a summer mood of yawning and glazing eyes and little nightmare-ridden sleeps in bored and desperate rooms. With this ennui, evil comes creeping through the city, the evil of indifference and sleepiness and lack of care. At such a time the long-fought temptation is wearily yielded to, and the long-dreamt-of crime is with shoulder-shrugging casualness committed at last.”

“Looking toward the Polish Rider she met his calm tender gentle thoughtful gaze. She thought, what he sees is the face of death. He sees the silence of the valley, its emptiness, its innocence — and beyond it the hideous field of war on which he will die. And his poor horse will die too. He is courage, he is love, he loves what is good, and will die for it, his body will be trampled by horses' hooves, and no one will know his grave. She thought, he is so beautiful, he has the beauty of goodness.”

“I am, I must confess, an obsessive and superstitious letter-writer. When I am troubled I will write any long letter rather than make a telephone call. This is perhaps because I invest letters with magical power. To desiderate something in a letter is, I often irrationally feel, tantamount to bringing it about. A letter is a barrier, a reprieve, a charm against the world, an almost infallible method of acting at a distance. (And, it must be admitted, of passing the buck.) It is a way of bidding time to stop.”

“There are indeed many places where I could start. I might start with Rachel's tears, or Priscilla's. There is much shedding of tears in this story. In a complex explanation any order may seem arbitrary. Where after all does anything begin? That three of the four starting points I have mentioned were causally independent of each other suggests speculations, doubtless of the most irrational kind, upon the mystery of human fate.”

“Her time consisted of seeing him, waiting, and seeing him again, of presence, absence, presence. She watched him anxiously, muting her love, instinctively afraid of making him feel trapped or guilty. She touched him very carefully with superficial lingering touches as if to extract some essence, some strong salve, to keep her through those empty absence times. The world still came to her only through him. He became aware of a wrought-up intensity of suffering which she could not forbear occasionally to let him glimpse . . . Ducane at last decided that there was only one remedy, the brutal one of a complete parting.”