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Lines Quotes

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Lines Quotes

“Natalie Lyalin is writing some of the best poems in the world. There is an evil in her gorgeous poem-hearts. She must have sold her heart to the devil to write like this—so beautiful, so funny and so strange. Her images stack and stack down the page without spilling, each line such a bombshell you'll start reading backward to the first line. These poems are like babies—they will pop out of trees.”

“When a trout rising to a fly gets hoooked on a line and finds himself unable to swim about freeely, he begins with a fight which results in struggles and splashes and sometimes an escape. Often, of course, the situation is too tough for him. In the same way the human being struggles with his environment and with the hooks that catch him. Sometimes he masters his difficulties; sometimes they are too much for him. His struggles are all that the world sees and it naturally misunderstands them. It is hard for a free fish to understand what is happening to a hooked one.”

“Let's call cheating what it is: a complete betrayal of trust. Cheaters are people who have a lot of stuff to work out and they're working it out on your time and with your heart. Some cheaters might give you an excuse, some might not have one at all, some might even blame you. No one can tell you exactly what to do when faced with this very complicated and painful situation. But the bottom line is, is this what you had hoped for in a relationship?”

“There is but one question ultimately to be asked respecting every line you draw, Is it right or wrong? If right, it most assuredly is not a "free" line, but an intensely continent, restrained and considered line; and the action of the hand in laying it is just as decisive, and just as "free" as the hand of a first-rate surgeon in a critical incision.”

“Prophecy and prescience - How can they be put to the test in the face of unanswered questions? Consider: How much is actual prediction and how much is the prophet shaping the future to fit the prophecy? What are the harmonics inherent in the act of prophecy? Does the prophet see the future or does he see a line of weakness, a fault or cleavage that he may shatter with words or decisions as a diamond-cutter shatters his gem with a blow of the knife?”

“Every leaf is a spacious plain; every line a flowing brook; every period a lofty mountain.”

“The State is competent to assign duties and draw the line between good and evil only in its immediate sphere. Beyond the limits of things necessary for its well-being, it can only give indirect help to fight the battle of life by promoting the influences which prevail against temptation--religion, education, and the distribution of wealth.”

“Most of us stand poised at the edge of brilliance, haunted by the knowledge of our proximity, yet still demonstrably on the wrong side of the line, our dealings with reality undermined by a range of minor yet critical psychological flaws (a little too much optimism, an unprocessed rebelliousness, a fatal impatience or sentimentality). We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or bicycle.”

“Let me assure my countrymen of the Southern States that it is my earnest desire to regard and promote their truest interest - the interests of the white and of the colored people both and equally and to put forth my best efforts in behalf of a civil policy which will forever wipe out in our political affairs the color line and the distinction between North and South, to the end that we may have not merely a united North or a united South, but a united country.”

“I think the most takes I've ever done would probably be maybe 10, on like a big studio movie where you can do those. But after a while it's like, "It's not gonna get any better, this is what it is," the light's just gonna dull from your eyes. I think the more you do it, the less the actors listen to each other because then you start memorizing the other person's lines and you start getting bored.”

“I've never like had a system or a program, I always think that I don't know how to act. I'll adapt to any director because I don't really have a set way that I do things. If a director hires me and says, "I want you to get started right now and do this research, this research, this research and I want you to have every line memorized before you ever show up for the first day," then that's what I'll do.”

“These types of films that are psychologically sort of dark at times, I find extremely exciting to do because there's always something to think about. There's nothing more boring than to show up on set and say a line and know that your character means exactly what they say. It's interesting to have an unreliable narrator in a film and that's what both of those films have been.”

“I remember sitting in my room and thinking of where it all went wrong and how I ended up losing control of everything, and I realized I hadn't asked myself one question: And then what? That was my most important lesson. I learned to think about the consequences before the action and that saves me, to this day, from a lot of trouble. If you play it down the line, you'll start making better choices.”

“Those dabs of paint and lines become art when form and flow are created out of lower-level perceptual elements. When they combine harmoniously they give rise to perspective, foreground and background, and ultimately to emotion and other aesthetic attributes.”