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“If you don't make the commitment today to start becoming the person you need to be to create the extraordinary life you really want, what makes you think that tomorrow - or next week, or next month, or next year - is going to be any different? They won't. And that's why you must draw your line in the sand TODAY.”

“I think it's my job to like any character I play - to understand and appreciate a character, to look at the world as much as possible from their point of view. I don't look at it just technically: learn the lines, figure out what gestures I want to bring and play, and that's it. I like to learn as much as I can about the person, and see what happens.”

“Generally, the arguments for same-sex marriage go along these lines: 'I have a civil right.' What the homosexual movement wants to do is to hitch their agenda to the civil rights movement, but I point out that this is illegitimate for a number of reasons. Number one, no black person has ever left his black-ness or changed his black-ness, but plenty of people have come out of the homosexual movement. What we need to do is distinguish between race and behavior.”

“Christmas is a season of such infinite labour, as well as expense in the shopping and present-making line, that almost every woman I know is good for nothing in purse and person for a month afterwards, done up physically, and broken down financially.”

“I think the most takes I've ever done would probably be maybe 10, on like a big studio movie where you can do those. But after a while it's like, "It's not gonna get any better, this is what it is," the light's just gonna dull from your eyes. I think the more you do it, the less the actors listen to each other because then you start memorizing the other person's lines and you start getting bored.”

“The writer is a person who is standing apart, like the cheese in 'The Farmer in the Dell' standing there alone but deciding to take a few notes. You’re outside, but you can see things up close through your binoculars. Your job is to present clearly your viewpoint, your line of vision. Your job is to see people as they really are, and to do this, you have to know who you are in the most compassionate possible sense. Then you can recognize others.”

“Persons who clamor for governmental control of American railways should visit Germany, and above all Russia, to see how such control results. In Germany its defects are evident enough; people are made to travel in carriages which our main lines would not think of using, and with a lack of conveniences which with us would provoke a revolt; but the most amazing thing about this administration in Russia is to see how, after all this vast expenditure, the whole atmosphere of the country seems to paralyze energy.”

“Therapy isn't curing somebody of something; it is a means of helping a person explore himself, his life, his consciousness. My purpose as a therapist is to find out what it means to be human. Every human being must have a point at which he stands against the culture, where he says, "This is me and the world be damned!" Leaders have always been the ones to stand against the society - Socrates, Christ, Freud, all the way down the line.”

“We all admire the courageous person and quite often consider the individual who lacks courage, a coward. However, that is not how Earl Nightingale saw it. He said the opposite of courage was not cowardness, it was conformity. The next time you are encouraged to fall into line, to be a sport and everything in you says no - be courageous and go your own way. There is no compensation in conformity.”

“If we paint the phases of a riot, the crowd bustling with uplifted fists and the noisy onslaughts of cavalry are translated upon the canvas in sheaves of lines corresponding with all the conflicting forces, following the general laws of violence of the picture... These force-lines must encircle and involve the spectator so that he will in a manner be forced to struggle himself with the persons in the picture.”

“If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.”

“To all the staff members that take care of us every single day, From Donnie Strack, to Joe Sharpe, Tony Katz, Dave Bliss, Josh Longstaff, Will, Wilson, St, Mark, Dwight, I could down the line, All you guys have made me a better player. I wish I had a Sharpie, So I could write all your names on here 'Cause you had a hand on this. You made me believe in myself. You made me a better person, A better player. Your words of encouragement, Your love, Your positivity, Got me through. And I thank you guys.”

“How can you develop a self-concept linked to your untapped potential? First, you can decide on the kind of life you would like to lead in ten or fifteen years. This will give you a standard for making decisions about current activities and will reduce the inclination to compare yourself unfavorably to others. Learn to ask, "How would I handle this situation were I the person I hope to become?" And then take action in line with your vision.”

“Ever since I was first read to, then started reading to myself, there has never been a line read that I didn't hear. As my eyes followed the sentence, a voice was saying it silently to me. It isn't my mother's voice, or the voice of any person I can identify, certainly not my own. It is human, but inward, and it is inwardly that I listen to it. It is to me the voice of the story or the poem itself.”

“Entrepreneurs are all a little crazy. There is a fine line between an entrepreneur and a crazy person. Crazy people see and feel things that others don't. An entrepreneur's dream is often a kind of madness, and it is almost as isolating. What differentiates the entrepreneur from the crazy person is that the former gets other people to believe in his vision.”

“The beauty of shooting on something that's not in front of an audience is that you can just cut out the times you're laughing. You can cut to the other person and try to use that moment, right before you break. There's an energy to those performances. There's a reason people were laughing. There was something very special. That little extra something was in that line delivery or in that improv, so you try to use that stuff.”

“An actress reading a part for the first time tries many ways to say the same line before she settles into the one she believes suits the character and situation best. There's an aspect of the rehearsing actress about the girl on the verge of her teens. Playfully, she is starting to try out ways to be a grown-up person.”

“Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.”

“Poets are political, they have to be reflections of their times [because] they're living in their times... Poetry is political in that it's standing in opposition to fascism. Good poetry asks a bunch of questions and asks the audience to interact with themselves or see themselves in it; maybe you like it or you don't like it. But the fascist sort of stuff plays on your fears and tells you to jump on the party line and gives some simple excuses - blame this person.”

“I think people are drawn to characters that break the rules. I think there is something about a good person doing bad things for what they consider to be a good reason. Then the battle is on to almost prove to the audience that it's justified. How far can you go with that? How far can that character go before people won't accept it? Trying to walk to edge of that line is a challenge.”

“Dogs are intelligent beings; they are not human beings. The life of a dog - there's no equivalency with the life of a person, and if you are putting a dog in the line of danger to save human life, and they can do the job reasonably well, I mean, seriously, what about dignity and self-respect? I feel like going out to dinner, I think I will have my cocker spaniel host the show tonight.”