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Little Bit Quotes

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Little Bit Quotes

“It is a miserable thing to have people writing about your private life while you are alive. I have tried to stop it all that I could but there have been many abuses by people I trusted. You cannot stop trusting people in life but I have learned to be a little bit careful. The way to make people trust-worthy is to trust them.”

“I always want to do the best that I can with the opportunities that God has given me. The only way that you can possibly do that is to give yourself a chance to go as high as you possibly can. If you don't have the confidence in yourself and you don't have the desire to compete and move ahead, than you start to get stagnant....If I fall a little bit short, then I'm still farther than if I hadn't reached at all.”

“I've been able to have broad kind of education and all sorts of different music and a lot of kind of films and also different styles and genres. And so, all of these things have influenced me along the way and I take a little bit from everything I do. I've been lucky to work with a lot of great people and learn from them.”

“First and foremost, my hats off to our directors and camera department. That is something I will miss after Longmire. I can't imagine working on another show that looks like this. We'll get the whole crew out on location and have a hundred people standing around, waiting for about 40 minutes, so that sun is just a little bit further in the sky and the light is hitting the cloud, in the perfect way.”

“I want to say to all you Scribes, Pharisees, heresy hunters, all of you that are going around pickin' little bits of doctrinal error out of everybody's eyes and dividin' the Body of Christ...get out of God's way, stop blockin' God's bridges, or God's goin' to shoot you if I don't...let Him sort out all this doctrinal doodoo!...I refuse to argue any longer with any of you out there! Don't even call me if you want to argue...Get out of my life! I don't want to talk to you...I don't want to see your ugly face!”

“Televisison is like a factory line. You need discipline and focus. You have to hit your mark and know your lines. It's not that I don't know my lines when I do a film, but the pace of discovery is always a little bit more relaxed and nurturing and almost babying, in a way. Television toughens you up, and I like that, but I don't want it to toughen me up too much.”

“If Vin Scully calling a game is just as good in 2013 as he was in 1963, that's the way a game should sound. If Jack Buck were around today, I don't think anybody would ask him to change his style. My style has always been a little bit of a combination of old and new, if only because my frame of reference, personally, was different than that of Ernie Harwell or Jack Buck or Harry Caray. I was a younger guy. Just as Joe Buck's frame of reference is somewhat different from mine. But the nuts and bolts of how to call a ballgame well, I think remain the same.”

“My advice is you've got to make sure you wear the clothes and not [let] the clothes wear you. It's quite simple in a way. Don't wear something you totally feel uncomfortable with, but take some chances. Play around a bit. I felt very uncomfortable in suits when I was younger, so what I just started doing was wearing suits when I was going to dinner. I used to overdress a little bit so I got used to wearing suits. Now wearing a suit is like wearing a track suit for me. So it's all good.”

“It’s innate in me to be a Democrat — a true Southern populist kind of Democrat. There’s not a lot of those anymore. I’m not saying I’m right or wrong. That’s just the way I feel. The issues that matter to me are the social safety nets for people, health care, middle-class concerns. We need to take care of the middle class and the poor in our country. The chasm is getting larger between haves and have-nots, and that’s something we need to close down a little bit.”

“I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.”

“On the very last day of shooting [of The Last King of Scotlang], I remember wanting to get the [Idi Amin] character out of me right away, as much as I could. You literally take a bath to wash him off you. Luckily, I went into another part not so long afterwards, so I was kind of able to push it away a little bit. But speech patterns, and little sounds, particularly colloquial things, like the way you ask questions or might respond, were sticking with me, probably because I'd worked so hard to make it a part of my everyday way of expressing myself.”

“I had been in Chicago for 22 years, and my wife and I didn't want to see another Chicago winter. Its a wonderful town but the winters are brutal. My wife and I are both east coast people and we wanted to live someplace a little bit warmer but didn't want to live way down south. So Delaware seemed like a good compromise.”

“It's funny because you do often read in recounts of very famous albums, people tend to focus on mistakes in really positive ways, and there's certain mistakes of my own that I always do find on every record that I needed to accept. I find it really interesting to talk about. I always write songs at the wrong tempos, and I have to learn to accept that a little bit.”

“I do hear snippets on the radio. I do hear a little bit of me, sometimes great chunks of me. But I have to take that as a compliment; there's no way you can get sour grapes about that. But if somebody starts taking your whole new thing lock, stock, and barrel, and do their own version of it before you do it, that's not on.”

“I have always dressed a little bit differently, even when I was in school. I would wear skirts over pants because I went to a Christian private school and wanted to wear short skirts, but we had to wear skirts below our knees, so I put on a pair of jeans underneath so I could wear the skirt, too. When you become an artist you have to be so aware of what you're wearing all the time, but I've definitely wanted to stay classy, girlie, and feminine - I won't walk around in my bra or trashy clothes. I don't feel attractive that way.”

“I'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work.”

“I read recently that all of us can be defined in adult life by the way others perceived us in high school. I know [people] who had the popular, good-looking path in high school; they tend not to do so well. It was a little bit too easy for them, where for those of us who struggled in every sense, perhaps our determination and self-reliance and discipline were reinforced by that.”

“It's a little bit about being a global citizen, with all the United Nations positive umph that there is with that phrase - it's about being a positive do-gooder. But it's also: how can I participate in globalization in a really clear way? Like: don't leave the house unless you can bring something worthy into the world. And so Nicaragua changed the way that I want to do things.”

“When you have an authority figure tell you something that distinguishes you, there's a little bit of a badge of courage or pride point that comes with it, and also some relief that the grownups actually have an answer for the problem. But, at the same time, there's suspicion and defensiveness, like, Why is the way I do things a problem? Maybe the way you do things is the problem. All of these things come with the very notion that you've been described.”

“Meditation has become a big part of my life these days. It's more about taking some moments for yourself to deep-breathe and focus your attention inward. This has really helped me because, as a perfectionist, I used to think that if I couldn't meditate in my idea of the perfect way, then it wouldn't work. I now meditate even if it is for three minutes while I'm sitting in the car. Every little bit helps to slow the system.”

“I come from a little bit of a theatrical background. I started that way. I don't have a tremendous body of work or anything, but I went to drama school. And so, to get to do a piece where the characters get to talk a lot, and that isn't just about the spectacle or the set piece, or is simply visual or movement based. It was really wonderful for me, and juicy and exciting.”

“It's really about taking something inherently negative, and starting with the word loser, starting with something that's negative, and changing it into something that's positive, redefining it, but doing it in a certain way, how - like I would say when I look out at the world and you see it's dark and it's just overbearing and every day is depressed, depressed, depressed. What it took was to change my perspective a little bit. Not to change the world, to change my perspective.”