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Loneliness Quotes

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Loneliness Quotes

“She glanced at the knife with what seemed to me like longing. "Here's my breast bared to you," she said. "Plunge the knife in." I looked at her naked body which, though within my grasp, I did not possess. Sitting on the side of the bed, I bowed my head meekly. She placed her hand on my cheek and said in a tone that was not devoid of gentleness: "My sweet, you're not the kind of man that kills." I experienced a feeling of ignominy, loneliness, and loss. Suddenly I remembered my mother. I saw her face clearly in my mind's eye and heard her saying to me "It's your life and you're free to do with it as you will." I remembered that the news of my mother's death had reached me nine months ago and had found me drunk and in the arms of a woman. I don't recollect now which woman it was; I do, though, recollect that I felt bo sadness – it was as thought the matter was of absolutely no concern to me. I remembered this and wept from deep within my heart. I wept so much I thought I would never stop. I felt Jean embraceing me and saying things I couln't make out, though her voice was repellent to me and sent a shudder through my body I pushed her violently from me. "I hate you," I shouted at her. "I swear I'll kill you one day." In the throes of my sorrow the expression in her eyes did not escape me. They shone brightly and gave me a strange look. Was it surprise? Was it fear? Was it desire? Then, in a voice of simulated tenderness, she said: "I too, my sweet, hate you. I shall hate you until death.”

“Oh, wind and rain may haunt me, Look to the north and pray. Send me, please, his kisses; Send them home today. I'm begging Jesus, 'Please, Send his love to me!' Left alone in desert, This house becomes a hell, This love becomes a tether, This room becomes a cell. Mummy, Daddy, please, Send him back to me! How long must I suffer? Dear God, I've served my time. This love becomes my torture; This love, my only crime. Oh, lover, please release me. My arms too weak to grip, My eyes too dry for weeping, My lips too dry to kiss. Calling Jesus, 'Please, Send his love to me!”

“Love is something far more than desire for sexual intercourse; it is the principal means of escape from the loneliness which afflicts most men and women throughout the greater part of their lives. There is a deep-seated fear, in most people, of the cold world and the possible cruelty of the herd; there is a longing for affection, which is often concealed by roughness, boorishness or a bullying manner in men, and by nagging and scolding in women. Passionate mutual love while it lasts puts an end to this feeling; it breaks down the hard walls of the ego, producing a new being composed of two in one.”

“The secret tugs at my sleeve. A child looking for attention. It is not a big secret. But it is not the only one either. “Strength in numbers” they say. For they are many. Many little things that – together – weigh tonnes. And take up space. And are quite noisy. The way only a lot of whispers can make noise. And they follow me. Little secrets of omission, desire, and denial. Of indulgence, hedonism, and exploration. Of peeves, passion, and deep-seated fear. Little secrets of despair and disrepair and prohibited thoroughfare.”

“And it seemed to me that even if you weren’t actively letting your emotions ride its surface, the ocean still went on giving you something, teaching you some sort of lesson. Perhaps that was why I had never actually considered its existence before—never really thought about the thundering of the waves as they sweep in endlessly toward the shore. But since I was thinking about it, what on earth did people in the city turn to when they felt the need to reckon with “balance"? Maybe the moon? That seemed like the obvious choice. But then the moon was so small and far away, and something about it felt sort of lonely, and it didn’t seem like it would really help . . .”

“Of all individuals, the hated, the shunned, and the peculiar are arguably most themselves. They wear no masks whatsoever in order to be accepted and liked; they do seem most guarded, but only by their own hands: as compared to the populace, they are naked.”

“أسوأ الأمور التي يمكن أن نسببها لشخص هي البكاء أمامه أو أمامها ،لهذا نحن نبكي وحدنا، نفضل أن نفعل ذلك في السر، كما لو أننا نشعر بالخزي ،في الوقت نفسه هناك على الأرجح أشياء أقل في هذا العامل أنقى من دموع ولدها الحزن، ولدتها اللوعة ، فالحضارة تقودنا في أغلب الأحيان تجاه مسارات غريبة .”

“She could not help recalling the bustling which had attended Eduard's celebration of her own birthday, she could not help thinking of the newly erected pavilion under whose roof they had promised themselves so much pleasure. The fireworks exploded again before her eyes and in her ears; the lonelier she was, the more she lived in imagination; yet the more she lived in imagination, the more alone she felt. She leaned upon his arm no more, and had no hope of ever being able to lean on it again.”

“No one cares about anyone else’s life, but their own, bro. That’s the thing. We’re just selfish," said Raphael. “Some surprise us though. Those unique ones who interest us— they do something new with their body. They mean words differently. They bring us in. The people who amaze us are how we know that the selfishness inside us all along was never selfishness. We were only far from certain people.”

“I believe she adores love. I think love is her absolute language But she is so in denial of this truth that she stems away from it. There's something inside of her that is waiting, I don't know what, but she is. But until then she lies within her silence and smiles at anyone who even dares to cross her path. She is too loving to deny that she yearns for love. She is too selfless to deny that she wants comfort. She is too precious to deny that she is deserving. She is love, whether she wants to admit it or not. She is.”

“I also often ask my guests about what they consider to be their invisible weaknesses and shortcomings. I do this because these are the characteristics that define us no less than our strengths. What we feel sets us apart from other people is often the thing that shapes us as individuals. This may be especially true of writers and actors, many of whom first started to develop their observational skills as a result of being sidelined from typical childhood or adolescent activities because of an infirmity or a feeling of not fitting in. Or so I’ve come to believe from talking to so many writers and actors over the years.”