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“I've been very lucky in that the studios really respect me and they give me all my creative freedom. But nevertheless, they are inputs, they have opinions. It's the same thing for me as if you're in a shower and you're coming up with a tune, with a melody, but there are 70 people trying to sing their own melody at the same time. So you have to focus and concentrate, and not lose the track of your melody.”

“You need an immense amount of luck and an immense amount of perseverance to even be on the playing field for success on a grand scale. You work as hard as you can for ten years so you finally have a chance to be lucky - It's really rare that somebody gets lucky. It's usually a combination of a lot of talent, a lot of hard work. People that get lucky also tend to be really great looking.”

“I take advantage of the opportunities that have come my way. I think I've lucked out that I've never been thrust in the spotlight where people wanted to dissect every aspect of my life. I've been given a lot of distance and respect. It's allowed me the best of both worlds. I have the job of my dreams, but I also have the freedom that doesn't always come with it. I feel very lucky in that sense.”

“I think the essence of fashion is lightness, frivolity, and I'm very nostalgic for the time when Bérard was doing the windows, Cocteau was writing a play, Chanel did the costumes, Bérard did the sets. I don't have to tell you this, because Colette was the first to have revived the Rue St.-Honoré by precisely doing windows that attract people. And I really like that spontaneous spirit. And so, you're lucky to be with Colette, because it's a magic word.”

“When I went, I hadn't had very much time to have hopes or expectations. I knew very little about Nashville, and I think that was probably good. When I was there, I got really lucky - I ended up with people that just were amazing musicians, and that's the Nashville that I experienced. That is a big part of Nashville - there's a lot of musicians, and that makes it a very special place and shapes the city.”

“The problem for most people as they get older is that they start to buy into their own bullshit to the extent that they just have to eliminate from their inner sanctum anyone who is going to really challenge it. But I think all bandmates of U2 were lucky enough to have the four of us respect and regard each other to the extent that we're kind of always looking out for one another, so none of us can get away with buying into the bullshit.”

“At my wedding, my bridesmaids said, "You're the funniest person we've ever met." I hope I make people laugh, I hope I make people feel comfortable. I like to go out and have a good time. I don't take myself too seriously. I never have. This is all one spinning granite planet, and I'm lucky I get to act and do what I love. Life is good. I'm not going to compete for attention. You find that a lot in Hollywood with actresses, where you're just like, "Just chill out.".”

“Now I'm not going to go, "Oh my God, what are people saying about me?" I had a choice to be a student and not become a model, and becoming a doctor was another one of my dreams. I had a choice between not becoming a singer or becoming a songwriter and writing behind the scenes; nobody would have seen me writing songs for other people. I had the choice of not marrying my man; we could have just been hidden lovers, but I couldn't cope with it. I had these choices to do all these things, so I'm not going to cry over a life which has been really lucky.”

“Somebody came and directed a show at my high school. I approached it with sort of the sensibility - "Oh, I know that music. I'm going to go audition." I ended up being in it and I sang and it was mind-altering - to me, to my parents, who had never heard me sing like that. It put a stop to everything else that I was doing - every sport that I played, every instrument, it was all dropped because nothing felt like that. I feel really lucky that I found my passion at that point. There are people who are adults who don't know what their passion is and go through life doing "a job."”

“To be very fair, it was Ian Marsh and Martyn Ware who started The Human League. They brought Philip Oakey in to sing, primarily because Philip was very tall. So it started out as their vision. I don't think anyone ever thought it would be as big as it became. Music evolves and people were looking for something different. We came out at the right time and were just very lucky.”

“I feel like we're always on the edge of someone standing up and saying, "Hey, the emperor's naked." I'm expecting that any second. But we're pretty lucky that way. The longer you do this, the more treacherous it can be, and the more pitfalls and sort of bad diversions you can find to paint yourself into a corner. But with every record, we try to change the situation, yet still keep it comfortable, and we're lucky to work with people who are inspiring to us who'll give us that extra push. It's nice to make records that are appreciated.”

“I find more and more, as time goes on, these people I meet, they are starting to become these people I look up to more and more. Like Julianne Moore, also, on Crazy Stupid Love: kids, husband, priorities straight. Or Woody Harrelson's like that. Those are the people I really admire, and that's success to me: being able to balance that life and not buy into it. And do the work that you want to do and makes you happy, because you're lucky enough to do it. But if I never got a role again, I've got this incredible life.”

“I wanted to be a playwright in college. That's what I was interested in and that's what I was moving toward, and then I had the lucky accident of falling in love with film. I was 19 or 20 that I realized films are made by people. Shooting digitally became cheaper and better. You couldn't make something that looked like a Hollywood film, but you could make something through which you could work out ideas. I was acting, but I was also conceiving the plots and operating the camera when I wasn't onscreen. I got very unvain about film acting, and it became a sort of graduate school for me.”

“I'm not one of these people who is sour about academia. I'm very lucky not to be in academia, but I am an absolute parasite. While I was writing my book on comparative philosophy I was drawing on some fantastic scholars - university based people. The academy is absolutely necessary, but there should also be a role for those bringing it together. It's such a frustration sometimes.”

“You can connect with anybody nowadays. You can literally go on there and leave a message for Oprah Winfrey. If you want to say something to Hillary Clinton, you can tweet her! That's something I don't think anybody saw coming. It's also a way for people who aren't Oprah or Hillary to make a name for themselves and let people know they're out there. It's not exclusive to people who get lucky in life. It's amazing.”

“For me, difference is beautiful, there is not only one beauty, and in a collection I always like to show mixed directions. When you look at people or things, there are all these codes and standards that come into play around what is considered ugly or beautiful, and I've always questioned that. When you're a kid, you're not conditioned, you don't see perversity, there's a state of innocence where everything is beautiful, you see differently....I am lucky because I am doing now what I dreamt of doing as a child, and I like to think that I've retained a childlike state of mind.”

“I've got two older sisters, which I think was the best thing, but also the worst thing. They dressed me up like a girl, but at the same time I think they taught me a lot of what they experienced and what they lived through, and passed that on to me as a young man and influenced how I approached not only women, but people. I got very lucky with the family I was born into. From my older sisters to my mother and father, they're just good, kind-hearted people.”

“I happen to be one of those lucky people who says that she's a working actor. And to always be working is very fulfilling and I'm just lucky because the opportunities just came up. And as an Asian American female actor, the opportunities have been furthering, have been widening all across the years. And I can say that there are many young people who see that the opportunities are expanding, as well as you can make it yourself.”

“When I broke into music journalism it wasn't easy but there was more of an established path. I wanted and was able to have a grown-up person's job with a real salary writing for a fairly sizable audience about stuff I cared about. When you're starting out, you try to get as much experience as you can so people will see your work, and maybe start giving you the assignments you want, and paying you (hopefully both). And if you're lucky you land someplace where you can stay for a while. But today that's a trickier trajectory to envision.”

“I could be inspired by something I see or something I hear and write down or send to a friend or a writer or whether I have instrumental tracks or just a couple chords recorded on my phone. If I have a couple sessions set, I'll go into the studio with the people I'm lucky enough to call my friends because I feel like I can talk to them and then suddenly our conversations turn into these songs you hear on the radio. I still don't understand how it happens but I talk about my experiences and my situations and everything and then they turn into these amazing pop songs.”