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Memory Quotes

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Memory Quotes

“Slowly, quietly, like snow-flakes—like the small flakes that come when it is going to snow all night— little flakes of me, my impressions, my selections, are settling down on the image of her. The real shape will be quite hidden in the end. Ten minutes—ten seconds—of the real H. would correct all this. And yet, even if those ten seconds were allowed me, one second later the little flakes would begin to fall again. The rough, sharp, cleansing tang of her otherness is gone. What pitiable cant to say, ‘She will live forever in my memory!’ ‘Live?’ That is exactly what she won’t do. You might as well think like the old Egyptians that you can keep the dead by embalming them. Will nothing persuade us that they are gone? What’s left? A corpse, a memory, and (in some versions) a ghost. All mockeries or horrors. Three more ways of spelling the word ‘dead.”

“Today I had to meet a man I haven’t seen for ten years. And all that time I had thought I was remembering him well—how he looked and spoke and the sort of things he said. The first five minutes of the real man shattered the image completely. Not that he had changed. On the contrary. I kept on thinking, ‘Yes, of course, of course. I’d forgotten that he thought that—or disliked this, or knew soand-so—or jerked his head back that way.’ I had known all these things once and I recognized them the moment I met them again. But they had all faded out of my mental picture of him, and when they were all replaced by his actual presence the total effect was quite astonishingly different from the image I had carried about with me for those ten years. How can I hope that this will not happen to my memory of H.? That it is not happening already? Slowly, quietly, like snow-flakes—like the small flakes that come when it is going to snow all night— little flakes of me, my impressions, my selections, are settling down on the image of her. The real shape will be quite hidden in the end. Ten minutes—ten seconds—of the real H. would correct all this. And yet, even if those ten seconds were allowed me, one second later the little flakes would begin to fall again. The rough, sharp, cleansing tang of her otherness is gone.”

“She was obsessed, isolated, locked within herself, in feverish pursuit. She knew that something disastrous was happening to her, that possibly she was going mad, and she knew also that if she ceased for one moment to think about Steven, to carry him with her in her head, she might lose him. He was dead; he only existed in recollection; when recollection ceased even that tenuous existence would be gone. A name, no more. Like the host of names on the white tombstones of Bunhill Fields burial ground; the silent army beneath the soil.”

“There was a trick of his imagination which recurred persistently; it had recurred, ever since the last ghastly news was brought by the Dillard's [that the third (and last) son had died in the Civil War]. Ira kept seeing his sons around the place, he kept hearing their voices. Sometimes at home he would be in his tool shed, and it seemed that a corner of his vision caught the impression of young Moses going out the door. He was positive that sometimes lying dry and wakeful in the middle of the night, he heard the faint ring of china from Sutherland's room as the young man got up and used his chamber pot. Ira did not believe in ghosts as such. But he thought that perhaps the actual impression of the boys' living had left a variety of sights, sounds and scents which had never been expended and were not dead, even though the boys were dead. He thought that all the trees and shrubbery and walls and fences on the plantation might have absorbed the day-by-day activities of his sons, and still gave them forth, but faintly--as a roasted brick retain its heat long after it had been pinned up in flannel, and so afforded comfort to the cold feet of the invalid who needed warmth. And Ira needed this reassurance that his sons had once been part of a waking, busy scheme called Life; ah, he needed it.”

“I'm trying to stitch these scenes from a life together, I am trying to master the art of cinematic collage, but I find the material has become amorphous. I can no longer tell what is true apart from what I want to be tru anymore. It's like a movie I watched when I was high. The images shimmer somewhere in the mirky depths, I know I have watched this film before, but I can't pull up anything I would trust as real, true detail, because everything has been embellished by these years of grief, guilt and remorse. The celluloid has tarnished, it wasn't ever deemed to be worth much, it wasn't stored properly, so now the writer can't even decipher the director's name on the film can. I can no longer separate what happened on screen from the stoner wisecracks I made whilst watching it.”

“They said, 'Come to tea and let us comfort you.' But it is no good. One must be crucified on one's own private cross. It is a strange fact that a terrible pain in the heart can be interrupted by a little pain in the fourth toe of the right foot. I know that V. will not come across the garden from the lodge, & yet I look in that direction for her. I know that she is drowned & yet I listen for her to come in at the door. I know that it is the last page & yet I turn it over. There is no limit to one's stupidity and selfishness.”

“If he closed his eyes he could dwell in the circuit of air that had once held her, he could hold his breath and be inside her again, within the close and burning borders of her- she stood here, washed her hair in this sink, wrote upon this wall, ate roasted chicken at this table. There was no place he could enter where she had not also been, her echoes hanging in the air like pages hung to dry. No place that did not suppurate in her absence, which was not ringed with the light of her old selves, like film burned with a cigarette.”

“He quashed his memories too. His life in Canton - his mother, his grandparents, a decade of running about the docks - it all proved surprisingly easy to shed, perhaps because this passage was so jarring, the break so complete. He'd left behind everything he'd known. There was nothing to cling to, nothing to escape back to. His world now was Professor Lovell, Mrs. Piper, and the promise of a country on the other side of the ocean. He buried his past life, not because it was so terrible but because abandoning it was the only way to survive. He pulled on his English accent like a new coat, adjusted everything he could about himself to make it fit, and within weeks, wore it in comfort. In weeks, no one was asking him to speak a few words in Chinese for their entertainment. In weeks, no one seemed to remember he was Chinese at all.”

“Rewind the Film I wish I had a film of you. I’d love to see you move again, to see the gestures that I knew when you were here, as we were then, and know I’d not forgotten what was true of you and what was not. I’d watch as if through window panes and you still moved beyond the glass, knowing memory remains although the years and lives must pass, and from your movements could infer the unity of what you were. Perhaps I’d hear your voice again, if no more than a sound or two, and know it as I knew it when we rested on the grass, and you would close your eyes and feel the sun as if the end had not begun. I’d know that what I heard and saw was not the shadow of my mind and know you almost as before, when in the outward form I’d find the creature that I couldn’t see or hear, and all you were to me, as if I felt a wind that blew across that insubstantial day or sun illuminating you because I’ve felt the sunlight play on flesh, and though the hours pass had reached the world beyond the glass.”

“Then again, in the early morning hours, when the world outside whispers of slumber, my fingers still trace the outline of a memory. He rests there, in that blind spot between the everyday, when his presence feels most palpable, engraved on the half of the bed that remains unforgivingly empty. What a paradox of loss, this heightened sense of him in the heart of his absence.”

“For a moment I felt a vicious hatred for him and his quiet ways, his mundane stroll through the summer, his ordinariness, the banality of everything he had become. He should have been a hero or a seer. He should have told me some incredible story that I could carry with me forever. After all, he had been the one who had run along the beach parallel to a porpoise, who filled his pockets full of pebbles, who could lift the stray orange cat in his fingers.”

“Everybody knew what she was called, but nobody anywhere knew her name. Disremembered and unaccounted for, she cannot be lost because no one is looking for her, and even if they were, how can they call her if they don't know her name? Although she has claim, she is not claimed. In the place where long grass opens, the girl who waited to be loved and cry shame erupts in her separate parts, to make it easy for the chewing laughter to swallow her all away. It was not a story to pass on.”

“I remember my sister’s last hoorah. She joined all the black people I’m tired of losing, All the dead from parts of Florida, Ferguson, Brooklyn, Charleston, Cleveland, Chicago, Baltimore, wherever the names alive are Like the names in graves. I am someone With a good memory & better imagination.”

“I realized that my jaws were locked, teeth clenched, my eyes wide, and from the light-headedness, I imagined I must look frightfully pale. And I was holding my breath, resisting life so I could resist change from happening. I had so much fear in me. Fear that in this change my home would disappear. I had grown up under the memory of my brother's stories of home, and in the twelve years that had passed without him, I realized that I had been waiting, that I had never truly left Heuksan Island. The home Brother had told me about, I had dreamed of arriving there one day. A home where there was no more sorrow or tears, no more deaths or farewells. A place of togetherness. But now this place would change into a haunted mansion full of strangers and ghosts. How could I embrace them? What did family mean when family had gone away and returned, scarred to the point of being unrecognizable? How could you embrace a stranger with haunted eyes that looked right through you?”

“He heard a dresser drawer slide shut in the bedroom. She came out dressed all in black, as she almost always did, and carrying the three pieces of a plate that had fallen off the bed the night before; it was a light shade of blue, and sticky with pomegranate juice. He heard her dropping it into the kitchen trash can before she wandered past him into the living room. She stood in front of his sofa, running her fingers through her hair to test for dampness, her expression a little blank when he glanced up at her, and it seemed to him later that she’d been considering something, perhaps making up her mind. But then, he played the morning back so many times that the tape was ruined—later it seemed possible that she’d simply been thinking about the weather, and later still he was even willing to consider the possibility that she hadn’t stood in front of the sofa at all—had merely paused there, perhaps, for an instant that the stretched-out reel extended into a moment, a scene, and finally a major plot point. Later he was certain that the first few playbacks of that last morning were reasonably accurate, but after a few too many nights of lying awake and considering things, the quality began to erode. In retrospect the sequence of events is a little hazy, images running into each other and becoming slightly confused: she’s across the room, she’s kissing him for a third time—and why doesn’t he look up and kiss her? Her last kiss lands on his head—and putting on her shoes; does she kiss him before she puts on her shoes, or afterward? He can’t swear to it one way or the other. Later on he examined his memory for signs until every detail seemed ominous, but eventually he had to conclude that there was nothing strange about her that day. It was a morning like any other, exquisitely ordinary in every respect.”

“Sorrow in the Heart of an Apple” I tidied my old sorrow, wrapped it gently in scented cloth, and buried it beneath the apple tree in our village orchard. Seasons rolled by... And I believed it was finished, forgotten, even the burial site lost to memory. Then came harvest. I plucked a red apple— shiny, luscious, radiant with promise. But with the first bite, I tasted it. That same sorrow, aged but unmistakable. It had not only survived— it had multiplied. Now here I am, face to face again, finding it in the heart of every apple.”