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Memory Quotes

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Memory Quotes

“Nostalgia is an illness, but it belongs to the person through whom time is filtered, unpredictably and individually, with all the flaws and defects inherent in human beings. The era that had passed is located in pockets of consciousness, some hidden and unseen, like ponds in remote forests, some bright and familiar like houses on the forest edge, but all of them fragile and changeable, and they die when consciousness dies.”

“…suddenly I wanted to go back and be in all the places I’d ever been, every street I’d walked down, every room I’d sat down in. I wanted to see it all again. I tried to remember my life, flipping through Polaroids in my mind. . . . But I knew that even if I could go back, if such a thing were possible with exactitude, in life or in dreams, there was really no point.”

“The Road Back The car is heavy with children tugged back from summer, swept out of their laughing beach, swept out while a persistent rumour tells them nothing ends. Today we fret and pull on wheels, ignore our regular loss of time, count cows and others while the sun moves over like an old albatross we must not count nor kill. There is no word for time. Today we will not think to number another summer or watch its white bird into the ground Today, all cars, all fathers, all mothers, all children and lovers will have to forget about that thing in the sky, going around like a persistent rumour that will get us yet.”

“La plus violente douleur qu'on puisse éprouver, certes, est la perte d'un enfant pour une mère, et la perte de la mère pour un homme. Cela est violent, terrible, cela bouleverse et déchire; mais on guérit de ces catastrophes comme des larges blessures saignantes. Or, certaines rencontres, certaines choses entr'aperçues, devinées, certains chagrins secrets, certaines perfidies du sort, qui remuent en nous tout un monde douloureux de pensées, qui entr'ouvrent devant nous brusquement la porte mystérieuse des souffrances morales, compliquées, incurables, d'autant plus profondes qu'elles semblent bénignes, d'autant plus cuisantes qu'elles semblent presque insaisissables, d'autant plus tenaces qu'elles semblent factices, nous laissent à l'âme comme une traînée, un goût d'amertume, une sensation de désenchantement dont nous sommes longtemps à nous débarrasser.”

“Nostalgia is not indulgence. Nostalgia tells us we are in the presence of imminent revelation, about to break through the present structures held together by the way we have remembered: something we thought we understood but that we are now about to fully understand, something already lived but not fully lived, issuing not from our future but from something already experienced; something that was important, but something to which we did not grant importance enough, something now wanting to be lived again, at the depth to which it first invited us but which we originally refused. Nostalgia is not an immersion in the past, nostalgia is the first annunciation that the past as we know it is coming to an end.”

“He stood and stared into the distance for a long while; he knew this spot particularly well. While attending university it often happened — a hundred times, perhaps, usually on his way home — that he would pause at precisely this spot, look intently at this truly magnificent panorama and every time be almost amazed by the obscure, irresolvable impression it made on him. An inexplicable chill came over him as he gazed at this magnificence; this gorgeous scene was filled for him by some dumb, deaf spirit... He marvelled every time at this sombre, mysterious impression and, distrusting himself, put off any attempt to explain it. Now, all of a sudden, those old questions of his, that old bewilderment, came back to him sharply, and it was no accident, he felt, that they'd come back now. The simple fact that he'd stopped at the very same spot as before seemed outlandish and bizarre, as if he really had imagined that now he could think the same old thoughts as before, take an interest in the same old subjects and scenes that had interested him... such a short while ago. He almost found it funny, yet his chest felt so tight it hurt. In the depths, down below, somewhere just visible beneath his feet, this old past appeared to him in its entirety, those old thoughts, old problems, old subjects, old impressions, and this whole panorama, and he himself, and everything, everything... It was as if he were flying off somewhere, higher and higher, and everything was vanishing before his eyes... Making an involuntary movement with his hand, he suddenly sensed the twenty-copeck piece in his fist. He unclenched his hand, stared hard at the coin, drew back his arm and hurled the coin into the water; then he turned round and set off home. It felt as if he'd taken a pair of scissors and cut himself off from everyone and everything, there and then.”

“He listened to the hooting of many metal horns, squealing of brakes, the calls of vendors selling red-purple bananas and jungle oranges in their stalls. Colonel Freeleigh's feet began to move, hanging from the edge of his wheel chair, making the motions of a man walking. His eyes squeezed tight. He gave a series of immense sniffs, as if to gain the odors of meats hung on iron hooks in sunshine, cloaked with flies like a mantle of raisins; the smell of stone alleys wet with morning rain. He could feel the sun bum his spiny-bearded cheek, and he was twenty-five years old again, walking, walking, looking, smiling, happy to be alive, very much alert, drinking in colors and smells.”

“The phone was laid on a desk thousands of miles away. Once more, with that clear familiarity, the footsteps, the pause, and, at last, the raising of the window. "Listen," whispered the old man to himself. And he heard a thousand people in another sunlight, and the faint, tinkling music of an organ grinder playing "La Marimba"— oh, a lovely, dancing tune. With eyes tight, the old man put up his hand as if to click pictures of an old cathedral, and his body was heavier with flesh, younger, and he felt the hot pavement underfoot. He wanted to say, "You're still there, aren't you? All of: you people in that city in the time of the early siesta, the shops closing, the little boys crying loteria nacional para hoy! to sell lottery tickets. You are all there, the people in the city. I can't believe I was ever among you. When you are away I: from a city it becomes a fantasy. Any town, New York, Chicago, with its people, becomes improbable with distance. Just as I am improbable here, in Illinois, in a small town by a ' quiet lake. All of us improbable to one another because we are not present to one another. And it is so good to hear the sounds, and know that Mexico City is still there and the people moving and living . . .”

“If a memory or a particular sadness we feel is capable of disappearing, to the point where we no longer notice it, it can also return and sometimes remain there for a long time. There were evenings when, as I crossed the town on my way to the restaurant, I felt so great a pang of longing for Mme de Guermantes that it took my breath away: it was as if part of my breast had been cut out by a skilled anatomist and replaced by an equal part of immaterial suffering, by an equivalent degree of nostalgia and love. And however neat the surgeon’s stitches are, life is rather painful when longing for another person is substituted for the intestines; it seems to occupy more space than they do; it is a constantly felt presence; and then, how utterly unsettling it is to be obliged to think with part of the body! Yet it does somehow make us feel more authentic.”

“Ah, happy hills, ah, pleasing shade, Ah, fields belov'd in vain, Where once my careless childhood stray'd, A stranger yet to pain! I feel the gales, that from ye blow, A momentary bliss bestow, As waving fresh their gladsome wing, My weary soul they seem to soothe, And, redolent of joy and youth, To breathe a second spring.”

“The uncertainty of the future made them turn their hearts toward the past. They saw themselves in the lost paradise of the deluge, splashing in the puddles in the courtyard, killing lizards to hang on Úrsula, pretending that they were going to bury her alive, and those memories revealed to them the truth that they had been happy together ever since they had had memory.”

“Борьба за "прекрасное прошлое" преграждает [путь] любым возможностям мыслей о будущем. Как сварливая жена и мать, "отдавшая лучшие годы" другому времени, мы не способны понимать настоящее и не хотим думать о том, что ждет нас дальше.”

“You scour these Chinatowns of the mind, translating them like sutras Xuan Zhang fetched from India, testing ways return might be possible against these homesick inventions, trace the traveller's alien steps across borders, and in between discover how transit has a way of lasting, the way these Chinatowns grew out of not knowing whether to return or to stay, and then became home.”

“There are so few people left alive from back then, you may as well be talking to them about the Black Death. Nobody recalls the shite in the 30s and that were fucking horrible. For Christ's sake, nobody wants to remember the shite in the 80s. It's all forgotten and swept under the rug by the newspapers and the BBC. They get nostalgic about the music, but they never want to mention the misery. It's all shite. As for the bloody Second World War, the politicians only talk about it when they need an excuse to go pissing about in one of those fucking Muslim countries.”

“The more vast the amount of time we've left behind us, the more irresistible is the voice calling us to return to it. This pronouncement seems to state the obvious and yet it is false. Men grow old, the end grows near, each moment becomes more and more valuable and there is no time to waste on recollection. It's important to understand the mathematical paradox in nostalgia, that it is most powerful in early youth , when the volume of life that has passed is quite small.”