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Memory Quotes

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Memory Quotes

“Once we become our own ghosts, we constantly ask how we died and who ultimately killed us— we never recall the moment when everything turned against us, how we drowned in the demands of life. Like someone waking from a dream, suddenly wary-eyed and cold, we finally remember that we haunted others and fled our own souls by imitating their lives nearly perfectly, yet death eventually caught up with us. Somehow, we ask ourselves where everyone else has gone and how nothing ever escaped the mind we now possess.”

“While for you I waited, to life I dreamed this, for others - a memory - marvellous kiss, soft your dreamy frame in my mid-summer shades, you were right ahead, behind me - Heaven’s gates, yet Heaven is surely right out of this world, thus, you with, I’m left, in a dream, that unfurls… Whenever I need a woman, like you, that is perfect, I don’t wait to grow wings, for wings aren’t worth it, I’m sure that whenever, succumb I, to death, right with me you will be, in my last (smiling) breath…”

“He could reconstruct all his dreams, all his half-dreams. Two or three times he had reconstructed a whole day; he never hesitated, but each reconstruction had required a whole day. He told me: "I alone have more memories than all mankind has probably had since the world has been the world." And again: "My dreams are like you people's waking hours. And again, toward dawn: "My memory, sir, is like a garbage heap." A circle drawn on a blackboard, a right triangle, a lozenge-all these are forms we can fully and intuitively grasp; Ireneo could do the same with the stormy mane of a pony, with a herd of cattle on a hill, with the changing fire and its innumerable ashes, with the many faces of a dead man throughout a long wake. I don't know how many stars he could see in the sky.”

“There either is or is not, that’s the way things are. The colour of the day. The way it felt to be a child. The saltwater on your sunburnt legs. Sometimes the water is yellow, sometimes it’s red. But what colour it may be in memory, depends on the day. I’m not going to tell you the story the way it happened. I’m going to tell it the way I remember it. — Great Expectations (1998) directed by Alfonso Cuarón”

“Beyond any human lifetime, and often even within it, what is recorded is what is remembered, the records gradually displacing the actuality of lived events. And what is recorded is a fraction of what is thought, felt, acted out, lived—a fraction at best edited by the very act of its selection, at worst warped by rationalization or fictionalized by a deliberate retelling of reality. The stories we tell about our own lives, to others but especially to ourselves, we tell in order to make our lives livable.”

“…the sad part is, that I will probably end up loving you without you for much longer than I loved you when I knew you. Some people might find that strange. But the truth of it is that the amount of love you feel for someone and the impact they have on you as a person, is in no way relative to the amount of time you have known them.”

“I did give serious thought to the notion of rowing out beyond the breakers on the night on which my house was burning to the ground, actually, once it had struck me to wonder from how far out the flames might be seen. Doubtless I would not have rowed nearly far enough, even if I had gone, since one would have surely had to row all the way beyond the horizon itself. For that matter one might have actually been able to row as far as to where one was out of sight of the flames altogether, and yet still have been seeing the glow against the clouds. Which is to say that one would have then been seeing the fire upside down, so to speak. And not even the fire, but only an image of the fire. Possibly there were no clouds, however. And in either case I no longer had a rowboat.”

“Out of the myriad events that take place during a typical day, we select information to remember based on its emotional intensity. During sleep, this information is both consolidated into long-term memory and integrated into existent memory, while the emotionality attached to the memory is assimilated and fades over time. It is as if a major purpose of emotion is to tag an event as something important for us to remember, and once this purpose is served, the emotion can attenuate.”

“When we are awake we are looking through the wrong end of the telescope if transformational creativity is our goal. We take a myopic, hyperfocused, and narrow view that cannot capture the full informational cosmos on offer in the cerebrum. When awake, we see only a narrow set of all possible memory interrelationships. The opposite is true, however, when we enter the dream state and start looking through the other (correct) end of the memory-surveying telescope. Using that wide-angle dream lens, we can apprehend the full constellation of stored information and their diverse combinatorial possibilities, all in creative servitude.”

“Covering up with one of his wings, I surround myself with the scent of licorice and honey. “You want to hold me while I sleep. You want to watch my face as I dream like you never have—from the outside.” He traces my eye markings with an elegant fingertip. “That will be my memory to cling to, until you’re mine forever at last, both in waking hours and sleep. The question is, do you trust me enough to give me that? To rest in my arms tonight?” I hold his soft palm against my cheek. “Will you sing me my lullaby?” He weaves his fingers through my hair and presses my forehead to his. “Forever and always,” he whispers. As he hums the tune that has been inside my mind and heart all my life, I close the waterfall canopy, cocooning us within our own frozen pocket of time.”

“Only in sleep, where there's nothing but mind, can the mind clearly process all of the day's experiences/memories - without distraction. And, perhaps, only in sleep, where there's nothing but mind, can the mind truly understand the meaning of these memories, as well, and assimilate them with all the other memories you've accumulated over time, forming greater meanings - unintelligible in the light of day - building, perhaps, to some ultimate meaning at the culmination of life - unintelligible in the light of living.”

“Those places where sadness and misery abound are favoured settings for stories of ghosts and apparitions. Calcutta has countless such stories hidden in its darkness, stories that nobody wants to admit they believe but which nevertheless survive in the memory of generations as the only chronicle of the past. It is as if the people who inhabit the streets, inspired by some mysterious wisdom, relalise that the true history of Calcutta has always been written in the invisible tales of its spirits and unspoken curses.”

“devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died”

“Sometimes as I am falling asleep in a dark, quiet room I have for a moment a great and treasurable illusion of the past. The wall of a tent leans up over my face, not visible but audible, a slanting plane of faint sound: the susurrus of blown snow. Nothing can be seen. The light-emission of the Chabe stove is cut off, and it exists only as a sphere of heat, a heart of warmth. The faint dampness and confining cling of my sleeping-bag; the sound of the snow; barely audible, Estraven’s breathing as he sleeps; darkness. Nothing else. We are inside, the two of us, in shelter, at rest, at the center of all things. Outside, as always, lies the great darkness, the cold, death’s solitude. In such fortunate moments as I fall asleep I know beyond doubt what the real center of my own life is, that time which is past and lost and yet is permanent, the enduring moment, the heart of warmth.”