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Mourning Quotes

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Mourning Quotes

“Whether we are writing fiction or nonfiction, journaling or writing for publication, writing itself is an inherently therapeutic activity. Simply to line up words one after another upon a page is to create some order where it did not exist, to give a recognizable shape to the chaos of our lives. Writing cannot bring our loved ones back, but it can sometimes fix them in our fleeting memories a s they were in life, and it can always help us make it through the night.”

“The smell of flowers was overwhelming, and it reminded me of walking into a flower shop to pick the perfect bouquet when my gran died. It wasn’t a good memory, and the smell was intoxicating. My heart broke while looking at the beautiful variations of flowers and smelling the sweet nectar. It was a terrible mix. The beauty, the nature, the colors, and the smell—all laced with grief. And what I could never comprehend was that flowers were for every occasion. You get them when you’re in love and when it’s your birthday; you can get them with a new job or a raise. And how is it supposed to make you feel when all you can remember is the smell of heartbreak, and it takes you back to that space in time? It doesn’t feel like a celebration of anything, but more like torture. Torture of the mind and soul.”

“Epitaph 'On her Son H.P. at St. Syth’s Church where her body also lies interred' What on Earth deserves our trust? Youth and Beauty both are dust. Long we gathering are with pain, What one moment calls again. Seven years childless marriage past, A Son, a son is born at last: So exactly lim’d and fair, Full of good Spirits, Meen, and Air, As a long life promised, Yet, in less than six weeks dead. Too promising, too great a mind In so small room to be confined: Therefore, as fit in Heaven to dwell, He quickly broke the Prison shell. So the subtle Alchemist, Can’t with Hermes Seal resist The powerful spirit’s subtler flight, But t’will bid him long good night. And so the Sun if it arise Half so glorious as his Eyes, Like this Infant, takes a shrowd, Buried in a morning Cloud.”

“Paul and I sat in lawn chairs in my yard, and usually we could cheer each other up by talking about Billy. It was September 1993, and he had been gone four months. We had started the thing you do, where you collect the stories you'll tell over and over again. You begin to polish the edges of a memory--something funny he said or a specific performance--until the edges are smoothed and the story is comforting.”

“I no longer believe that grief and resistance are mutually exclusive: I think the former is necessary to the latter, that honest sorrow is perhaps the only thing that makes a real fight even possible. To mourn without fighting is to tap out at the exact moment we need to step in, but to fight without mourning is to grapple with a ghost, to try to stop something you've never actually realized.”

“I didn't feel anything at first when Miss Ethel told me, but now I think about it all the time. It's like there's a baby girl down here waiting to be born. She's somewhere close by in the air, in this house, and she picked me to be born to. And now she has to find some other mother." Cee began to sob. "Come on girl. Don't cry," whispered Frank. "Why not? I can be miserable if I want to. You don't need to try and make it go away. It shouldn't go away. It's just as sad as it ought to be and I'm not going to hide from what's true just because it hurts.”

“Like the good spirit, ready to convict us, knowing is looking right at us, waiting for our inner space to surrender ourselves to the need of it,” the young lady said. “Knowing things outside of the things we are allowed to live is possible. We just need to be aware about the possibility of ‘What if?’ It is that simple. But if we judge others based on the fact that what happened to them hasn’t happened to us, we allow ourselves to know only one thing. And that is to not know anything. And then our state of consciousness is only aware of one thing. “And that is the life we live. We go about our ways with eyes that bypass the hurt that underlies the physical tears others walk with, yet we still feel the need to mention the absence of our tears to prove their sinful manner of living. Our minds become the ears and the eyes with which we judge what we should know differently. This is according to our rationalized state of consciousness. We simply overlook the suffering of others because we ourselves suffer as well from the lack of knowing it. That part I get it. When your sister buries her dear child, please mourn from the heart. You don’t have to bury someone to know death is painful. In fact, he should never be anyone’s eye, let alone you.”

“When a person you love dies, the calendar becomes a minefield. Anyone who has lost someone knows this. There is the loved one’s birthday. One’s own Birthday. Various national and religious holidays, if one is religious. All of these days are difficult in their own ways. But the anniversary is different. On the anniversary of the loved one’s death, you slip backward through time to this same day, one, five, ten years ago. You live it all over again, minute by minute.”

“I think about swimming with him into that cave, about the swell of clear water, the way it changed, the swiftness and power it gained as it narrowed through the rocks at the base of the point. The tide had to be just right. We had to be in the water at the very moment the tide was right. We could only have done this a half dozen times at most during the two years we lived there but it is what I remember. Each time we did it I was afraid of missing the swell, hanging back, timing it wrong. He never was. You had to feel the swell change. You had to go with the change. He told me that. No eye is on the sparrow but he did tell me that.”

“I did know some people who would receive me, but reluctantly, because I had nothing to offer company save a long face and a self-pitying heart, and I had no intention of changing either. Black Americans of my generation didn't look kindly on public mournings except during or immediately after funerals. We were expected by others and by ourselves to lighten the burden by smiling, to deflect possible new assaults by laughter. Hadn't it worked for us for centuries? Hadn't it?”

“Somewhere, we all mourn this stripped reality, this residual existence, this total disillusion. And there is, within this entire story of the Loft, a collective work of mourning. But a mourning which is part of the solidarity between the criminals themselves that we all are - the murderers of this crime perpetrated against real life, and the wallowing confession made to the screen, which in some ways becomes our literal confessional (the confessional is one of the key sites of Loft Story). Here we see our true mental corruption - in the consumption of this deception and mourning which becomes a contradictory source of pleasure. In any case, nevertheless, the disavowal of this experimental masquerade is reflected in the deadly boredom that emanates from it.”