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Mouths Quotes

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Mouths Quotes

“I’m instantly mortified by my fat, uncontrollable mouth, but that’s when it occurs to me that my humor is a self-defense mechanism. Even though I may come off like a stark raving asshat, being funny is the most important tool I have to stay sane. The ability to say what I think is the key to allowing me to feel in control.”

“What is it to be rich? It is to have an assured income in excess of expenditures, and to have no occasion for anxiety for the morrow. It is to be above the necessity of living from hand to mouth. It is to be able (or to have grounds to insanely suppose one's self to be able) to live outside of God's providence.”

“Imagine that for hundreds of years your most formative traumas, your daily suffering and pain, the abuse you live through, the terror you live with, are unspeakable - not the basis of literature. You grow up with your father holding you down and covering your mouth so another man can make a horrible searing pain between your legs.... You learn how to leave your body and create someone else who takes over when you cannot stand it any more. You develop a self who is ingratiating and obsequious and imitative and aggressively passive and silent - you learn, in a word, femininity.”

“The girl must early be impressed with the idea that she is to be "a hand, not a mouth"; a worker, and not a drone, in the great hive of human activity. Like the boy, she must be taught to look forward to a life of self-dependence, and early prepare herself for some trade or profession.”

“Let every one of us cultivate, in every word that issues from our mouth, absolute truth. I say cultivate, because to very few people - as may be noticed of most young children - does truth, this rigid, literal veracity, come by nature. To many, even who love it and prize it dearly in others, it comes only after the self-control, watchfulness, and bitter experience of years.”

“Sometimes it takes all my resolution and power of self-control to refrain from butting my head against the wall. I want to howl and foam at the mouth but I daren't.”

“Let this point therefore stand: that those whom the Holy Spirit has inwardly taught truly rest upon Scripture, and that Scripture itself is self-authenticated. . . . Therefore, illumined by his power, we believe neither by our own nor by any one else's judgment that Scripture is from God; but above human judgment we affirm with utter certainty (just as if we were gazing upon the majesty of God himself) that it has flowed to us from the very mouth of God by the ministry of men.”

“No more photos. Surely there are enough. No more shadows of myself thrown by light onto pieces of paper, onto squares of plastic. No more of my eyes, mouths, noses, moods, bad angles. No more yawns, teeth, wrinkles. I suffer from my own multiplicity. Two or three images would have been enough, or four, or five. That would have allowed for a firm idea: This is she. As it is, I'm watery, I ripple, from moment to moment I dissolve into my other selves. Turn the page: you, looking, are newly confused. You know me too well to know me. Or not too well: too much.”

“Everything is a self-portrait. A diary. Your whole drug history’s in a strand of your hair. Your fingernails. The forensic details. The lining of your stomach is a document. The calluses on your hand tell all your secrets. Your teeth give you away. Your accent. The wrinkles around your mouth and eyes. Everything you do shows your hand.”

“Whoever's reading this, if anyone is reading it: does it matter that our old selves are lost to us as surely as the past is lost, or is it enough to know yes we lived then, and we are living now, and the connection must be there? Like a river hundreds of miles long exists both at its source and at its mouth, simultaneously?”

“When most people looked at Josie Tyrell, they only saw a certain collection of bones, a selection of forms filling space. But Michael saw past the mouth and the eyes, the architecture of the body, her fleshly masquerade. Other boys were happy enough to enjoy the show, they just wanted to be entertained in the body's shadow theater. But Michael had to come backstage. He went down into the mines, into the dark, and brought up the gold, your new self, a better self. But what good was it if he was just going to leave her behind?”