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Mouths Quotes

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Mouths Quotes

“The area between the nose and the chin, the subject of kissing and the vehicle for speech, is perhaps even more known and set upon than the eyes. The mouth is also riddled with a complex interweaving of folds, curves, flats and lost-and-found edges. These nuances are needed by a perceptive person who might try to understand human nature.”

“Atheism is so senseless & odious to mankind that it never had many professors. Can it be by accident that all birds beasts & men have their right side & left side alike shaped (except in their bowels) & just two eyes & no more on either side the face & just two ears on either side the head & a nose with two holes & no more between the eyes & one mouth under the nose & either two fore legs or two wings or two arms on the shoulders & two legs on the hips one on either side & no more?”

“We shall not attempt to give the reader an idea of that tetrahedron nose-that horse-shoe mouth-that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart-of those straggling teeth with breaches here and there like the battlements of a fortress-of that horny lip, over which one of those teeth projected like the tusk of an elephant-of that forked chin-and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination.”

“Every creature reproduces after its kind. A dog gives birth to dogs, a cat gives birth to cats, a cow gives birth to cows, a monkey reproduces monkeys and a human reproduces humans. So when God gives birth, what do you think He'll reproduce? gods, of course! When God created Man, He created him in His image and after His likeness. That's why we look like Him; we have two hands the same way He has two hands. We have two legs, one head, one mouth, one nose, two ears and two eyes just like Him.”

“No more photos. Surely there are enough. No more shadows of myself thrown by light onto pieces of paper, onto squares of plastic. No more of my eyes, mouths, noses, moods, bad angles. No more yawns, teeth, wrinkles. I suffer from my own multiplicity. Two or three images would have been enough, or four, or five. That would have allowed for a firm idea: This is she. As it is, I'm watery, I ripple, from moment to moment I dissolve into my other selves. Turn the page: you, looking, are newly confused. You know me too well to know me. Or not too well: too much.”

“Siobhan also says that if you close your mouth and breathe out loudly through your nose it can mean that you are relaxed, or that you are bored, or that you are angry and it all depends on how much air comes out of your nose and how fast and what shape your mouth is when you do it and how you are sitting and what you just said before and hundreds of other things which are too complicated to work out in a few seconds.”

“The child had indeed shut up but all the questions that had accumulated on his tongue circulated in his mouth, moved through the passages of his nose and climbed up from there to tickle into his teardrop ducts, so in his moss green pupils, curious, insistent, accusing sparks of questions continued to light up and fade away like fireflies flitting about on summer nights.”

“The heart lies and the head plays tricks on us, but the eyes see true. Look with your eyes. Hear with your ears. Taste with your mouth. Smell with your nose. Feel with your skin. Then comes the thinking, afterward, and in a way knowing the truth.”

“A person who has good thoughts cannot ever be ugly. You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts they will shine out of your face like sunbeams and you will always look lovely.”

“She was not good on the phone. She needed the face, the pattern of eyes, nose, trembling mouth... People talking were meant to look at a face, the disastrous cupcake of it, the hide-and-seek of the heart dashing across. With a phone, you said words, but you never watched them go in. You saw them off at the airport but never knew whether there was anyone there to greet them when they got off the plane.”

“I haven’t had the chance to look at too many men’s faces up close. And I noticed how his skin was thicker than mine, and a gorgeous shade of toast. The stiff blond hairs on his cheeks and chin seemed to be growing before my eyes. He smelled like starch. Like pine. His nose wasn’t so pointy afterall. …And out of the blue, he kissed me. Right in the middle of the Robert E. Lee Hotel Restaurant, he kissed me so slowly with an open mouth and every single thing in my body-my skin, my collarbone, the hollow backs of my knees, everything inside of me filled up with light.”

“And Jessamine-Jessamine was gazing at her in abject horror, like someone who has seen a vision of their own ghost. For a moment Tessa felt a stab of guilt. It lasted only a moment, though. Slowly Jessamine lowered her hand from her mouth, her face still very pale. "Goodness, my nose is enormous," she exclaimed. "Why didn't anyone tell me?”

“I also stole a small yellow doughnut from the box of Duncan's doughnuts in the rec room and fed it to the attack poodle in my office. He made a great production of it. First, he growled at the doughnut, just to show it who was boss. Then he nudged it with his nose. Then he licked it, until finally he snagged it into his mouth and chomped it with great pleasure, dropping crumbs all over the carpet.”

“I dived for it, caught it three inches above the cement, and found myself face-to-face with the salamander. Ruby-red eyes regarded me with mild curiosity, black lips parted, and a long, spiderweb-thin filament of a tongue slithered from the salamander’s mouth and kissed the sphere’s glass in the reflection of my nose. Hi, I love you, too.”

“Chong said, 'Do yourself a favor, Morg. Next time you're staring at a girl's boobs, look up. You'll be shocked to learn it, but there's going to be a face up there. Nose, mouth, eyes. And behind the eyes is an actual person.”

“He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands.”

“Ethel said: "Lloyd, there's someone here you may remember-" Daisy could not restrain herself. She ran to Lloyd and threw herself into his arms. She hugged him. She looked into his green eyes, then kissed his brown cheeks and his broken nose and then his mouth. "I love you, Lloyd," she sad madly. "I love you, I love you, I love you." "I love you, too, Daisy," he said. Behind her, Daisy heard Ethel's wry voice. "You do remember, I see.”