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“Surely in much talk there cannot choose but be much vanity. Loquacity is the fistula of the mind,--ever-running and almost incurable, let every man, therefore, be a Phocion or Pythagorean, to speak briefly to the point or not at all; let him labor like them of Crete, to show more wit in his discourse than words, and not to pour out of his mouth a flood of the one, when he can hardly wring out of his brains a drop of the other.”

“Greetings, conversationalists across the fruited plain, this is Rush Limbaugh, the most dangerous man in America, with the largest hypothalamus in North America, serving humanity simply by opening my mouth, destined for my own wing in the Museum of Broadcasting, executing everything I do flawlessly with zero mistakes, doing this show with half my brain tied behind my back just to make it fair because I have talent on loan from ... God. Rush Limbaugh. A man. A legend. A way of life.”

“That's a big responsibility, and the details obsess me. And, also, I no longer feel I have to do the Tonight Show every time I open my mouth. Twenty years ago, I told myself I'd rather direct than act, and it's taken me this long. You lose your passion in acting. You make too many mistakes. Maybe that's why I make so many movies; if you don't like this one, another one's opening on Tuesday. But then I spent six months of my life on 'At Long Last Love,' a picture nobody saw. I enjoyed making it, I learned from it, I grew, but that's too much time out of my life.”

“There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.”

“I am what I am, and what I am is always due to him; whatever in me or in my words is good and true and eternal came to me from his mouth, his heart, his soul. Sri Ramakrishna is the spring of this phase of the earth's religious life, of its impulses and activities. If I can show the world one glimpse of my Master, I shall not have lived in vain.”

“My teenage children watched Senator Clinton on the Today Show, mouths agape. They attended our local caucus with me and saw hundreds of our friends and neighbors gathered in the elementary school gym on that Sunday afternoon, despite an ugly Maine snowstorm. They listened to the thoughtful searching debates and saw us cast our votes. How could anyone suggest we didn't know exactly what we were doing? 'What's the point of electing someone who doesn't believe in the American people?' they asked. 'If she wants to ignore us now when she's only a candidate, what will she do as the President?'”

“Everything is a self-portrait. A diary. Your whole drug history’s in a strand of your hair. Your fingernails. The forensic details. The lining of your stomach is a document. The calluses on your hand tell all your secrets. Your teeth give you away. Your accent. The wrinkles around your mouth and eyes. Everything you do shows your hand.”

“I am a mess. Like that MargieMocha, I am spilled across a floor, but there's nobody to mop me up. I have only one thing to show for the day: Perry Delloplane. The sound of a name. It is a grape in my mouth. I roll it over and over on my tongue--perrydelloplaneperrydelloplaneperrydelloplaneperrydelloplane--but when I try to crush it with my teeth, it slips away.”

“When most people looked at Josie Tyrell, they only saw a certain collection of bones, a selection of forms filling space. But Michael saw past the mouth and the eyes, the architecture of the body, her fleshly masquerade. Other boys were happy enough to enjoy the show, they just wanted to be entertained in the body's shadow theater. But Michael had to come backstage. He went down into the mines, into the dark, and brought up the gold, your new self, a better self. But what good was it if he was just going to leave her behind?”

“His mouth captured hers, trying to show her with his kiss what he was still learning to express in words. He loved her. He worshipped her. He'd walk across fire for her. He— —still had the audience of her three brothers. Slowly breaking the kiss, he turned his face to the side. Anthony, Benedict, and Colin were still standing in the foyer. Anthony was studying the ceiling, Benedict was pretending to inspect his fingernails, and Colin was staring quite shamelessly.”

“I also stole a small yellow doughnut from the box of Duncan's doughnuts in the rec room and fed it to the attack poodle in my office. He made a great production of it. First, he growled at the doughnut, just to show it who was boss. Then he nudged it with his nose. Then he licked it, until finally he snagged it into his mouth and chomped it with great pleasure, dropping crumbs all over the carpet.”

“It's a saying they have, that a man has a false heart in his mouth for the world to see, another in his breast to show to his special friends and his family, and the real one, the true one, the secret one, which is never known to anyone except to himself alone, hidden only God knows where.”

“Are you sure that being like everybody else will make you happy?" "I don't know any other way." "Let me show you." And then we're kissing. Or at least, I think we're kissing—I've only seen it done a couple of times, quick closed-mouth pecks at weddings or on formal occasions. But this isn't like anything I've ever seen, or imagined, or even dreamed: this is like music or dancing but better than both.”

“I wonder if they realize how much I notice about them They probably haven't a clue because I never look at them or show the slightest interest. But I'm very aware of everything. I remember seeing an old film once where a father says to his son: "Son when your mouth's open you're not learning anything." If that's true then I'm well on the way to becoming the world's wisest woman.”

“Now, if I could get Mark to put down his phone and stop taking breaks, we’d be able to finish up before Oprah comes on.” – Bubba “Bubba, what are you going to do when they cancel her show?” – Caleb “Shut your mouth, boy. That’s sacrilege in this store. You talk like that, and I’ll toss you through the window like an old-timey hobo in a Western.” – Bubba”