Quotessence
Home / Topics / Objects Quotes

Objects Quotes

Browse 4503 quotes about Objects.

Related topics

Objects Quotes

“I think the answer of course is that space and time are not these hard external objects. Again we're, scientists have been building from one side of nature (physics) without considering the other side (life in consciousness). Neither side exists without the other. They cannot be divorced from one another or else there is no reality.”

“It is probable that there is no one thing that it is of eminent importance for a child to learn. The true object of juvenile education, is to provide, against the age of five and twenty, a mind well regulated, active, and prepared to learn. Whatever will inspire habits of industry and observation, will sufficiently answer this purpose.”

“In the long run the answer to all those who object to the doctrine of hell, is itself a question: What are you asking God to do? To wipe out their past sins and, at all costs, to give them a fresh start, smoothing every difficulty and offering every miraculous help? But He has done so, on Calvary. To forgive them? They will not be forgiven. To leave them alone? Alas, I am afraid that is what He does.”

“The application of psychoanalysis to sociology must definitely guard against the mistake of wanting to give psychoanalytic answers where economic, technical, or political facts provide the real and sufficient explanation of sociological questions. On the other hand, the psychoanalyst must emphasize that the subject of sociology, society, in reality consists of individuals, and that it is these human beings, rather than abstract society as such, whose actions, thoughts, and feelings are the object of sociological research.”

“We're like Magic 8-Balls. After you ask your question and shake the 8-Ball, you read the answer in the little window. If you ever broke open a Magic 8-Ball with a hammer, you discovered that it contained a many-sided plastic object, with an answer on every facet, floating in a cylinder of murky blue fluid. The many-sided core held the answer to your question. My theory is that, as with our children, as with every surface of that geodesic dome inside the 8-Ball, every age we've ever been is who we are.”

“Curiosity is natural to the soul of man and interesting objects have a powerful influence on our affections. Let these influencing powers actuate, by the permission or disposal of Providence, from selfish or social views, yet in time the mysterious will of Heaven is unfolded, and we behold our conduct, from whatever motives excited, operating to answer the important designs of heaven.”

“What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism .”

“Until recently baby production was largely dependent on slave labour; as soon as women are allowed to answer the question "Would you like to squeeze as many objects the size of a watermelon out of your body as it takes to kill you?" they generally answer "No, thank you." This leads to falling birthrates everywhere women are not kept enslaved and ignorant of the alternatives.”

“Has he ever trapped you in a room and not let you out? Has he ever raised a fist as if he were going to hit you? Has he ever thrown an object that hit you or nearly did? Has he ever held you down or grabbed you to restrain you? Has he ever threatened to hurt you? If the answer to any of these questions is yes, then we can stop wondering whether he'll ever be violent; he already has been.”

“What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.”

“When any person of really eminent virtue becomes the object of envy, the clamor and abuse by which he is assailed is but the sign and accompaniment of his success in doing service to the public. And if he is a truly wise man, he will take no more notice of it than the moon does of the howling of the dogs. Her only answer to them is to shine on.”