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Objects Quotes

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Objects Quotes

“The seeing of objects involves many sources of information beyond those meeting the eye when we look at an object. It generally involves knowledge of the object derived from previous experience, and this experience is not limited to vision but may include the other senses: touch, taste, smell, hearing, and perhaps also temperature or pain.”

LooksMayEyePainVisionSeeingInformationObjectsSourcePerspectiveTasteMeetingsHearingSmellSensesTemperature
Author:Richard Gregory
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“Looking for the essence of beauty is comprehending and appreciating that quality in an object which is fairer and better than only what our eyes see or our ears hear, whether that be a patch of blue in an overcast sky, the fleeting laughter from a voice we love, or something as unexpected as the rainbow colors in a spot of oil on the driveway.”

EyeVoiceQualityBeautySkyObjectsColorLaughterAppreciateEssenceEarsBlueOilSpotsUnexpectedRainbowFleetingPatchesComprehendingDrivewayOvercastEssence Of Beauty
Book:You Bring the Confetti
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“TELESCOPE, n. A device having a relation to the eye similar to that of the telephone to the ear, enabling distant objects to plague us with a multitude of needless details. Luckily it is unprovided with a bell summoning us to the sacrifice.”

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Book:Delphi Complete Works of Ambrose Bierce (Illustrated)
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“The imagination acquires by custom a certain involuntary, unconscious power of observation and comparison, correcting its own mistakes, and arriving at precision of judgment, just as the outward eye is disciplined to compare, adjust, estimate, measure, the objects reflected on the back of its retina.”

EyeCertainImaginationMistakeObjectsJudgmentObservationCompareAcquireUnconsciousComparisonCustomsPrecisionArrivingCorrectingInvoluntary
Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“There are three aspects to perspective. The first has to do with how the size of objects seems to diminish according to distance: the second, the manner in which colors change the farther away they are from the eye; the third defines how objects ought to be finished less carefully the farther away they are.”

FirstsSeemsEyeThreeObjectsColorPerspectiveOughtAspectThirdsDistanceSizeFinishedDiminish
Book:Leonardo da Vinci's advice to artists
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“It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted.”

FirstsArtCharacterLightEyeTurnsObjectsColorMastersDegreesHighestMarkRegardExcellenceShadeStrokes
Book:Discourses on Painting and the Fine Arts, Delivered at the Royal Academy
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“It seems to me that Mr. Sculley understood the very nucleus of existence, that he had kept his young eyes and young heart even though his body had grown old. He saw straight through to the cosmic order of things, and he knew that life is not held only in flesh and bone, but also in those objects - a good, faithful pair of shoes; a reliable car; a pen that always works; a bike that has taken you many a mile.”

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Author:Robert R. McCammon
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“We live in a wonderful world that is full of beauty and charm and adventure. There is no end to the adventures that we can have if only we seek them with our eyes open. So many people seem to go about their life's business with their eyes shut. Indeed, they object to other people keeping their eyes open. Unable to play themselves, they dislike the play of others.”

PeopleIfsWorldEndsPlaySeemsEyeWonderfulObjectsAdventureCharmDislikeWonderful World
Book:Jawaharlal Nehru's speeches
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“We see buildings in Britain mostly as freestanding objects. They are not meant to have a dialogue with anything around them, or with history, or with ideas of any kind beyond the self-referential. What we call 'regeneration' is largely an excuse for building for maximum profit with a bit of sculptural design thrown in to catch the eye of the media.”

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Author:David Chipperfield
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“One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there?”

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Author:Virginia Woolf
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“A people contending for life and liberty are seldom disposed to look with a favorable eye upon either men or measures whose passions, interests or consequences will clash with those inestimable objects.”

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Book:The writings of George Washington from the original manuscript sources, 1745-1799: prepared under the direction of the United States George Washington bicentennial commission and published by authority of Congress
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“The question so often asked of modern painting, "What is it?", contains more than the dull skepticism of the man who is not going to have the wool pulled over his eyes. It speaks of a fundamental placement in relation to the work, that of a voyager in the world coming upon a strange object. The reader reconstitutes the work by his active participation, by approaching the object, tapping it, shaking it, holding it to his ear to hear the roaring within. It is characteristic of the object that it does not declare itself all at once, in a rush of pleasant naïveté.”

MenWorldDoeEyeSpeakModernObjectsStrangeHe ManPaintingReaderEarsRelationFundamentalsActiveCharacteristicsPleasantHis EyesDullSkepticismParticipationShakingRoaringTappingWoolVetsPlacementActive ParticipationShaking It
Author:Donald Barthelme
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“The eye observes only what the mind, the heart, and the imagination are gifted to see; and sight must be reinforced by insight before souls can be discerned as well as manners, ideas as well as objects, realities and relations as well as appearances and accidental connections.”

MindWellsHeartIdeasSoulRealityEyeImaginationObjectsConnectionsSightRelationAppearanceInsightMannersGifted
Book:Character and characteristic men
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“The great characteristic of men of active genius is a sublime self-confidence, springing not from self-conceit, but from an intense identification of the man with his object, which lifts him altogether above the fear of danger and death, which gives to his enterprise a character of insanity to the common eye, and which communicates an almost superhuman audacity to his will.”

MenGivingSelfCharacterEyeCommonDangerObjectsHe ManGeniusCommunicateActiveSelf ConfidenceIntenseLiftsInsanityCharacteristicsEnterpriseSublimeConceitIdentificationAudacitySuperhumanGreat Character
Book:Literature and life, lects
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“Golden volumes! richest treasures, Objects of delicious pleasures! You my eyes rejoicing please, You my hand in rapture seize! Brilliant wits and musing sages, Lights who beam'd through many ages! Left to your conscious leaves their story, And dared to trust you with their glory; And now their hope of fame achiev'd, Dear volumes! you have not deceived!”

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Author:Isaac D'Israeli
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“Cunning has only private selfish aims, and sticks at nothing which may make them succeed. Discretion has large and extended views, and, like a well-formed eye, commands a whole horizon; cunning is a kind of shortsightedness, that discovers the minutest objects which are near at hand, but is not able to discern things at a distance.”

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Book:The spectator
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“Man little knows what calamities are beyond his patience to bear till he tries them; as in ascending the heights of ambition, which look bright from below, every step we rise shows us some new and gloomy prospect of hidden disappointment; so in our descent from the summits of pleasure, though the vale of misery below may appear, at first, dark and gloomy, yet the busy mind, still attentive to its own amusement, finds, as we descend, something to flatter and to please. Still as we approach, the darkest objects appear to brighten, and the mortal eye becomes adapted to its gloomy situation.”

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Book:The Works of Oliver Goldsmith: Poetical works. Dramas. The vicar of Wakefield
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“All these stupendous objects are daily around us; but because they are constantly exposed to our view, they never affect our minds, so natural is it for us to admire new, rather than grand objects. Therefore the vast multitude of stars which diversify the beauty of this immense body does not call the people together; but when any change happens therein, the eyes of all are fixed upon the heavens.”

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Author:Saint Basil
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“Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.”

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Author:Giacomo Balla
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“Zen purposes to discipline the mind itself, to make it its own master, through an insight into its proper nature. This getting into the real nature of one's own mind or soul is the fundamental object of Zen Buddhism. Zen, therefore, is more than meditation and Dhyana in its ordinary sense. The discipline of Zen consists in opening the mental eye in order to look into the very reason of existence.”

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Book:An Introduction to Zen Buddhism
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“The very essence of truth is plainness and brightness; the darkness and crookedness is our own. The wisdom of God created understanding, fit and proportionable to truth, the object and end of it, as the eye to the thing visible. If our understanding have a film of ignorance over it, or be blear with gazing on other false glitterings, what is that to truth?”

IfsEndsEyeTruthFilmUnderstandingDarknessObjectsIgnoranceFitTruth IsEssenceVisibleOver ItBrightnessGazingPlainness
Book:The Prose Works of John Milton ...: With a Preface, Preliminary Remarks, and Notes
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“Perspective is nothing more than a rational demonstration applied to the consideration of how objects in front of the eye transmit their image to it, by means of a pyramid of lines. The Pyramid is the name I apply to the lines which, starting from the surface and edges of each object, converge from a distance and meet in a single point.”

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Book:The Notebooks of Leonardo Da Vinci, Complete
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“Where is truth, forsooth, and who knoweth it? Is Beauty beautiful, or is it only our eyes that make it so? Does Venus squint? Has she got a splay-foot, red hair, and a crooked back? Anoint my eyes, good Fairy Puck, so that I may ever consider the Beloved Object a paragon! Above all, keep on anointing my mistress's dainty peepers with the very strongest ointment, so that my noddle may ever appear lovely to her, and that she may continue to crown my honest ears with fresh roses!”

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Book:The Virginians: Christie's Collections
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“The whole story of the universe is implicit in any part of it. The meditative eye can look through any single object and see, as through a window, the entire cosmos. Make the smell of roast duck in an old kitchen diaphanous and you will have a glimpse of everything, from the spiral nebulae to Mozart's music and the stigmata of St. Francis of Assisi. The artistic problem is to produce diaphanousness in spots, selecting the spots so as to reveal only the most humanly significant of distant vistas behind the near familiar object.”

LooksArtWholeStoriesProblemEyeArtistUniverseBehindsObjectsProducePerceptionWindowSmellSignificantFamiliarSpotsArtisticKitchenCosmosDucksGlimpseSpiralsImplicitVistasSt Francis Of Assisi
Author:Aldous Huxley
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“Here the artist is, as it were, an archaeologist, uncovering deeper and deeper strata as he works, recovering not an ancient civilization, but something as yet unborn, unseen, unheard, except by the inner eye, the inner ear. He is not just removing apparent surfaces from some external object, he is removing apparent surface from the Self, revealing his original nature.”

SelfEyeArtistObjectsCivilizationEarsOriginalsAncientDeeperSurfaceUnseenRevealingUnbornRecoveringUnheardAncient CivilizationsUncoveringArchaeologists
Book:Free Play: Improvisation in Life and Art
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