Best objects & form Quotes | Short & Famous Sayings

“We should not be content to say that power has a need for such-and-such a discovery, such-and-such a form of knowledge, but we should add that the exercise of power itself creates and causes to emerge new objects of knowledge and accumulates new bodies of information. ... The exercise of power perpetually creates knowledge and, conversely, knowledge constantly induces effects of power. ... It is not possible for power to be exercised without knowledge, it is impossible for knowledge not to engender power.”

Needs Should Body Form Causes Impossible Effects Information Objects Exercise Discovery Add Knowledge And Power

Author:Michel Foucault

“I shall never pay a dollar of your unjust penalty. All the stock in trade I possess is a $10,000 debt, incurred by publishing my paper - The Revolution - four years ago, the sole object of which was to educate all women to do precisely as I have done, rebel against your man-made, unjust, unconstitutional forms of law, that tax, fine, imprison and hang women, while they deny them the right of representation in the government... And I shall earnestly and persistently continue to urge all women to the practical recognition of the old revolutionary maxim, that "Resistance to tyranny is obedience to God."”

“And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.”

Source: A Visit From the Goon Squad

“In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.”

People Way Giving Trying Firsts Stills Important Hard Helping Form Three Understanding Break Missing Figures Objects Materials Tools Direct Presses Behave Digital Quests Impressive Rendering

Author:Jonathan Ive

“The Israelis are becoming increasingly like the white supremacist South Africans, viewing the Palestinians as a lower form of life, not hesitating to kill a great many of them and justifying this on the grounds that they are being the objects of terrorism, which is true.”

Form White Objects Becoming South Terrorism Great Men Palestinian South Africa

Author:Zbigniew Brzezinski

“To run away from trouble is a form of cowardice and, while it is true that the suicide braves death, he does it not for some noble object but to escape some ill.”

Doe Running Form Trouble Objects Suicide Brave Ill Noble Running Away Cowardice Suicidal Nobility

Author:Aristotle

“Since man does not create physical matter, those who handle material objects in the production process are not producers in that sense. Economic benefits result from the transformation of matter in form, location, or availability (intellectually or temporally). It is these transformations that create economic benefits valued by consumers, and whoever arranges such transformations contributes to the value of things, whether his hands actually come into contact with physical objects or not.”

Men Doe Matter Hands Form Values Process Results Economic Objects Materials Benefits Transformation Productions Handle Contact Producers Consumers Location Availability

Author:Thomas Sowell

“Form is sometimes considered a mere spice added by the artist to the representation of objects in order to make it pleasurable.”

Sometimes Form Artist Order Objects Mere Representation Spices

Book:Toward a Psychology of Art: Collected Essays

Source: Toward a Psychology of Art: Collected Essays

“Ego is the movement of the mind toward objects of perception in the form of grasping, and away from objects in the form of aversion. This fundamentally is all the ego is. This movement of grasping and aversion gives rise to a sense of a separate 'me,' and in turn the sense of 'me' strengthens itself this way.”

Way Giving Mind Form Turns Movement Objects Ego Perception Grasping Aversion

Author:Adyashanti

“Since the age of six I have had the habit of sketching forms of objects. Although from about fifty I have often published my pictorial works, before the seventieth year none is worthy.”

Years Age Form Objects Habit Six Worthy Fifty Dissatisfaction Sketching Pictorial

Book:Day and Night in the Four Seasons: Sketches by Hokusai, 1760-1849

Source: Day and Night in the Four Seasons: Sketches by Hokusai, 1760-1849

“There must be a union between the spirit in wood and the spirit in man. The grain of the wood must relate closely to its function. The abutment of the edge of one board to an adjoining board can mean the success or failure of a piece. () Gradually a form evolves, much as nature produces the tree in the first place. The object created can live forever. The tree lives on in its new form. The object cannot follow a transitory “style”, here for a moment, discarded the next. Its appeal must be universal. Cordial and receptive, it should invite a meeting with man”

“When human men hold an object that makes a powerful noise, or has moving parts, or spins around fast, or has a button they can push (which either screws or nails something) they become Gods in their own heads.They can do anything: they can eat through walls and bring buildings together to form mighty empires.They can build floating cities and flying tin cans.But they still can't make their own beds.”

Men Humans Stills Together Moving Form Can Do Powerful Cities Objects Building Wall Bed Flying Noise Empires Buttons Nails Floating Screws Tin Moving Parts Tin Cans

Author:Craig Stone

“Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object.”

Ifs World Way Writing Trying Art Facts Stories Earth Form Artist Order Force Natural Behinds Vision Novel Creation Objects Planets Chaos Driven Impulse Appropriate Screenplays Planet Earth

Author:Robert Olen Butler

“The development of the faculty of attention forms the real object and almost the sole interest of studies.”

Real Form Interest Attention Education Study Objects Development Faculty Sole

Book:Waiting on God (Routledge Revivals)

Source: Waiting on God (Routledge Revivals)

“In every remodelling of the present, the existing condition of things must be supplanted by a new one. Now every variety of circumstances in which men find themselves, every object which surrounds them, communicates a definite form and impress to their internal nature. This form is not such that it can change and adapt itself to any other a man may choose to receive; and the end is foiled, while the power is destroyed, when we attempt to impose upon that which is already stamped in the soul a form which disagrees with it.”

Men May Soul Ends Form Conditions Objects Circumstances Communicate Destroyed Variety Internals Surround Disagree Impress Definite

Author:Wilhelm von Humboldt

“Each speech having its own character, the poetry it engenders will be peculiar to that speech also in its own intrinsic form. The effect is beauty, what in a single object resolves our complex feelings of propriety.”

Character Feelings Form Effects Objects Speech Complexes Resolve Peculiar Propriety

Book:The Collected Poems of William Carlos Williams: 1939-1962

Source: The Collected Poems of William Carlos Williams: 1939-1962

“The individual representation of the object, treated sympathetically or antipathetically, is highly necessary and is an enrichment to the world in form. The elimination of the human relationship causes the vacuum which makes all of us suffer in various degrees - an individual alteration of the details of the object represented is necessary in order to display on the canvas the whole physicals reality.”

Source: Self-Portrait in Words: Collected Writings and Statements, 1903-1950

“Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.”

“The whole Renaissance tradition is antipethic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cezanne and after him Picasso and myself can take a lot of credit for this. Scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.”

Should Art Hard Whole Form Force Mistake Taken Four Century Objects Painting Perspective Tradition Credit Disappear Renaissance Imposing Beholder Ghastly Redress Cezanne

Author:Georges Braque

“How a designer gets from thought to thing is, at least in broad strokes, straightforward: (1) A designer conceives a purpose. (2) To accomplish that purpose, the designer forms a plan. (3) To execute the plan, the designer specifies building materials and assembly instructions. (4) Finally, the designer or some surrogate applies the assembly instructions to the building materials. What emerges is a designed object, and the designer is successful to the degree that the object fulfills the designer's purpose.”

Form Purpose Successful Plans Objects Building Materials Degrees Accomplish Designer Broads Instruction Strokes Assembly Straightforward Surrogates Building Materials

Book:No Free Lunch: Why Specified Complexity Cannot Be Purchased Without Intelligence

Source: No Free Lunch: Why Specified Complexity Cannot Be Purchased Without Intelligence

“Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."”

“The constitutionality and propriety of the Federal Government assuming to enter into a novel and vast field of legislation, namely, that of providing for the care and support of all those ... who by any form of calamity become fit objects of public philanthropy. ... I cannot find any authority in the Constitution for making the Federal Government the great almoner of public charity throughout the United States. To do so would, in my judgment, be contrary to the letter and spirit of the Constitution and subversive of the whole theory upon which the Union of these States is founded.”

“Most of us agree that the United Nations is the vanguard of a foreign invasion and must be driven from our shores. Liberalism - Progressivism - all forms of left wing collectivism, are equally alien to the Founders' America and must be extirpated, root and branch, laughter and derision being the most effective weapons. Look at the way they have reduced Hillary Clinton to an insignificant greasy spot on the pages of history, turned Albert Gore into an object of merriment, and are accomplishing the same for Barry and Micky Obama.”

“It should also be born in mind that the research on 'movement' and the dynamic outlook on the world, which were the basis of Futurist theory, in no way required one to paint nothing but speeding cars or ballerinas in action; for a person who is seated, or an inanimate object, though apparently static, could be considered dynamically and suggest dynamic forms. I may mention as an example the 'Portrait of Madame S.' (1912) and the 'Seated Woman' (1914).”

World Way Should Mind May Persons Action Form Born Car Example Movement Objects Theory Research Bases Paint Portraits Outlook Static Ballerina Speeding Inanimate Objects Futurist Speeding Cars

Author:Gino Severini

“What is essential to understand at this point is that until now there was no such thing as mind and matter, subject and object, form and substance. Those divisions are just dialectical inventions that came later...They are just ghosts, immortal gods of the modern mythos which appear to us to be real because we are within that mythos. But in reality they are just as much an artistic creation as the anthropomorphic gods they replaced.”

“Fashion is not a real element of beauty in external objects; and to persons who possess a good endowment of Form, Constructiveness and Ideality, intrinsic elegance is much more pleasing and permanently agreeable, than forms of less merit, recommended merely by being new. Hence there is a beauty which never palls, and there are objects over which fashion exercises no control.”

Persons Real Form Fashion Objects Exercise Elements Merit Elegance Endowment

Author:George Combe

“In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.”

Children Art Form Clear Style Example Creation Objects Products Pure Strive Bridges Iron Toys Airports Automobile Similarity Telescopes Cottages Railway Skyscraper Locomotives

Author:Theo van Doesburg

“When you realize yourself as completely empty and devoid of all form... this is wisdom, When you realize yourself as the fullness of love overflowing itself without object... this is bliss, And when you are aware of yourself incarnate in the appearance of form... this is leela.”

Form Realizing Objects Empty Appearance Bliss Fullness

Author:Eli Jaxon-Bear

“It is an impressive truth that sometimes in the very lowest forms of duty, less than which would rank a man as a villain, there is, nevertheless the sublimest ascent of self-sacrifice. To do less would class you as an object of eternal scorn, to do so much presumes the grandeur of heroism.”

Men Self Sometimes Form Class Sacrifice Objects Duty Eternal Villain Heroism Nevertheless Lowest Scorn Impressive Grandeur Self Sacrifice Ascent

Book:De Quincey's works

Source: De Quincey's works

“Oh! grief is fantastic; it weaves a web on which to trace the history of its woe from every form and change around; it incorporates itself with all living nature; it finds sustenance in every object; as light, it fills all things, and, like light, it gives its own colors to all.”

Giving Light Form Grief Objects Color All Things Fantastic Woe Sustenance

Book:The last man, by the author of Frankenstein

Source: The last man, by the author of Frankenstein

“The desire to be the object of public attention is weak, but the excessive dread of it is but a form of vanity and over-self-contemplativeness.”

Self Form Desire Attention Objects Weak Vanity Dread

Book:Memoir and Letters of Sara Coleridge

Source: Memoir and Letters of Sara Coleridge

“Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.”

Light Form Natural Objects Painting Photography Drawing Agents Plastic Indispensable Modeling

Book:A guide to better photography

Source: A guide to better photography

“Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.”

Eye Running Moving Form Careers Four Movement Objects All Things Accounts Horse Twenties Mad Legs Disappear Rapids Vibrations Profile

Author:Giacomo Balla

“The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity.”

Art Form Artist Individual Common Creativity Subjects Position Objects Transformation Males Individuality Producers Denied Representation Bizarre Woman Artist Confounding

Book:Women, Art, and Society

Source: Women, Art, and Society

“A border--the perimeter of a single massive or stretched-out use of territory--forms the edge of an area of 'ordinary' city. Often borders are thought of as passive objects, or matter-of-factly just as edges. However, a border exerts an active influence.”

Matter Use Form Cities Influence Objects Ordinary Areas Edges Active Borders Massive Territory Passive Perimeter

Book:The Death and Life of Great American Cities

Source: The Death and Life of Great American Cities

“I have always considered Christianity as the strong ground of republicanism. The spirit is opposed, not only to the splendor, but even to the very forms of monarchy, and many of its precepts have for their objects republican liberty and equality as well as simplicity, integrity, and economy in government. It is only necessary for republicanism to ally itself to the Christian religion to overturn all the corrupted political and religious institutions of the world.”

“What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.”

Way Art Seems Moving Form Certain Lines Answers Common Emotion Quality Objects Particular Color Relation Significant Combination Visuals Aesthetic Provoking Visual Art

Author:Clive Bell

“Every moment instructs, and every object; for wisdom is infused into every form. It has been poured into us as blood; it convulsed us as pain; it slid into us as pleasure; it enveloped us in dull, melancholy days, or in days of cheerful labor; we did not guess its essence until after long time.”

Long Has Beens Moments Wisdom Pain Form Pleasure Blood Objects Long Time Labor Essence Dull Melancholy Cheerful

Book:Essays

Source: Essays

“I certainly agree that capital is not a one-dimensional object, and that the return on capital takes very different forms for different assets or different people.”

People Different Form Objects Return Agree Assets Different Peoples

Author:Thomas Piketty

“An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.”

Eye Form Black Middle Objects Cold Mad Terror Expected His Eyes Shops Gloomy Unfinished Coffins Spooky

Book:Oliver Twist

Source: Oliver Twist

“If thinking is like perceiving, it must be either a process in which the soul is acted upon by what is capable of being thought, or a process different from but analogous to that. The thinking part of the soul must therefore be, while impassable, capable of receiving the form of an object; that is, must be potentially identical in character with its object without being the object. Mind must be related to what is thinkable, as sense is to what is sensible.”

Ifs Thinking Mind Different Soul Character Form Process Objects Capable Related Thoughtful Sensible Receiving Identical Thinkable

Book:On the Soul

Source: On the Soul

“Upon the whole, necessity is something, that exists in the mind, not in objects; nor is it possible for us ever to form the most distant idea of it, consider'd as a quality in bodies. Either we have no idea of necessity, or necessity is nothing but that determination of thought to pass from cause to effects and effects to causes, according to their experienc'd union.”

Mind Ideas Whole Body Form Causes Quality Effects Objects Determination Unions No Idea

Book:A Treatise of Human Nature

Source: A Treatise of Human Nature

“A CAUSE is an object precedent and contiguous to another, and so united with it that the idea of the one determines the mind to form the idea of the other, and the impression of the one to form a more lively idea of the other.”

Mind Ideas Form Causes United Objects Determine Impression Lively Precedent

Book:A Treatise of Human Nature

Source: A Treatise of Human Nature

“It is easy to see, though it scarcely needs to be pointed out, since it is involved in the fact that Reason is set aside, that faith is not a form of knowledge; for all knowledge is either a knowledge of the eternal, excluding the temporal and historical as indifferent, or it is pure historical knowledge. No knowledge can have for its object the absurdity that the eternal is the historical.”

Needs Reason Facts Form Faith Easy Knowledge Objects Involved Pure Eternal Historical Indifferent Absurdity Historical Knowledge

Author:Soren Kierkegaard

“I am intrigued with the shapes people choose as their symbols to create a language. There is within all forms a basic structure, an indication of the entire object with a minimum of lines that becomes a symbol. This is common to all languages, all people, all times.”

People Form Language Lines Common Objects Shapes Structure All Time Symbols Minimum Indication Intrigued

Book:Keith Haring Journals: (Penguin Classics Deluxe Edition)

Source: Keith Haring Journals: (Penguin Classics Deluxe Edition)

“[Mathematics is] purely intellectual, a pure theory of forms, which has for its objects not the combination of quantities or their images, the numbers, but things of thought to which there could correspond effective objects or relations, even though such a correspondence is not necessary.”

Form Numbers Objects Theory Pure Intellectual Relation Mathematics Combination Quantity Correspondence

Author:Hermann Hankel

“I maintain that the expression of junk and objects has an intrinsic value, and I see no need to look for aesthetic forms in them and to adapt them to the colors of the palette.”

Needs Looks Form Values Objects Color Expression Aesthetic Junk Palette Intrinsic Value

Author:Arman

“Among the innumerable mortifications which waylay human arrogance on every side may well be reckoned our ignorance of the most common objects and effects, a defect of which we become more sensible by every attempt to supply it. Vulgar and inactive minds confound familiarity with knowledge and conceive themselves informed of the whole nature of things when they are shown their form or told their use; but the speculatist, who is not content with superficial views, harasses himself with fruitless curiosity, and still, as he inquires more, perceives only that he knows less.”

“Life in Anaheim, California, was a commercial for itself, endlessly replayed. Nothing changed; it just spread out farther and farther in the form of neon ooze. What there was always more of had been congealed into permanence long ago, as if the automatic factory that cranked out these objects had jammed in the on position.”

Ifs Long Form Position Objects Changed Spread California Factories Long Ago Permanence Neon

Book:A Scanner Darkly

Source: A Scanner Darkly

“Music is 'significant form,' and its significance is that of a symbol, a highly articulated, sensuous object, which by virtue of its dynamic structure can express the forms of vital experience which language is peculiarly unfit to convey. Feeling, life, motion and emotion constitute its import.”

Feelings Form Language Emotion Music Virtue Objects Music Is Structure Significant Symbols Significance Imports Sensuous

Author:Susanne Katherina Langer

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