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Objects Quotes

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Objects Quotes

“Shipping first time code is like going into debt. A little debt speeds development so long as it is paid back promptly with a rewrite. The danger occurs when the debt is not repaid. Every minute spent on not-quite-right code counts as interest on that debt. Entire engineering organizations can be brought to a standstill under the debt load of an unconsolidated implementation, object-oriented or otherwise.”

FirstsLittlesLongInterestMinutesDangerObjectsDevelopmentFirst TimeOrganizationPaidDebtSpeedCodeEngineeringLoadImplementationShippingStandstill
Author:Ward Cunningham
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“And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.”

PeopleMenFirstsHumansMayTwoWarMomentsFormLeftGenerationsObjectsParticularGuitarCrowdsPopsJustifyGatheringCravingSlidesSurveillanceEmbodimentLoneWoodstockMonterey
Book:A Visit From the Goon Squad
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“Remember, how often the great art of the past didn't look great at first, how often it didn't look like art at all; how much easier it is, decades or centuries later, to adore it, not only because it is, in fact, great but because it's still here; because the inevitable little errors and infelicities tend to recede in an object that's survived the War of 1812, the eruption of Krakatoa, the rise and fall of Nazism.”

FirstsLooksLittlesArtStillsWarFactsPastRememberFallCenturyObjectsEasierErrorsDecadesInevitableSurvivedAdoreGreat ArtNazismRise And FallEruptionWar Of 1812
Author:Michael Cunningham
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“In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.”

PeopleWayGivingTryingFirstsStillsImportantHardHelpingFormThreeUnderstandingBreakMissingFiguresObjectsMaterialsToolsDirectPressesBehaveDigitalQuestsImpressiveRendering
Author:Jonathan Ive
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“There are three aspects to perspective. The first has to do with how the size of objects seems to diminish according to distance: the second, the manner in which colors change the farther away they are from the eye; the third defines how objects ought to be finished less carefully the farther away they are.”

FirstsSeemsEyeThreeObjectsColorPerspectiveOughtAspectThirdsDistanceSizeFinishedDiminish
Book:Leonardo da Vinci's advice to artists
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“It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted.”

FirstsArtCharacterLightEyeTurnsObjectsColorMastersDegreesHighestMarkRegardExcellenceShadeStrokes
Book:Discourses on Painting and the Fine Arts, Delivered at the Royal Academy
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“There must be a union between the spirit in wood and the spirit in man. The grain of the wood must relate closely to its function. The abutment of the edge of one board to an adjoining board can mean the success or failure of a piece. () Gradually a form evolves, much as nature produces the tree in the first place. The object created can live forever. The tree lives on in its new form. The object cannot follow a transitory “style”, here for a moment, discarded the next. Its appeal must be universal. Cordial and receptive, it should invite a meeting with man”

MenShouldFirstsMeanMomentsFormSpiritNextForeverPiecesTreeStyleDesignObjectsProduceUniversalFunctionUnionsMeetingsEdgesWoodsRelateAppealsEvolveBoardsInvitesGrainFurnitureLive ForeverReceptiveDiscardedTransitoryCraftsmanSuccess Or FailureTree Of LifeArtisansWoodworking
Author:George Nakashima
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“In obedience to the feeling of reality, we shall insist that, in the analysis of propositions, nothing "unreal" is to be admitted. But, after all, if there is nothing unreal, how, it may be asked, could we admit anything unreal? The reply is that, in dealing with propositions, we are dealing in the first instance with symbols, and if we attribute significance to groups of symbols which have no significance, we shall fall into the error of admitting unrealities, in the only sense in which this is possible, namely, as objects described.”

IfsFirstsMayFeelingsRealityFallGroupsObjectsErrorsInstanceSymbolsObedienceAnalysisSignificanceAttributesPropositionsUnrealAdmittingUnreality
Book:Introduction to Mathematical Philosophy
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“The object of a dialogical-liberterian action is not to 'dislodge' the oppressed from a mythological reality in order to 'bind' them to another reality. On the contrary, the object of dialogical action is to make it possible for the oppressed, by perceiving their adhesion, to opt to transform an unjust reality." "In order for the oppressed to unite they must first cut the umbilical cord of magic and myth which binds them to the world of oppression; the unity which links them to each other must be of a different nature.”

WorldFirstsDifferentRealityActionOrderCuttingMagicObjectsUnityMythContraryOppressionLinksOppressedUnjustCordsUmbilical Cord
Author:Paulo Freire
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“Every artist knows that there is no such thing as "freedom" in art. The first thing an artist does when he begins a new work is to lay down the barriers and limitations; he decides upon a certain composition, a certain key, a certain relation of creatures or objects to each other. He is never free, and the more splendid his imagination, the more intense his feeling, the farther he goes from general truth and general emotion.”

KnowsFirstsDoeArtFeelingsArtistCertainImaginationEmotionObjectsKeysCreaturesRelationLaysIntenseLimitationBarriersCompositionSplendidNew WorkDecide Upon
Book:Willa Cather on Writing: Critical Studies on Writing as an Art
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“It was actually books that started to make those pockets of freedom, which I hadn't otherwise experienced. I do see them as talismans, as sacred objects. I see them as something that will protect me, I suppose, that will save me from things that I feel are threatening. I still think that; it doesn't change. It doesn't change, having money, being successful. So from the very first, if I was hurt in some way, then I would take a book -- which was very difficult for me to buy when I was little -- and I would go up into the hills, and that is how I would assuage my hurt.”

IfsThinkingWayFeelsFirstsLittlesStillsBookDifficultHurtSuccessfulObjectsProtectSacredHillsBeing SuccessfulPocketsThreateningSave MeTalismansI Was Hurt
Author:Jeanette Winterson
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“There are two primary ways in which mans relates himself to the world that surround him: manipulation and appreciation . In the first way he sees in what surrounds him things to be handled, forces to be managed, objects to be put to use. In the second way he sees in what surrounds him things to be acknowledged, understood, valued or admired.”

WorldWayFirstsTwoUseForceObjectsUnderstoodAppreciationPrimariesRelateManipulationSurround
Book:Who is Man?
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“Our initial sensory data are always "first derivatives," statements about differences which exist among external objects or statements about changes which occur either in them or in our relationship to them. Objects and circumstances which remain absolutely constant relative to the observer, unchanged either by his own movement or by external events, are in general difficult and perhaps always impossible to perceive. What we perceive easily is difference and change and difference is a relationship.”

FirstsDifficultDifferencesImpossibleEventsMovementObjectsCircumstancesConstantStatementsDataPerceiveRelativeOur RelationshipObserversInitialsSensoryDerivatives
Book:Communication: The Social Matrix of Psychiatry
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“All my plans in private life; all my pursuits; all my designs, wishes, and thoughts, have this one great object in view: the overthrow of the ruffian Boroughmongers. If I write grammars; if I write on agriculture; if I sow, plant, or deal in seeds; whatever I do has first in view the destruction of those infamous tyrants.”

IfsWritingFirstsWishViewsDealsPlansDesignObjectsDestructionPlantSeedsPursuitTyrantsAgricultureGrammarPrivate LifeInfamousRuffian
Author:William Cobbett
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“Object in/ and space - the first impulse may be to give the object - a position - to place the object. (The object had a position to begin with.) Next - to change the position of the object. - Rauschenberg's early sculptures - A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden - The rocks can be anywhere (within the garden).”

GivingFirstsMayNextSpaceRocksPositionObjectsGardenImpulseBoardsCagesSculpture
Author:Jasper Johns
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“First of all, directing is an idea that you have of a total flow of images that are going on, which are incidentally actors, words, and objects in space. It's an idea you have of yourself, like the idea you have of your own personality which finds its best representation in the world in terms of specific flows of imaginary images. That's what directing is.”

WorldFirstsIdeasActorsTermSpaceObjectsPersonalityFlowImaginaryRepresentation
Author:Abraham Polonsky
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“Most people do not realize that as they continue to find things to complain about, they disallow their own physical well-being. Many do not realize that before they were complaining about an aching body or a chronic disease, they were complaining about many other things first. It does not matter if the object of your complaint is about someone you are angry with, behavior in others that you believe is wrong, or something wrong with your own physical body. Complaining is complaining, and it disallows improvement.”

PeopleIfsFirstsBelieveWellsDoeMatterBodyRealizingObjectsDiseaseBehaviorAngryComplainingImprovementWell BeingComplaintsPhysical Body
Author:Esther Hicks
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“The truly great consider, first, how they may gain the approbation of God, and, secondly, that of their own conscience. Having done this, they would then willingly conciliate the good opinion of their fellow-men. But the truly little reverse the thing. The primary object with them is to secure the applause of their fellow-men; and having effected this, the approbation of God and their own conscience may follow on as they can.”

MenFirstsMayLittlesDoneOpinionAtheismObjectsConscienceGainsFellowsSecurePrimariesReverseFellow ManApplause
Book:Remarks on the Talents of Lord Byron and the Tendencies of Don Juan
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“What art can paint or gild any object in after life with the glow which nature gives to the first baubles of childhood? St. Peter's cannot have the magical power over us that the red and gold covers of our first picture-book possessed.”

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Book:The Collected Works of Ralph Waldo Emerson: Society and solitude
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“Man little knows what calamities are beyond his patience to bear till he tries them; as in ascending the heights of ambition, which look bright from below, every step we rise shows us some new and gloomy prospect of hidden disappointment; so in our descent from the summits of pleasure, though the vale of misery below may appear, at first, dark and gloomy, yet the busy mind, still attentive to its own amusement, finds, as we descend, something to flatter and to please. Still as we approach, the darkest objects appear to brighten, and the mortal eye becomes adapted to its gloomy situation.”

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Book:The Works of Oliver Goldsmith: Poetical works. Dramas. The vicar of Wakefield
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“For the first time in six or seven thousand years, many people of goodwill find themselves confused about art. They want to enjoy it because enjoying art is something they expect of themselves as civilized persons, but they're unsure how to do so. They aren't even sure which of the visible objects are art and which are furniture, clothes, hors d'oeuvres, or construction rubble, and whether a pile of dead and decomposing rats is deliberate art or just another pile of decomposing rats.”

PeopleWantYearsFirstsPersonsArtEnjoyObjectsThousandSixClothesArt IsFirst TimeSevenConfusedVisibleCivilizedConstructionThousand YearsRatsFurnitureDeliberateGoodwillUnsureRubble
Book:Wasn't the Grass Greener?: A Curmudgeon's Fond Memories
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“Friendship is far more delicate than love. Quarrels and fretful complaints are attractive in the last, offensive in the first. And the very things which heap fewel on the fire of ardent passion, choke and extinguish sober and true regard. On the other hand, time, which is sure to destroy that love of which half certainly depends on desire, is as sure to increase a friendship founded on talents, warm with esteem, and ambitious of success for the object of it.”

FirstsHandsLastsDesirePassionHalfFireTalentObjectsDependsIncreaseRegardWarmEsteemAttractiveDelicateAmbitiousOffensiveComplaintsSoberQuarrelsChokeArdent
Book:The Intimate Letters of Piozzi and Pennington
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“First in point of time and interest comes the mortgage debt, i.e. the claim for the return of money lent on the security of some tangible object. Such claims are among the earliest fruits of a commercial civilization, and are nearly always affected the same way, viz. by the deposit or pledge of the security with the creditor, to be redeemed or returned on the payment of the debt.”

WayFirstsInterestSecurityObjectsReturnCivilizationClaimsFruitDebtAffectedPaymentPledgeTangibleMortgageRedeemedDepositsCreditors
Book:A Short History of English Law: From the Earliest Times to the End of the Year 1919
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“Giving free advice is a sad waste of effort. In the first place, no man will act upon it unless he is already inclined to do so. Secondly, when a man lays his case before you, the idea that he is asking your advice is a polite fabrication. He merely is suggesting that he is doing so, while as a fact his real object is to acquaint you with his personal activity. He wants to talk to somebody, being a natural gossip or gadder, and he plays upon your propensity for "giving advice" in order to get an audience.”

MenWantGivingFirstsIdeasRealPlayFactsOrderNaturalEffortCasesAudienceAdviceObjectsActivityWasteAskingLaysGossipPoliteSuggestingPropensityGiving AdviceFabricationFree AdviceWaste Of Effort
Author:William H. McMaster
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“In the one instance, the dreamerloses sight of this object in a wilderness of deductions and suggestionsuntilhe finds the incitamentum, or first cause of his musings,... forgotten. In my case, the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance.”

FirstsCausesImaginationVisionCasesObjectsSightImportanceAssumingForgottenMediumsInstancePrimariesWildernessUnrealForgetfulnessFrivolousDeductionsMusings
Author:Edgar Allan Poe
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“Organize first for knowledge, first with the object of making us know ourselves as a nation, for we have to do that before we canbe of value to other nations of the world and then organize to accomplish the things that you decide to want. Anddon't make decisions with the interest of youth alone before you. Make your decisions because they are good for the nation as a whole.”

KnowsWorldWantFirstsWholeValuesPoliticsNationsInterestDecisionObjectsYouthOrganizationAccomplishOrganize
Author:Eleanor Roosevelt
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“A sign, or representamen, is something which stands to somebody for something in some respect or capacity. It addresses somebody,that is, creates in the mind of that person an equivalent sign, or perhaps a more developed sign. That sign which it creates I call the interpretant of the first sign. The sign stands for something, its object. It stands for that object, not in all respects, but in reference to a sort of idea, which I have sometimes called the ground of the representamen.”

MindFirstsPersonsIdeasSometimesObjectsCapacityAddressesStand For Something
Book:Collected Papers
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“It is a mistake, to think the same thing affects both sight and touch. If the same angle or square, which is the object of touch,be also the object of vision, what should hinder the blind man, at first sight, from knowing it?”

IfsThinkingMenShouldFirstsMistakeVisionKnowingObjectsSightBlindSquaresAngleHinderBlind Man
Book:The Works of George Berkeley, D.D., Bishop of Cloyne: Including His Letters to Thomas Prior, Esq., Dean Gervais, Mr. Pope, &c., &c. ; to which is Prefixed an Account of His Life
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“Ours has been called a culture of narcissism. The label is apt but can be misleading. It reads colloquially as selfishness and self-absorption. But these images do not capture the anxiety behind our search for mirrors. We are insecure in our understanding of ourselves, and this insecurity breeds a new preoccupation with the question of who we are. We search for ways to see ourselves. The computer is a new mirror, the first psychological machine. Beyond its nature as an analytical engine lies its second nature as an evocative object.”

WayFirstsHas BeensSelfLyingCultureUnderstandingBehindsObjectsAnxietyComputerMachinesMirrorsPsychologicalLabelsSelfishnessWho We AreInsecurityCaptureEnginesNarcissismInsecureMisleadPreoccupationAbsorptionSelf Absorption
Book:The Second Self: Computers and the Human Spirit
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