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Objects Quotes

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Objects Quotes

“It is the business of thought to define things, to find the boundaries; thought, indeed, is a ceaseless process of definition. It is the business of Art to give things shape. Anyone who takes no delight in the firm outline of an object, or in its essential character, has no artistic sense. He cannot even be nourished by Art. Like Ephraim, he feeds upon the East wind, which has no boundaries.”

GivingArtCharacterProcessObjectsWindShapesEssentialsPerceptionDefinitionsDelightEastBoundariesArtisticFirmOutlinesNo Boundaries
Author:Vance Palmer
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“It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted.”

FirstsArtCharacterLightEyeTurnsObjectsColorMastersDegreesHighestMarkRegardExcellenceShadeStrokes
Book:Discourses on Painting and the Fine Arts, Delivered at the Royal Academy
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“The object of man's worship, whatever it be, will naturally be his standard of perfection. He clothes it with every attribute, belonging, in his view, to a perfect character; and this character he himself endeavors to attain.”

MenCharacterPerfectViewsObjectsWorshipClothesStandardsPerfectionBelongingEndeavorAttributes
Book:The Testimony of the Evangelists: The Gospels Examined by the Rules of Evidence
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“Justice is the recognition of the fact that you cannot fake the character of men as you cannot fake the character of nature, that you must judge all men as conscientiously as you judge inanimate objects, with the same respect for truth, with the same incorruptible vision, by as pure and as rational a process of identification-that every man must be judged for what he is and treated accordingly.”

MenCharacterFactsProcessJusticeVisionObjectsJudgingPureEvery ManTreatedRationalRecognitionFakeJudgedIdentificationInanimate ObjectsCharacter Of A Man
Author:John Galt
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“Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.”

IfsThinkingWantShouldMayDoeReasonPlayCharacterSeemsLastsOpportunityNaturalEffectsObjectsHabitSkillsMereAccidentsPracticalsCuriousIncidentsSmack
Book:The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions
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“Be sure the safest rule is that we should not dare to live in any scene in which we dare not die. But, once realise what the true object is in life — that it is not pleasure, not knowledge, not even fame itself, 'that last infirmity of noble minds' — but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man — and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!”

MenFeelsShouldMindLongEndsCharacterLightLastsDeathDiesPerfectPleasureObjectsBuildingGoes OnDevelopmentHigherSceneFameStandardsShadowTerrorDareNobleRisingRealisingInfirmityBuilding UpPerfect ManEvermore
Book:Delphi Complete Works of Lewis Carroll (Illustrated)
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“Convinced that character is all and circumstances nothing, [the Puritan] sees in the poverty of those who fall by the way, not a misfortune to be pitied and relieved, but a moral failing to be condemned, and in riches, not an object of suspicion ... but the blessing which rewards the triumph of energy and will.”

WayCharacterFallEnergyMoralPovertyFailingObjectsCircumstancesBlessingRewardsRichesConvincedTriumphMisfortunesSuspicionRelievedPuritan
Book:Religion And The Rise Of Capitalism
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“The great characteristic of men of active genius is a sublime self-confidence, springing not from self-conceit, but from an intense identification of the man with his object, which lifts him altogether above the fear of danger and death, which gives to his enterprise a character of insanity to the common eye, and which communicates an almost superhuman audacity to his will.”

MenGivingSelfCharacterEyeCommonDangerObjectsHe ManGeniusCommunicateActiveSelf ConfidenceIntenseLiftsInsanityCharacteristicsEnterpriseSublimeConceitIdentificationAudacitySuperhumanGreat Character
Book:Literature and life, lects
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“The father's life is surrounded by mysterious prestige: the hours he spends in the home, the room where he works, the objects around him, his occupations, his habits, have a sacred character. It is he who feeds the family, is the one in charge and the head. Usually he works outside the home, and it is through him that the household communicates with the rest of the world: he is the embodiment of this adventurous, immense, difficult, and marvelous world; he is transcendence, he is God.”

WorldCharacterHomeLife IsFatherDifficultHoursRoomsObjectsHabitSacredCommunicateWork OutMysteriousOccupationHouseholdImmenseMarvelousTranscendenceAdventurousPrestigeEmbodiment
Author:Simone de Beauvoir
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“Wealth brings noble opportunities, and competence is a proper object of pursuit; but wealth, and even competence, may be bought at too high a price. Wealth itself has no moral attribute. It is not money, but the love of money, which is the root of all evil. It is the relation between wealth and the mind and the character of its possessor which is the essential thing.”

MindMayCharacterEvilOpportunityWealthMoralObjectsEssentialsRootsRelationNoblePursuitAttributesCompetenceLove Of Money
Book:The Dangers and Duties of the Mercantile Profession. An Address Delivered Before the Mercantile Library Association, Etc
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“Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain.”

ThinkingMenHumansMayIdeasCharacterMightCasesObjectsAbstractAssociationConcreteHumankindUncertainBrutesSimilarityHabitualSuccessorsCrete
Author:William James
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“If thinking is like perceiving, it must be either a process in which the soul is acted upon by what is capable of being thought, or a process different from but analogous to that. The thinking part of the soul must therefore be, while impassable, capable of receiving the form of an object; that is, must be potentially identical in character with its object without being the object. Mind must be related to what is thinkable, as sense is to what is sensible.”

IfsThinkingMindDifferentSoulCharacterFormProcessObjectsCapableRelatedThoughtfulSensibleReceivingIdenticalThinkable
Book:On the Soul
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“Architecture, either practically considered or viewed as an art of taste, is a subject so important and comprehensive in itself, that volumes would be requisite to do it justice. Buildings of every description, from the humble cottage to the lofty temple, are objects of such constant recurrence in every habitable part of the globe, and are so strikingly indicative of the intelligence, character, and taste of the inhabitants, that they possess in themselves a great peculiar interest for the mind.”

MindArtImportantCharacterWould BeInterestJusticeSubjectsObjectsBuildingTasteConstantHumbleArchitectureTemplesDescriptionPeculiarVolumeGlobesComprehensiveLoftyCottagesRecurrence
Book:A treatise on the theory and practice of landscape gardening, adapted to North America: with a view to the improvement of country residences
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“True hope is based on the energy of character. A strong mind always hopes, and has always cause to hope, because it knows the mutability of human affairs, and how slight a circumstance may change the whole course of events. Such a spirit, too, rests upon itself; it is not confined to partial views or to one particular object. And if at last all should be lost, it has saved itself.”

IfsKnowsShouldMindHumansMayWholeCharacterLastsSpiritCoursesHopeEnergyLostStrongCausesViewsEventsObjectsParticularCircumstancesAffairSavedConfinedStrong MindMutability
Author:Karl Ludwig von Knebel
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“We have good reason to believe that memories of early childhood do not persist in consciousness because of the absence or fragmentary character of language covering this period. Words serve as fixatives for mental images. . . . Even at the end of the second year of life when word tags exist for a number of objects in the child's life, these words are discrete and do not yet bind together the parts of an experience or organize them in a way that can produce a coherent memory.”

WayYearsBelieveChildrenEndsReasonCharacterTogetherLanguageMemoriesNumbersConsciousnessChildhoodObjectsProducePeriodsAbsencePersistOrganizeCoveringTagEarly ChildhoodYears Of LifeDiscrete
Book:The Magic Years: Understanding and Handling the Problems of Early Childhood
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“With the advent of digital imaging I made the transition from trying to figure out how to do things to creating objects, characters and the whole cloth. It kind of freed up the analytical part of my brain and I had the opportunity to use more of the creative side of my brain for how things interact with light and integrate into stories.”

TryingKindMadeWholeCharacterStoriesUseLightOpportunitySidesBrainCreativeFiguresObjectsCreatingDigitalTransitionIntegratingAdventImaging
Author:John Dykstra
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“As my object was not myself, I set out with the determination, and happily with the disposition, of not being moved by praise or censure, friendship or calumny, nor of being drawn from my purpose by any personal altercation; and the man who cannot do this, is not fit for a public character.”

MenCharacterPoliticalPurposePoliticsObjectsHe ManFitDeterminationPraiseMovedDispositionCensureCalumny
Book:THE RIGHTS OF MAN: The French Revolution – Ideals, Arguments & Motives (Political Classic): Being an Answer to Mr. Burke's Attack on the French Revolution
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“The character of the landscape changes from hour to hour, day to day, season to season. Nothing of the earth can be taken for granted; you feel that Creation is going on in your sight. You see things in the high air that you do not see farther down in the lowlands. In the high country all objects bear upon you, and you touch hard upon the earth. From my home I can see the huge, billowing clouds; they draw close upon me and merge with my life.”

FeelsI CanCountryHardCharacterHomeEarthHoursTakenAirCreationObjectsHugeBearsDrawsSeasonsSightCloudsGrantedLandscapeDay To DayTaken For Granted
Author:N. Scott Momaday
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“While a forgery illegally exploits the elitist taste for rarity, a kitsch object insists on its anti elitist availability. The deceptive character of kitsch does not lie in whatever it may have in common with actual forgery but in its claim to supply its consumers with essentially the same kinds and qualities of beauty as those embodied in unique or rare and inaccessible originals.”

KindMayDoeCharacterLyingCommonQualityObjectsTasteUniqueClaimsOriginalsConsumersExploitsDeceptiveAvailabilityElitistKitschInaccessibleRarityForgery
Author:Matei Calinescu
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“Just look at the history of cinema. The most reproduced male character is probably the hero and the most reproduced female character is probably the sex object. I think those stereotypes have been reproduced over and over again. It also changes our expectations when it comes to a situation like this in real life.”

ThinkingLooksHas BeensRealCharacterSexSituationObjectsHeroExpectationsFemaleMalesReal LifeCinemaStereotypeFemale Characters
Author:Ruben Ostlund
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“Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.”

CharacterHelpingStoriesDreamLanguageForgetTeachObjectsColorCommunicationDetailsClothingsAestheticWornCostumesSymbolicObjectification
Book:Federico Fellini: Interviews
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“Vanity was the beginning and the end of Sir Walter Elliot's character; vanity of person and of situation. He had been remarkably handsome in his youth; and, at fifty-four, was still a very fine man. Few women could think more of their personal appearance than he did, nor could the valet of any new made lord be more delighted with the place he held in society. He considered the blessing of beauty as inferior only to the blessing of a baronetcy; and the Sir Walter Elliott, who united these gifts, was the constant object of his warmest respect and devotion.”

ThinkingMenPersonsMadeStillsEndsCharacterUnitedSituationLordFourObjectsYouthFineBlessingConstantAppearanceDevotionVanityFiftyInferiorsHandsomeDelightedValetPersonal Appearance
Author:Jane Austen
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“When a female character sets herself on fire in an effort to interrupt her culture's violent abuse of disenfranchised people, or physically tortures and punishes her guardian rapist, or picks up a gun and fights back in ways that make her not pretty, or aggressively rejects her role as the object of desire, or even when she waddles off into the woods to squat and have a baby without the safety and expertise of hospitals and doctors, these are the kinds of violences and stories we can learn from.”

PeopleWayKindCharacterStoriesDesireCultureFightingEffortRolesFireViolenceObjectsBabyPicksGunFemaleDoctorsAbuseSafetyWoodsViolentTortureRejectsHospitalsGuardianExpertiseFemale CharactersSquatNot PrettyDisenfranchisedObjects Of Desire
Author:Lidia Yuknavitch
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“The obvious example would be Jesus. Jesus is an object of fascination for me. He's an interesting historical character because we don't know much about him. He seems to be a guy who was in touch with something deeper than most people around him were and someone who was very concerned with trying to communicate that.”

PeopleKnowsTryingCharacterSeemsWould BeGuyJesusInterestingExampleObjectsConcernedHistoricalObviousCommunicateDeeperFascination
Author:Brad Warner
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