Best objects & materials Quotes | Short & Famous Sayings

“Objects of every sort are materials for the new art: paint, food, chairs, electric and neon lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.”

Art Light Artist Water Generations Dog Objects Materials Thousand Paint Smoke Chairs Electric Sock Neon Neon Lights

Author:Allan Kaprow

“In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.”

People Way Giving Trying Firsts Stills Important Hard Helping Form Three Understanding Break Missing Figures Objects Materials Tools Direct Presses Behave Digital Quests Impressive Rendering

Author:Jonathan Ive

“The familiar material objects may not be all that is real, but they are admirable examples.”

May Real Example Objects Materials Familiar Admirable

Book:Word and Object

Source: Word and Object

“A master of happiness will appreciate what he or she has while they have them and the moment any specific thing is gone or lost, the focus will be on other things to appreciate and be grateful for. At times, this could be gratitude for the memories that remain. Material and physical objects are temporary, memories are forever.”

Moments Lost Memories Gone Forever Focus Objects Materials Masters Gratitude Appreciate Grateful Temporary Be Grateful

Book:Happiness: Formulas, Stories, and Insights

Source: Happiness: Formulas, Stories, and Insights

“Since man does not create physical matter, those who handle material objects in the production process are not producers in that sense. Economic benefits result from the transformation of matter in form, location, or availability (intellectually or temporally). It is these transformations that create economic benefits valued by consumers, and whoever arranges such transformations contributes to the value of things, whether his hands actually come into contact with physical objects or not.”

Men Doe Matter Hands Form Values Process Results Economic Objects Materials Benefits Transformation Productions Handle Contact Producers Consumers Location Availability

Author:Thomas Sowell

“The object of government is the welfare of the people. The material progress and prosperity of a nation are desirable chiefly so far as they lead to the moral and material welfare of all good citizens.”

People Government Nations Moral Progress Objects Materials Citizens Prosperity Welfare Desirable Good Citizen

Book:The New Nationalism

Source: The New Nationalism

“Nature, the sun itself, produces color effects... instantaneously. The impression of these evanescent visions is what we make desperate attempts to catch and fix by any means at hand. At such moments I am unconscious of materials, of style, of rules, of everything that intervenes between my perception and the object or idea perceived.”

Mean Ideas Moments Hands Vision Sun Effects Style Objects Produce Color Materials Perception Impression Desperate Unconscious

Author:Joaquin Sorolla

“I remember an old Singer sewing machine at home that belonged to my grandmother. It had a pedal. My mom taught me how to use it when I was 12 years old. I used to find it so intriguing, how a flat piece of material could be made into an object that had so many uses.”

Years Made Use Home Remember Used Pieces Objects Taught Materials Mom Machines My Mom Singers Grandmother Flats My Grandmother Intriguing Sewing Pedals

Author:Bibhu Mohapatra

“I have always been very much involved in the pseudo biological cycle of production, consumption and destruction. And for a long time, I have been anguished by the fact that one of its most conspicuous material results is the flooding of our world with junk and rejected odd objects.”

World Long Has Beens Art Facts Results Objects Materials Involved Long Time Destruction Productions Odd Cycles Our World Consumption Rejected Junk Pseudo Flooding Contemporary Art

Author:Arman

“It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiæ of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence.”

Mind Process Numbers Attitude Accepting Objects Materials Method Trade Theme Sensations Superstitions Realism Vague Explaining Describing Indication Candour

Book:Not Under Forty

Source: Not Under Forty

“That's the difference between the serious artist and the craftsman--the craftsman can take material and because of his abilities do a professional job of it. The serious artist, like Proust, is like an object caught by a wave and swept to shore. He's obsessed by his material; it's like a venom working in his blood and the art is the antidote.”

Art Jobs Artist Differences Ability Blood Objects Serious Materials Art Is Wave Caught Obsessed Shore Antidote Craftsman Venom Proust

Book:Truman Capote: Conversations

Source: Truman Capote: Conversations

“In one sense 'there are' both universals and material objects, in another sense there is no such thing as either: statements about each can usually be analysed, but not always, nor always without remainder.”

Objects Materials Statements

Author:J. L. Austin

“With respect to the use of this sparkling coloured material (butterfly wings around 1955, fh) - the constituent parts of which remain indistinguishable - with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.”

“How a designer gets from thought to thing is, at least in broad strokes, straightforward: (1) A designer conceives a purpose. (2) To accomplish that purpose, the designer forms a plan. (3) To execute the plan, the designer specifies building materials and assembly instructions. (4) Finally, the designer or some surrogate applies the assembly instructions to the building materials. What emerges is a designed object, and the designer is successful to the degree that the object fulfills the designer's purpose.”

Form Purpose Successful Plans Objects Building Materials Degrees Accomplish Designer Broads Instruction Strokes Assembly Straightforward Surrogates Building Materials

Book:No Free Lunch: Why Specified Complexity Cannot Be Purchased Without Intelligence

Source: No Free Lunch: Why Specified Complexity Cannot Be Purchased Without Intelligence

“Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."”

“Now these two questions Does there exist a material reality distinct from sensible appearances? and What is the nature of reality? do not have their source in experimental method, which is acquainted only with sensible appearances and can discover nothing beyond them. The resolution of these questions transcends the methods used by physics; it is the object of metaphysics. Therefore, if the aim of physical theories is to explain experimental laws, theoretical physics is not an autonomous science; it is subordinate to metaphysics.”

Ifs Doe Two Reality Law Used Objects Materials Theory Source Aim Method Appearance Physics Resolution Sensible Metaphysics Theoretical Subordinates Autonomous Theoretical Physics

Author:Pierre Duhem

“We are, in fact, hyper-dimentional objects of some sort which cast a shadow into matter, and the shadow in matter is the body. And at death, what happens basically, is that the shadow withdraws, or the thing which cast the shadow withdraws, and metabolism ceases, and matter which had been organized into a dissipative structure in a very localized area, sustaining itself against entropy by cycling material in and degrading it and expelling it, that whole phenomenon ceases, but the thing which ordered it is not affected by that.”

Matter Whole Facts Body Happens Objects Materials Shadow Areas Structure Casts Cease Organized Affected Phenomenon Cycling Sustaining Hyper Degrading Entropy Metabolism

Author:Terence McKenna

“As the conceptual, material world increases its hold on us, and inanimate objects become more lifelike, we humans must become more human. Open hearts, kindness and care-these are our most precious gifts.”

World Humans Heart Care Humanity Kindness Objects Materials Increase Buddhist Being Human Open Heart Material World Precious Gifts Inanimate Objects Spiritual Gifts

Book:The Shambhala Principle: Discovering Humanity's Hidden Treasure

Source: The Shambhala Principle: Discovering Humanity's Hidden Treasure

“The motion picture is like journalism in that, more than any of the other arts, it confers celebrity. Not just on people - on acts, and objects, and places, and ways of life. The camera brings a kind of stardom to them all. I therefore doubt that film can ever argue effectively against its own material: that a genuine antiwar film, say, can be made on the basis of even the ugliest battle scenes ... No matter what filmmakers intend, film always argues yes.”

People Way Kind Art Made Matter Film Doubt Objects Materials Scene Battle Bases Cameras No Matter What Arguing Genuine Journalism Filmmaker Movie Antiwar Motion Pictures Stardom

Author:Renata Adler

“In mathematics ... we find two tendencies present. On the one hand, the tendency towards abstraction seeks to crystallise the logical relations inherent in the maze of materials ... being studied, and to correlate the material in a systematic and orderly manner. On the other hand, the tendency towards intuitive understanding fosters a more immediate grasp of the objects one studies, a live rapport with them, so to speak, which stresses the concrete meaning of their relations.”

Two Hands Speak Understanding Study Objects Materials Stress Relation Mathematics Tendencies Logical Concrete Inherent Abstraction Intuitive Systematic Orderly Mazes Rapport

Author:David Hilbert

“Human artifacts not only include material structures and objects, such as buildings, machines, and automobiles, but they also include organizations, organizational structures like extended families . . . tribes, nations, corporations, churches, political parties, governments, and so on. Some of these may grow unconsciously, but they all originate and are sustained by the images in the human mind.”

“...after a certain point, material objects have a tendency to crowd out the emotional needs they are meant to support.”

Needs Certain Support Objects Emotional Materials Crowds Tendencies Entrepreneurship Emotional Needs

Author:Graham Hill

“We can hardly imagine a state of mind in which all material objects were regarded as symbols of spirtual truths or episodes in sacred history. Yet, unless we make this effort of imagination, Medieval art is largely incomprehensible.”

Mind Art States Imagination Effort Imagine Objects Materials Art Is Mathematics Sacred Symbols State Of Mind Episodes Medieval

Author:Kenneth Clark

“These two, I say, viz. external material things, as the objects of SENSATION, and the operations of our own minds within, as the objects of REFLECTION, are to me the only originals from whence all our ideas take their beginnings.”

Mind Two Ideas Objects Materials Reflection Originals Operations Sensations Material Things

Author:John Locke

“A body - physical, astral, dead - might be treated as an object, might be adored and hated. So this story has emerged from the material that the body is.”

Stories Body Might Objects Materials Treated Hated

Author:Malgorzata Szumowska

“In contact with materials, I can see so much more with my hands than I can just with my eyes. I'm a participant, not a spectator. I see myself both as an object and a material, and the human presence is really important to the landscapes in which I work.”

Humans I Can Important Hands Eye Objects Materials Contact Landscape Spectators Participants

Author:Andy Goldsworthy

“The structure underlying the phenomena is not given by material objects like the atoms of Democritus but by the form that determines the material objects. The Ideas are more fundamental than the objects.”

Ideas Form Given Objects Materials Fundamentals Structure Determine Atoms

Book:Across the frontiers

Source: Across the frontiers

“A line partakes of the simplicity of a point more than does a surface; and a surface [partakes thereof more] than does a material object-as was evident. From this consideration of a point and a material object elevate yourself unto a likeness of True Being and of the universe; and by means of [this] quite clear symbolism [of a point] make a conjecture about what has been said.”

Mean Doe Has Beens Said Universe Lines Clear Objects Materials Simplicity Surface Consideration Evident Symbolism Conjecture

Author:Nicholas of Cusa

“No material object, however beautiful or valuable, can make us feel loved, because our deeper identity and true character lie in the subjective nature of the mind.”

Feels Mind Character Beautiful Lying Identity Objects Materials Deeper Valuable Subjective True Character

Book:In My Own Words: An Introduction to My Teachings and Philosophy

Source: In My Own Words: An Introduction to My Teachings and Philosophy

“The sin of capitalism, perhaps, is to make wants feel like needs, to give to simple silly stuff the urgency of near-physical necessity: I must have it. The grace of capitalism is to make wants feel like hopes, so that material objects and stuff can feel like the possibility of something heroic and civic.”

Want Needs Giving Feels Stuff Sin Simple Grace Possibility Objects Materials Capitalism Silly Heroic Urgency Civics Silly Stuff

Author:Adam Gopnik

“A piece of paper or a photograph is as much an object, or as 'material' as a ton of lead.”

Pieces Objects Materials Paper Photograph

Book:Six Years: The Dematerialization of the Art Object from 1966 to 1972 ...

Source: Six Years: The Dematerialization of the Art Object from 1966 to 1972 ...

“Distinction between species and specimen is very much like the distinction between images and actual pictures, or, you know, objects that have a definite material identity. The classifications, the categories, the stereotypes, and the images are on one side, and the material pictures, statues, texts, and so forth are on the other.”

Knows Sides Identity Objects Materials Species Distinction Categories Definite Stereotype Statues Classification

Author:W. J. T. Mitchell

“At one point I felt a tension between objects, their real, physical lives, and the idea of meaning: the physical, material reality of a book, and the totally intangible experience of reading it.”

Book Ideas Real Reality Reading Felt Objects Materials Tension Intangible

Author:Sergio Chejfec

“The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here, but much of what’s on view is actually more about obsession and repetition: a couch made out of 3,500 quarters, a necklace composed of 100 handgun triggers. The building, too, seems caught between wanting to be an object of decorative delectation and making an architectural statement.”

“If you hand an adult a lump of clay, they're likely to respond by fashioning something representative out of the raw material. For the most part, they'll simply forge an object that signifies something "real" in the world, even if that something is as abstract as an emotion or an energy. A child, on the other hand, will just as often produce something totally without semiotic meaning, a shape or a mass that represents nothing that exists outside of their imagination. Or else, they'll eat it or throw it or ignore it, wholesale.”

Ifs World Children Real Hands Energy Imagination Emotion Objects Produce Materials Shapes Mass Adults Abstract Representatives Clay Lumps Raw Materials Wholesale Something Real Semiotics

Author:Keith Murray

“The identifying personal association with objects, which are not personal, is an important modern experience - our real association, the strands of our feelings about the objects that surround us. It's also because they are so familiar, we don't think of them as important in the world, but actually they are the world. We are living in a very material world.”

Thinking World Important Real Feelings Modern Objects Materials Familiar Surround Association Identifying Strands Material World

Author:Michael Craig-Martin

“In the studio we use a pretty wide range of materials for the sculptures; silicone, fibreglass, human and animal hair, ABS plastic, dental acrylic, traditional and high-tech plasters, stainless steel, automotive paint, plywood, Britannia metal, found objects and taxidermy animals.”

Humans Use Found Animal Objects Materials Hair Paint Studios Wide Traditional Range Metals Plastic Steel Sculpture Humans And Animals Dental Plasters Taxidermy Found Objects

Author:Patricia Piccinini

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