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Objects Quotes

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Objects Quotes

“Remember, how often the great art of the past didn't look great at first, how often it didn't look like art at all; how much easier it is, decades or centuries later, to adore it, not only because it is, in fact, great but because it's still here; because the inevitable little errors and infelicities tend to recede in an object that's survived the War of 1812, the eruption of Krakatoa, the rise and fall of Nazism.”

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Author:Michael Cunningham
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“In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.”

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Author:Jonathan Ive
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“Do not suppose that abuses are eliminated by destroying the object which is abused. Men can go wrong with wine and women. Shall we then prohibit and abolish women? The sun, the moon, and the stars have been worshiped. Shall we then pluck them out of the sky? ...see how much he [God] has been able to accomplish through me, though I did no more than pray and preach. The Word did it all. Had I wished I might have started a conflagration at Worms. But while I sat still and drank beer with Philip and Amsdorf, God dealt the papacy a mighty blow.”

MenHas BeensStillsMightAbleStarsSunSkyObjectsPrayingMoonAbuseWineBlowAccomplishBeerSatDestroyingWormsDrankAbolishPluckPhilipWomen And Wine
Author:Martin Luther
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“When human men hold an object that makes a powerful noise, or has moving parts, or spins around fast, or has a button they can push (which either screws or nails something) they become Gods in their own heads.They can do anything: they can eat through walls and bring buildings together to form mighty empires.They can build floating cities and flying tin cans.But they still can't make their own beds.”

MenHumansStillsTogetherMovingFormCan DoPowerfulCitiesObjectsBuildingWallBedFlyingNoiseEmpiresButtonsNailsFloatingScrewsTinMoving PartsTin Cans
Author:Craig Stone
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“The secondary Imagination I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate: or where this process is rendered impossible, yet still at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.”

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Book:Biographia Literaria: Top Biography
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“What I have always found most beautiful in the theatre, in my childhood, and still today, is lustre--a beautiful object, luminous, crystalline, complex, circular, symmetrical. However, I do not absolutely deny the value of dramatic literature. Only, I should like the actors to be mounted on high pattens, to wear masks more expressive than the human face, and to speak through megaphones.”

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Book:Baudelaire, His Prose and Poetry
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“[The church] is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. "What has human happiness to do with morals? The object of morals is not to make people happy.”

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Book:Why I Am Not a Christian
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“I don't think she [Marilyn Monroe] saw herself as victimized and a sex object. She knew how to contend with it. I'm sure she was no fool about it. On the one hand, it was very flattering and great; on the other hand, it was probably awful and could be very lascivious and very terrible. But I think a lot of women just wanted to be like her. And that's still true today.”

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Author:Gail Levin
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“It was actually books that started to make those pockets of freedom, which I hadn't otherwise experienced. I do see them as talismans, as sacred objects. I see them as something that will protect me, I suppose, that will save me from things that I feel are threatening. I still think that; it doesn't change. It doesn't change, having money, being successful. So from the very first, if I was hurt in some way, then I would take a book -- which was very difficult for me to buy when I was little -- and I would go up into the hills, and that is how I would assuage my hurt.”

IfsThinkingWayFeelsFirstsLittlesStillsBookDifficultHurtSuccessfulObjectsProtectSacredHillsBeing SuccessfulPocketsThreateningSave MeTalismansI Was Hurt
Author:Jeanette Winterson
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“This merely formal conceiving of the facts of one's own wretchedness is at the same time a departure from them--placing them in the object. It is not idle, therefore, to observe reflexively that in that very Thought, one has separated himself from them, and is no longer that which empirically he still sees himself to be.”

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Book:The Meaning of God in Human Experience
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“Waiting is directed at nothing: any object that could gratify it would only efface it. Still, it is not confined to one place, it is not a resigned immobility; it has the endurance of a movement that will never end and would never promise itself the reward of rest; it does not wrap itself in interiority; all of it falls irremediably outside.”

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Book:Aesthetics, Method, and Epistemology
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“With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use - I don't use the accident - 'cause I deny the accident... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.”

StillsDifferentUseSeemsCausesResultsObjectsPaintingApproachFlowDirectPaintNotionDenyAccidentsDrawingStill LifeExpressionismAbstract Expressionism
Author:Jackson Pollock
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“Man little knows what calamities are beyond his patience to bear till he tries them; as in ascending the heights of ambition, which look bright from below, every step we rise shows us some new and gloomy prospect of hidden disappointment; so in our descent from the summits of pleasure, though the vale of misery below may appear, at first, dark and gloomy, yet the busy mind, still attentive to its own amusement, finds, as we descend, something to flatter and to please. Still as we approach, the darkest objects appear to brighten, and the mortal eye becomes adapted to its gloomy situation.”

KnowsMenTryingMindFirstsLooksMayLittlesStillsShowsEyeDarkPleasureSituationStepsObjectsBearsPleaseAmbitionApproachExperienceMiseryBusyDisappointmentMortalsHeightAmusementSummitCalamityEvery StepAdaptedGloomyDescentAscending
Book:The Works of Oliver Goldsmith: Poetical works. Dramas. The vicar of Wakefield
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“They whirled past the dark trees, as feathers would be swept before a hurricane. Houses, gates, churches, hay-stacks, objects of every kind they shot by, with a velocity and noise like roaring waters suddenly let loose. Still the noise of pursuit grew louder, and still my uncle could hear the young lady wildly screaming, "Faster! Faster!"”

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Book:The posthumous papers of the Pickwick Club
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“Whenever the truth is uncovered, the artist will always cling with rapt gaze to what still remains covering even after such uncovering; but the theoretical man enjoys and finds satisfaction in the discarded covering and finds the highest object of his pleasure in the process of an ever happy uncovering that succeeds through his own efforts.”

MenStillsArtistProcessEnjoyPleasureEffortObjectsTruth IsSucceedHighestRemainsSatisfactionTheoreticalCoveringDiscardedUncovering
Book:Basic Writings of Nietzsche
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“Nothing more powerfully excites any affection than to conceal some part of its object, by throwing it into a kind of shade, whichat the same time that it shows enough to prepossess us in favour of the object, leaves still some work for the imagination.”

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Book:A Dissertation on the Passions: The Natural History of Religion : a Critical Edition
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“Among the innumerable mortifications which waylay human arrogance on every side may well be reckoned our ignorance of the most common objects and effects, a defect of which we become more sensible by every attempt to supply it. Vulgar and inactive minds confound familiarity with knowledge and conceive themselves informed of the whole nature of things when they are shown their form or told their use; but the speculatist, who is not content with superficial views, harasses himself with fruitless curiosity, and still, as he inquires more, perceives only that he knows less.”

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Author:Samuel Johnson
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“I've come to realize that I'm a image maker, not an object maker. Images come to me as photographs because I don't have any other way of express them. I have to translate everything into still or moving pictures. I've learned that reality is not important to me. In the end it is the representation of reality that I'm striving to capture.”

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Author:Gerardo Suter
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“Felicity is a continual progress of the desire from one object to another, the attaining of the former being still but the way to the latter.”

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Book:The Moral and Political Works To which is Prefixed the Autors Life, Extracted from that Said to be Written by Himself ... Illustr. by the Ed. - London 1750
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“I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.”

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Author:Brian Eno
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“It's only when movement becomes the most natural state in our lives that we can finally begin to enjoy the motion. And it's only when standing still becomes impossible that we can finally embrace the kinds of changes that are inevitable in our lives. We were not designed to stand still. If we were, we'd have at least three legs. We were designed to move. Our bodies are bodies that have walked across vast continents. Our bodies are bodies that have carried objects of art and war over great distances. We are no less mobile than our ancestors. We are athletes. We are warriors. We are human.”

IfsHumansKindArtStillsWarStatesBodyMovingThreeEnjoyNaturalOur LivesImpossibleMovementObjectsStandingEmbraceDistanceAthleteLegsWarriorInevitableAncestorContinentsMobileStanding StillThree Legs
Author:John Bingham
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“Who when examining in the cabinet of the entomologist the gay and exotic butterflies, and singular cicadas, will associate with these lifeless objects, the ceaseless harsh music of the latter, and the lazy flight of the former - the sure accompaniments of the still, glowing noonday of the tropics.”

StillsObjectsGayFlightFormerLazyLatterButterflyHarshAssociatesGlowingCabinetsExoticExaminingLifelessTropicsCicadas
Book:Journal of Researches Into the Natural History and Geology of the Countries Visited During the Voyage of H.M.S. Beagle Round the World: Under the Command of Capt. Fitz Roy
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“Here we observe the basic obsessive fantasy of Žižek's position: do nothing, sit still, prefer not to, like Melville's Bartleby, and silently dream of a ruthless violence, a consolidation of state power into one man's hands, an act of brutal physical force of which you are the object or the subject or both at once.”

MenStillsStatesDreamHandsForceFantasyViolenceSubjectsPositionObjectsOne ManBrutalRuthlessObsessivePhysical ForceConsolidationMelville
Author:Simon Critchley
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“I wanted to make a site where I wasn't mailing physical things to people, but I was still giving people things, and I would have this relationship with that person, and if that person was interested in the object, they would have to email me and I would send that object digitally to them. So, I wanted the relationship with that person, however brief, and I wanted to spread the digital record of the things I have.”

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Author:Mary Mattingly
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“Vanity was the beginning and the end of Sir Walter Elliot's character; vanity of person and of situation. He had been remarkably handsome in his youth; and, at fifty-four, was still a very fine man. Few women could think more of their personal appearance than he did, nor could the valet of any new made lord be more delighted with the place he held in society. He considered the blessing of beauty as inferior only to the blessing of a baronetcy; and the Sir Walter Elliott, who united these gifts, was the constant object of his warmest respect and devotion.”

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Author:Jane Austen
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“What deep and worthy love is so, whether of woman or child, or art or music. Our caresses, our tender words, our still rapture under the influence of autumn sunsets, or pillared vistas, or calm majestic statues, or Beethoven symphonies all bring with them the consciousness that they are mere waves and ripples in an unfathomable ocean of love and beauty; our emotion in its keenest moment passes from expression into silence, our love at its highest flood rushes beyond its object and loses itself in the sense of divine mystery.”

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Book:George Eliot Collection: Middlemarch, Adam Bede, Silas Marner, The Lifted Veil, and The Mill on the Floss
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“Photographs are but one link in a potentially endless chain of reduplication; themselves duplicates (of both their objects and, in a sense, their negatives), they are also subject to further duplication, either through the procedures of printing or as objects of still other photographs.”

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Book:Beyond Recognition: Representation, Power, and Culture
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