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Periods Quotes

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Periods Quotes

“Fine declamation does not consist in flowery periods, delicate allusions of musical cadences, but in a plain, open, loose style, where the periods are long and obvious, where the same thought is often exhibited in several points of view.”

“Pseudo-modernists pursue individual style because they know they cannot make a name without it; but if they had lived in the eighteenth century their sole object would have been to write correctly, to conform to the manner of the period. In practice, their conforming individualism means an imitation, studiously concealed, of the eccentricities of poems which really are individual.”

“Deep attention, the cognitive style traditionally associated with the humanities, is characterized by concentrating on a single object for long periods (say, a novel by Dickens), ignoring outside stimuli while so engaged, preferring a single information stream, and having a high tolerance for long focus times. Hyper attention is characterized by switching focus rapidly among different tasks, preferring multiple information streams, seeking a high level of stimulation, and having a low tolerance for boredom.”

“Harmony of period and melody of style have greater weight than is generally imagined in the judgment we pass upon writing and writers. As a proof of this, let us reflect what texts of scripture, what lines in poetry, or what periods we most remember and quote, either in verse or prose, and we shall find them to be only musical ones.”

“I'm sure favorite moments in movies are things that just happen accidentally when the camera is there. You have to do all the homework to get yourself into the period, the costumes, the style, the voice, the hairdo or whatever it is, but once you've done all that work, you have to kind of let it go and just be there. If you're always thinking about it, it just looks a bit over-thought.”

“What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.”

“Oh yes, the Klitschkos. They got to learn how to fight. Period. But I'll tell you one thing - they're great human specimens. And I'd be happy to be able to work with them. If they chose to work with me. They had an opportunity when they got free of Peter Kohl - they didn't come to me. You know, I'm with who's with me. And I really don't care what fighter it is. I would be happy to promote them..Who could beat Vitali? Rahman could beat Vitali. His style is suited to beat Vitali.”

“It takes uncommon guts to stick to one style in the face of all the pressures to 'come up with something new' every six months. It is tragically easy to be stampeded into change. But golden rewards await the advertiser who has the brains to create a coherent image, and the stability to stick with it over a long period.”

“The most difficult part, when you decide to make running a part of your life style, is the basic initial commitment. Everybody says, 'I don't have the time.' It's up to you to say, 'I do have the time.' For me, beginning to run when I was a student was an ideal situation. However, I've also trained as much as 130 miles per week during periods when I worked a full-time job. It ultimately becomes second nature. It becomes a habit, a routine part of your daily life”

“I came to this project and 'Far from Heaven' from completely different vantage points. 'Heaven' was of course about the Douglas Sirk films of that period, with the very specific cinematic language and style of melodrama. With 'Carol,' it was presented to me already packaged, with Cate Blanchett attached and Phyllis Nagy's script complete - when it came to me it had a long history and pre-history.”