Quotessence
Home / Topics / Photograph Quotes

Photograph Quotes

Browse 2182 quotes about Photograph.

Related topics

Photograph Quotes

“I think, actually, that it's a really fascinating time in history because the development of modern technology and the photographs the satellites were taking from space were mapping the earth in a new way, making us feel like the globe we inhabit is much smaller than previously conceived of, in the human mind.”

“I would say digital technology probably doesn't have much impact on us so far. We've seen photographs of people from when they are alive. We see home movies. We have videotapes now and e-mails. When it's going to get interesting is in massively multiplayer online games where you have avatars (online personas). You could actually create an avatar that's semi-autonomous. It could do things for you while you get off the game to run the rest of your life.”

“My parents used to park us kids at the public library in downtown Honolulu every Saturday. They'd leave us there at 8 A.M. and pick us up at 4 P.M. - so between those hours, you'd better find something to do! I sat upstairs in the picture room and went through opera, ballet, and theater books. I loved the photographs of people wearing elaborate makeup and costumes - they really pulled at me inside. I was in that library every week for years, until I was about 13. I had a rich interior life, because I didn't have much of a social life.”

“I've always made things either paintings, drawing, photographs, or writing. It's all kind of the same thing. It all involves saying more, I guess. It involves separating life, breaking off this chunk that's devoted to making something. There's a lot of pleasure in that, but there can also be a lot of struggle. There's always this fantasy that you could just live life and not have to think about it.”

“Every one of those old songs like "What's My Age Again?" and "All the Small Things" is like a tattoo or a scrapbook or an old photograph. There are just songs that define certain moments in your life. Everyone has a song that got them through a bad breakup or they put on and it made them feel like they wanted to go out and kick the world's ass with their friends on a weekend. Those songs still feel like that to me.”

“When I did some research on child marriage, I realized there were no photographs that showed what it looked like. But the more you dig into something complex, the more you realize how much there is to learn. That's why I've taken so many years to unravel the complexities of the issue and how it continues to be similar and different in different countries and communities.”

“People think, "Oh my god, you've been doing this job for so many years, it must get boring." It's like, "No, hell no," because I get to sing, I get to dance, I get to be on TV and in films, I get to do merchandising, licensing, show up at conventions, write, or take photographs for my book. There are so many different things going on for me that it never gets boring. It's always fun and interesting.”

“I can remember how I sang - a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You're wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool. It's an accurate depiction of who you were and what you looked and sounded like at that point in your life. It doesn't necessarily mean that it aged in a way that it feels as cool or sounds as good to you, or says what you thought it said, 10 years later. That's just the nature of growing older.”

“One book that has meant much to my writing is W.G. Sebald's The Emigrants. He uses a photograph of Vladimir Nabokov hunting butterflies in a similar way. The image or a reference to the image is traced throughout the four separate narratives. It sometimes seems to be the only link between the pieces, while the symbol Nabokov cuts remains wide open, a pencil sketch, a mystery to interpret outside his role as emigrant/observer.”

“I did a different size of photograph at the FIAT gallery - this time the images are 30" by 40," so they're maybe like four times the size of images I've shown before in a gallery. I just saw them now, and once they're in the mat and the frame, they're just beautiful. It's funny because even though it's closer to life-sized, to me anyway, they become not necessarily anymore about the person, but they almost become a little more heroic.”

“My father writings stuff was always his personal stuff, like about the day we had to put our dog down, or finding old photographs of his father, or passing a guy he went to boarding school with on a street in New York. Very specific, detailed, descriptive columns that he wrote. I think in a way, it could be argued that my best songs are that way too. They're almost journalistic in that they're very clear, and very specific, and they describe things.”

“At a certain point, I got interested in set design for the theater. I was interested in architecture, but I was taking photographs at the same time, and architecture, though it had the design element, it didn't have the narrative, emotional element that I was looking to do. I ended up painting for a while. I was dancing around it, and I realized that all these different interests came together in filmmaking.”

“Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.”

“I like as much time as I can get and I'll do whatever I think is helpful to prepare for a role. Sometimes it's practical research, meaning if I had to write shorthand, I'd learn how to write shorthand. Or if I have to know how to dance a certain way, I would learn that. And then there's just research of talking to people similar to the characters I'm playing. And there's stuff that I just feel is inspiring, whether it be music or a painting or a photograph. I've used a lot of Nan Goldin's photos in the past to inspire me. I use certain paintings and pieces of music.”

“I feel like I'm doing something that's worthwhile. I feel like I'm showing something other people haven't shown. I don't get to talk to the people who I photograph, I just go, along, banging away. So I don't really have a relationship with them. A lot of people think it's very important. I don't. It's like love at first sight. I have an impression when I see somebody, and I have an idea of who they are, or what they are.”

“Since I switched to an iPhone, I did start taking pictures of people I like. Until then, I strangely never took pictures. I think the iPhone became this space that was different enough from a "photograph," so I find myself taking pictures of daily things. If someone I dated asked me to take their picture, I would most likely find it disturbing. Perhaps nude pictures would be fun. But that would have to be on an iPhone.”

“I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.”

“Inspiration is the most valuable commodity for an artist; it is for me anyway. I can't move forward in any way if I don't feel a strong spark of excitement or creativity. Sometimes it is very difficult to get things flowing. It's important to be in a peaceful state of mind, and then I invite the spirits to come into the studio. I don't stare into a blank canvas or paper. I look through my various collections of books, toys, statues, photographs and other things, and something will trigger an idea. My studio is packed full of things that inspire me.”

“Making photographs that dealt with the understanding of who I am as a gay man and dealt with the process of accepting that, and also accepting what I'm into sexually, what sexually arouses me. So I was making these images not necessarily knowing what they were about, but just putting it out there - that mode of thinking or consideration of my own desires, and also the much larger conversation around images that deal with ideas of sexuality and how those images are distributed and then accepted or understood by whoever is viewing those images.”

“Things changed a little when I started taking photographs for magazines. I was afraid in the beginning. I thought, "Oh I can't do it, because I have never taken a photographs commercially for a magazine." But I wanted to learn so I started. But when I took models from agencies, I took beginners. Sometimes they were really good, but you have to work with them. You have to be good with women and the boys.”

“The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.”

“Now everyone's main objective of taking photographs is to have a photograph for Twitter or Facebook. I find that troubling. If you have an opportunity to meet the Dalai Lama, don't work out your camera or iPhone issues. Sit and a listen to what the man is saying, because nine times out of 10, you're not going to look at that photo. You're not going to look at the video. As a photographer, I don't carry a camera. I have my iPhone, but I don't carry a camera. I want to live.”

“During my performances, I don't like folks to take pictures because I feel that we live in a very photographic time. Photography was invented over 100 years ago, and now it's at its peak because everyone has a camera. The fact that they are taking experiences and filtering them through a mechanical lens I find amazing, but also disheartening. Amazing when you have photographs that start revolutions. Disheartening when you have people making photographs but not living.”