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Photograph Quotes

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Photograph Quotes

“Photography - the supreme form of travel, of tourism - is the principal modern means for enlarging the world. As a branch of art, photography's enterprise of world enlargement tends to specialize in the subjects felt to be challenging, transgressive. A photograph may be telling us: this too exists. And that. And that. (And it is all 'human.') But what are we to do with this knowledge - if indeed it is knowledge, about, say, the self, about abnormality, about ostracized or clandestine worlds?”

IfsWorldHumansMayMeanArtSelfFormFeltChallengesModernSubjectsPhotographyPhotographSupremeBranchesEnterprisePrincipalTourismEnlargementAbnormalityClandestineArt Photography
Author:Susan Sontag
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“To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world. Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today. The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.”

IfsWorldShouldMayMeanPhilosophyRealityEyeTodayCoursesBehindsHonestSeriousExpressionPhotographyDirectPhotographerPhotographConnectedEvolveMeritRelatedConsiderationPulseSelective
Author:Berenice Abbott
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“Some of my pictures are poem-like in the sense that they are very condensed, haiku-lik. There are others that, if they were poetry, would be more like Ezra Pound. There is a lot of information in most of my pictures, but not the kind of information you see in documentary photography. There is emotional information in my photographs.”

IfsKindWould BeInformationEmotionalPhotographyPhotographerPhotographPoundsDocumentariesHaikuDocumentary Photography
Author:Sally Mann
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“I didn't want to be criticized for taking low-quality photographs, so I tried to reach the best, highest quality of photography and then to combine this with a conceptual art practice. But thinking back, that was the wrong decision [laughs]. Developing a low-quality aesthetic is a sign of serious fine art-I still see this.”

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Author:Hiroshi Sugimoto
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“I'd bought a lot of really challenging, cutting-edge Joel-Peter Witkin photographs very early on. There were severed heads and amputated feet and hands in them - gruesome stuff. I had them all around the house, and if someone couldn't relate to it in some artistic way and instead just said "Yuck," then there probably wouldn't have been anywhere for us to go.”

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Author:Richard Gere
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“And what movies we saw! All the actors and actresses whose photographs I collected, with their look of eternity! Their radiance, their eyes, their faces, their voices, the suavity of their movements! Their clothes! Even in prison movies, the stars shone in their prison clothes as if tailors had accompanied them in their downfall.”

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Book:Borrowed Finery: A Memoir
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“Trying to find this industry's tendency to celebrate the physical is a waste of time. So I'm happy to play the game. But I am also thirsty for input. I'm not a dunce whose only skill is knowing how to take a photograph, you know? And at the end of the day, I think it makes me slightly less replaceable.”

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Author:Olivia Wilde
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“I like the idea all memory is fiction, that we have queued a couple of things in the back of our minds and when we call forth those memories, we are essentially filling in the blanks. We're basically telling ourselves a story, but that story changes based on how old we are, and what mood we're in, and if we've seen photographs recently. We trust other people to tell us the story of our lives before we can remember it, and usually that's our parents and usually it works, but obviously not always. And everybody's interpretation is going to be different.”

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Author:Steven Tyler
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“The existence of a medium, after all, is its absolute justification, if as so many seem to think, it needs one and all comparison of potentialities is useless and irrelevant. Whether a water-color is inferior to an oil, or whether a drawing, an etching, or a photograph is not as important as either, is inconsequent. To have to despise something in order to respect something else is a sign of impotence. [emphasis added] Let us rather accept joyously and with gratitude everything through which the spirit of man seeks to an ever fuller and more intense self-realization.”

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Author:Paul Strand
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