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“I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.”

“People have different goals, when you start out making a movie. If the goal is darkness and destruction and despair, it's not like, "Hey, let's go to set, and then let's hit the bar afterwards. Let's jaunt into London and pick up some Chinese food." No, you go home from set and you go fight at the gym, and then you go to sleep. You stay in it. You never excuse yourself, you never take it easy on yourself, you never eat good food.”

“Sadly enough, my young friends, it is a characteristic of our age that if people want any gods at all, they want them to be gods who do not demand much, comfortable gods, smooth gods who not only don't rock the boat but don't even row it, gods who pat us on the head, make us giggle, then tell us to run along and pick marigolds.”

“On your principles, you should never yield; you should be prepared to be defeated. Nobody likes to be defeated, but you should let everybody know in the most articulate and thoughtful and civil way you can (you don't go out and pick fights with people) that in certain matters that you define as matters of principle you will not budge, you cannot yield, you will not compromise. If you don't have the votes or the winning argument, then you stand to be defeated and rolled over, and you'll just have to come back another day.”

“I'm aware of Yusef Lateef and Sun Ra and John Coltrane. My music cup runneth over. I try to encourage people: don't cut anything off, don't limit yourself. Give it a good listen: you might find something in that goofy Sun Ra noise, that dissonance. Before I learned 'official musicality' - which you should avoid at all costs - I listened to some Sun Ra and Yusef Lateef and John Coltrane and that's where 'Journey to the Center of the Mind' came from. When you intentionally and aggressively pursue musical communication with those powerfully impactful musical geniuses, you will pick up something.”

“I remember once imagining what my life would be like, what I'd be like. I pictured having all these qualities, strong positive qualities that people could pick up on from across the room. But as time passed, few became qualities that I actually had. And all the possibilities I faced, and the sorts of people I could be, all of them got reduced every year to fewer and fewer until finally they got reduced to one - to who I am. And that's who I am.”

“Video store arguments really bother me. Let's say it's a slow night on campus so you decide to stay in and rent a movie. You're in the video store and finally pick one out and your friend says, 'Oh, don't get that, it was on TV last week.' I hate when people say that. Who cares? Is it on TV right now? No? Good, then let's rent it.”

“It's lonely at the top. Ninety-nine percent of people in the world are convinced they are incapable of achieving great things, so they aim for the mediocre. The level of competition is thus fiercest for "realistic" goals, paradoxically making them the most time-consuming and energy consuming. It is easier to raise $10,000,000 than it is $1,000,000. It is easier to pick up the one perfect 10 in the bar than the five 8s.”

“Kristen is really focused and really quiet, as an actress. She just does her thing, but she's cool. I like her. I know a lot of people have mixed comments about her, but I think she's a rad person. She's just focused on what she's doing, as an actress, and she wants to pick the right roles, and she's committed to her craft. She's really cool. We got along. There weren't any tensions or anything.”

“Of course, here's the weird part. After I fought my dad, all of a sudden we're buddies now. Like he's my friend now, we start hanging out. But we're still the same people. So we'd go out on Sunday, you know, and just be hanging out, then he'd, like, pick a guy, and we'd just go beat the crap out of that guy as a team. Memories, huh?”

“Most companies want free enterprise in general because that produces better goods and services and makes people's lives better, but they don't want it in their business. They want protection from competition, they want subsidies, they want the government to pick winners and losers, and they want to be picked as winners, and that's what we're opposing, and that's what drives my whole efforts in policy, and in the political arena.”

“One of the things that we have to change in this country is the idea that people can't disagree without challenging each other's character and patriotism. I have never suggested that Sen. McCain picks his positions on national security based on politics or personal ambition. I have not suggested it because I believe that he genuinely wants to serve America's national interest. Now, it's time for him to acknowledge that I want to do the same. Let me be clear: I will let no one question my love of this country.”

“People tell me I'm a comedian, but I don't approach acting from that perspective. I do know that everything in life has to do with your timing and perception. You have to be comfortable with the rhythm that you're in. You can't just jump into a fast rhythm if yours is slow. You might have to pick up the pace but in your own particular way. It has to do with personality, too.”

“Like when you pick up a book and you don't realize what type of text it is - it could be an essay, a novel, a biography - and at one point you realize you don't know where, as a reader, you want to be. Where are you going with this text? What is the goal? How are you supposed to interpret what you're reading? And people's responses vary - some dislike it, and are put off by the confusion, the lack of comprehension.”

“When a female character sets herself on fire in an effort to interrupt her culture's violent abuse of disenfranchised people, or physically tortures and punishes her guardian rapist, or picks up a gun and fights back in ways that make her not pretty, or aggressively rejects her role as the object of desire, or even when she waddles off into the woods to squat and have a baby without the safety and expertise of hospitals and doctors, these are the kinds of violences and stories we can learn from.”

“Some of them [family names] have sentimental value for some reason or another, some of them just sound beautiful. Some of them are because of people that are meaningful to us in our lives. So it's hard to say which one we'll pick. Sometimes they say you have to see the child before you decide. So maybe when we see her we'll make a last-second decision.”

“But knowing that the world had come full circle to our Depression story didn't change the way we worked on it, or encourage us to change our thrust. I want people to be able to pick up this book in the future no matter what's going on in the world, and appreciate it on its own merits, not for any perceived winks at the headlines.”

“When you're spending that much time by yourself in your car looking at landscapes, it's desolate. Most of the other people around you are invisible in their own cars. You're driving past houses where maybe once in a while somebody is out, but that's about it. So I was interested in that aesthetic and I decided I wanted to write an apocalyptic narrative, but the more I thought of it, it seemed bizarre and untenable to me to pick one, so I just didn't.”

“Radio is the medium that most closely approximates the experience of reading. As a novelist, I find it very exciting to be able to reach people who might not ever pick up one of my books, either because they can't afford it (as is often the case in Latin America), or because they just don't have the habit of reading novels.”