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“Well, people have been wondering what's going to happen to the novel for two hundred years; its death has been announced many times. You know, I think the novel keeps redefining the world we live in. What you should look for in a novel is a window nobody else is looking out of, that nobody else can look through. What you look for is a voice. You pick up a novel by someone such as Faulkner or Hemingway and you just read three pages and you know who wrote it. And that's what one should demand of a novelist.”

“I do think that it is no surprise that, economically, America is in trouble. There's been a lot of trouble out there. More and more women have found themselves doing phone sex and things like that, to help pay bills, so that they could be two-income households. They can do these short-term jobs and still pick up their kids at school, at the end of the day, and drop them off in the morning. I find it fascinating. I'm not one to judge the people in that situation, nor would I really want to.”

“I'm not one of those who spring up yelling, "Yippee! Another day!" I'll grumble and sulk around a couple of hours, reading newspapers and trying to pick out an idea I might do something with on the show. But I don't really start functioning until noon or later; then about two I go to the studio and the pace begins to quicken.”

“Compromise is usually bad. It should be a last resort. If two departments or divisions have a problem they can't solve and it comes up to you, listen to both sides and then pick one or the other. This places solid accountability on the winner to make it work. Condition your people to avoid compromise.”

“If you want to be a fiction writer, you need to start reading like a fiction writer. To do so, you need to learn about craft so that the next time you pick up a contemporary short story, you're reading it not as an abstraction floating in formaldehyde, existing simply for the theorist's dull scalpel to saw on, but as a concrete thing constructed out of words and shaped by syntax, brought to life by a writer who made several thousand choices, some large, some small, before letting that imperfect beauty, the story, walk on its own two feet.”

“I had to leave some traces. In the beginning, I would give complete instructions to the photographer. In the '70s, people would come to photograph your work and you would just end up with this crazy material that had nothing to do with your work; maybe I'd pick up two or three photographs that were the closest to the idea. This is why when you look at the '70s, you see much less documentation and really bad material. The material will become misleading to what the piece was.”

“Nerves are always a big problem for me, which is why I loved doing American sitcoms. Because you know when you do the take in front of the audience that you're going to do it again afterwards. A minute after you finish, you just go and do it again. So, there's that sort of safety net. And then if you made a little mistake or two, they'll go pick it up, so there's nothing to worry about.”

“I don't necessarily view death as something negative. Death gives meaning to life. Living in fear of death is living in denial. Actually, it's not really living at all, because there is no life without death. It's two sides of the one. You can't pick up one side and say, I'm just going to use the 'heads' side. No. It doesn't work like that. You have to pick up both sides because nothing is promised to anyone in this world besides death.”

“There's ten of us, we've been best friends for thirty years. Ten guys. And their wives, and their kids, are all family now. I'm not big on keeping up on the phone, none of us are. Some guys I won't talk to for two months and then you pick up the phone and hear, "So, anyway." There's no guilt or where have you been? or what's been going on? or why haven't we talked? There's an ease to it.”

“I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't. And clearly the ones who wrote music were more superior human beings in his mind. So he kind of nudged me and sort of prodded me into it. I picked it up slowly. Then I learned more about chords and harmony and I just kept adding to that. One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.”

“As soon as I start to write I'm very aware, I'm trying to be aware that a reader just might well pick up this poem, a stranger. So when I'm writing - and I think that this is important for all writers - I'm trying to be a writer and a reader back and forth. I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I'll read those lines as if I had never seen them before and as if I had never written them.”

“Everything was so designed by Hannibal to break down Will in the first season, until Will's sanity became questionable. It's so much easier to believe that somebody losing their mind is capable of terrible things than it is to consider Frasier Crane, a charming, fun doctor who invites you to dinner. If you put those two in a police lineup, you're going to pick the guy who's melting down.”

“These two guys [Donald Trump and Chris Christie] kinds find each other. They love each other. They were playing let`s spend the night together when I turned the TV in the hotel today. I was like oh, my goodness.But it`s like the worst buddy movie. They degrade women. They steal candy from orphans. They mock the disabled. They pick on teachers. It`s frightening to watch.”

“You read about that Black Lips/Wavves fight as a spectator and you're like, "Oh man, I'm gonna pick a team to be on! I'm gonna put my two cents in as my status update on my Facebook page" or something. Not to sound like an anti-technology person, but it's just a real drag that people live their lives that way.”

“The Cook Political Report now predicting senate democrats are poised to pick up five to seven seats, which would give them the majority. Pointing out the history shows that races in the Toss Up column never split down the middle, one party tends to win the lion`s share of them. With two weeks to Election Day, there`s not enough time for republicans to recover toss-up seats in states where Hillary Clinton is currently leading, considering this, early voting is under way, and [Donald]Trump won`t be any help especially since his campaign doesn`t really have a ground game to speak of.”

“To be sure, if you watch CNBC all day long you'll pick up some interesting news about particular companies and the economy as a whole. Unfortunately, to get to the useful information, you have to wade through reams of useless stuff, with little guidance on how to distinguish between the two.”