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Plot Quotes

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Plot Quotes

“Now, the mere repetition made the things to me rather more weird than more rational. It was as if, having seen a curiously shaped nose in the street and dismissed it as an accident, I had then seen six other noses of the same astonishing shape. I should have fancied for a moment that it must be some local secret society. So one elephant having a trunk was odd; but all elephants having trunks looked like a plot.”

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Book:Orthodoxy
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“We must carefully cultivate the voice that speaks to us because an internal voice is the ultimate narrator of our charming and delightful personal story or the documentarian of our tragic and disgraceful plotlines. Stories that we tell ourselves become our functional reality, which format structures the concourse of the nested emotional control panel that guides and girds us through the din of the present.”

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Book:Dead Toad Scrolls
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“Is Lavos a selfish conqueror of the world, or a planetary farmer simply following its instincts? How sentient is Lavos, and if it can speak to us, why won’t it? Do apiarists palaver with their bees, or do they just mind the hives and collect the honey? It’s painful to imagine our species as insects, as fodder for something bigger, more powerful. Something that could plummet from above and ruin us in the blink of an eye.”

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Book:Chrono Trigger
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“I suppose my attitude toward the creative process is much like that of Alexandre Dumas pere when he was approached by a young aspirant who boasted that he was going to write a novel much better than either “The Three Musketeers” or “The Count of Monte Cristo”. ‘Have you an attractive setting?’ the veteran writer asked politely, and the young man replied: ‘The greatest! Ominous islands. Gleaming castles. Wooded glens with gracious mansions.’ ‘Have you interesting characters?’ ‘Kings and princesses and dubious cardinals.’ ‘But have you a logical plot to tie this together?’ ‘A most ingenious one. Twists and turns that will bewilder and delight.’ Said Dumas: ‘Young man, you’re in excellent shape. Now all you need are two hundred thousand words, and they’d better be all the right ones.’” —Chapter IX, “Intellectual Equipment”, pages 311-312”

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Book:The World Is My Home a Memoir
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“To create an immersive experience, trigger curiosity by introducing a mystery, evoke empathy by drawing readers into the inner world of a protagonist facing a challenge, and ignite imagination by painting a vivid scenario that hints at a broader conflict.”

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Book:Trust Your Story: Master Storytelling and Build a Successful Creative Writing Career
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“What determines the success of a story is not its ability to mirror real life or its escapist value; it’s its power to illuminate specific aspects of the human experience in an engaging way. Ultimately, the main goal of storytelling is to create shared emotional experiences.”

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Book:The Natural Laws of Story: Master the Art and Science of Engaging Narratives
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“The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right as a story. I mean, once you go saying to yourself, "This is a pretty weak plot as it stands, but if I'm such a hell of a writer that my magic touch will make it okay," you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them." (Interview, The Paris Review, Issue 64, Winter 1975)”

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Author:P.G. Wodehouse
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“(In reply to the question, 'Would you like some suggestions for a plot for your next book?') There are three problems with getting plot suggestions from other people. The first is that ideas are the easy part of writing; finding the time and energy to get them down on paper is the hard part. I have plenty of ideas already. Which brings me to the second problem: the ideas that excite you, the ones you think would make a terrific book, are not necessarily the same ideas that excite me. And if a writer isn't excited about an idea, she generally doesn't turn out a terrific book, even if the idea is terrific. And the third problem with my using your suggestions is that, theoretically, you could sue me if I did, and that tends to make publishers nervous, which makes it hard to sell a book. So thank you, but no.”

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Author:Patricia C. Wrede
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