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Plot Quotes

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Plot Quotes

“We read novels because we need stories; we crave them; we can’t live without telling them and hearing them. Stories are how we make sense of our lives and of the world. When we’re distressed and go to therapy, our therapist’s job is to help us tell our story. Life doesn’t come with plots; it’s messy and chaotic; life is one damn, inexplicable thing after another. And we can’t have that. We insist on meaning. And so we tell stories so that our lives make sense.”

“I believe that the formation of the Chekas was one of the gravest and most impermissible errors that the Bolshevik leaders committed in 1918 when plots, blockades, and interventions made them lose their heads. All evidence indicates that revolutionary tribunals, functioning in the light of day and admitting the right of defence, would have attained the same efficiency with far less abuse and depravity. Was it necessary to revert to the procedures of the Inquisition?”

“The fruit of our labors is sweet when the work is consecrated to God. But we have to be able to weather the conditions - the winds, the rain or the drought, the brilliant sun and sometimes the bitter cold. Sometimes our work needs to be directed at improving our ground rather than excusing our own harvests because the place we have been given is a little hard; there are too many rocks, too many hills, too little top soil. If we focus on where we are instead of what we can do with our plot, we will find our efforts significantly diminished.”

“When we resent someone in some way we need to "be on the alert" that even innocent gestures on their part can become suspect to us. Even something as simple as their walking into a room or whispering something to someone else can be conjured up in our minds, to look to us as if they're doing it on purpose to irritate us -as if they're involved in some diabolical plot to hurt us further. What they may be doing may have no connection to their past actions that hurt us in the first place but our resentful feelings against them can often taint our perception of what's really taking place.”

“Our growing ability to eliminate the slow-moving aspects of entertainment and go hopping from one peak to another is not without cost. Stand-up comics, movie-makers and others who earn their living entertaining no longer "waste" time with setups and plot development, lest we reach for the remote and click them off our screen. The result is a loss of subtlety, anticipation and nuance and, in the process, a coarsening of our discourse.”

“The most basic task of any museum must be the protection of works of cultural significance entrusted to its care for the edification and pleasure of future generations. This imperative rightfully takes precedence over acquisition, interpretation, outreach, or any number of other activities now believed to be crucial to the survival of our great art repositories. Sometimes a museum gains its holdings with much strategic forethought, and at other times serendipitously, as when a long-coveted neighbor’s plot suddenly becomes available. Yet the moral responsibility remains the same.”

“It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.”

“The past record of man is burdened with accounts of assasinations, secret combines, palace plots and betrayals in war. But in spite of this clear record, an amazing number of people have begun to scoff at the possibility of conspiracy at work today. They dismiss such an idea merely a conspiratorial point of view.”

“NDCC is an admirable job of amassing information to prove that communism is socialism and socialism (a plot to enslave the world) is not a movement of the downtrodden but a scheme supported and directed by the wealthiest of people. If enough Americans read and act upon NDCC, they really can save the Republic from the conspirators--whose plans for the destruction of our country are galloping fast toward completion.”

“Once we know the plot and its surprises, we can appreciate a book's artistry without the usual confusion and sap flow of emotion, content to follow the action with tenderness and interest, all passion spent. Rather than surrender to the story or the characters - as a good first reader ought - we can now look at how the book works, and instead of swooning over it like a besotted lover begin to appreciate its intricacy and craftmanship. Surprisingly, such dissection doesn't murder the experience. Just the opposite: Only then does a work of art fully live.”

“You have the capacity to change the plot line of your life, even if you've been acting from the same script since before you can remember. No matter what has happened up to this point, you have the right and the capacity to be happy. You are an innately creative being, capable of writing a love story worth living.”

“From his style, you’d think Jason Brannon was the dark double of Ray Bradbury. He cares more about character and realism than most writers I’ve read and his plots flow like well-orchestrated music. Indeed, Brannon’s writing has a classical feel, reminiscent of the best traditional work in the genre, even when he’s going for gut-wrenching terror and torture in-extremis.”

“Characters who are absolutely sure about what they do, who plunge ahead without fear, are not that interesting. We don’t go through life that way. In reality, we have doubts just like everyone else. Bringing your Lead’s doubts to the surface in your plot pulls the reader deeper into the story, and this is an excellent way to coax the reader to lose himself in the story world you’re about to create.”

“A. E. Maxwell wrote one of the smartest, most consistent PI series in recent memory. Big plots, great villains, and a kickass private eye with plenty of humanity. The toughness of Robert B. Parker's early Spenser novels blended with the wry humor and scope of Ross Thomas. Wholly original, endlessly entertaining. The books of A. E. Maxwell are a forgotten treasure.”

“You will be surprised to learn how some very knowing people have misunderstood Plotto. On glancing at it, some of the intelligentia have jumped at the false conclusion, that Plotto is a dictionary of situations, a mechanism that yields a cut and dried plot by the mere use of a thumb index. Plotto, to the contrary, merely suggests the situations for the plot, explains what is to be done through Purpose and Obstacle and even offers suggestions as to the way in which it should be done.”