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Poem Quotes

“Time passed, turning everything to ice. Under the ice, the future stirred. If you fell into it, you died. It was a time of waiting, of suspended action. I lived in the present, which was that part of the future you could see. The past floated above my head, like the sun and moon, visible but never reachable. It was a time governed by contradictions, as in I felt nothing and I was afraid.”

“Wait, for now. Distrust everything if you have to. But trust the hours. Haven’t they carried you everywhere, up to now? Personal events will become interesting again. Hair will become interesting. Pain will become interesting. Buds that open out of season will become interesting. Second-hand gloves will become lovely again; their memories are what give them the need for other hands. The desolation of lovers is the same: that enormous emptiness carved out of such tiny beings as we are asks to be filled; the need for the new love is faithfulness to the old. Wait. Don’t go too early. You’re tired. But everyone’s tired. But no one is tired enough. Only wait a little and listen: music of hair, music of pain, music of looms weaving our loves again. Be there to hear it, it will be the only time, most of all to hear your whole existence, rehearsed by the sorrows, play itself into total exhaustion.”

“All this waiting. Waiting for the rain to stop. Waiting in traffic. Waiting for the bill. Waiting at the airport for an old friend. Waiting to depart. Then, there’s the big waiting: waiting to grow up. Waiting for love. Waiting to show your your parents that when you have kids you’ll be different. Waiting to retire. Waiting for death. Why do we think waiting is the antithesis of life when it is almost all of it?”

“Just tell me who the hell am I? What powers did I, do I hold? What right have I to say “my” or “mine” or “me” — all honey- glazed, all bullet-proofed and worshipful of any gangster “I”? The key to the Dollar Store hangs on my belt. Yes, “my” again. And what of roof, of bread, of loving laughter? What’s in? My vinyl favorite Booker Little, vintage, soothes me. He jars our ears with trumpet joy and stuff freed folks stash in cabinets. Never one to make too much of why we love and what, I love my powers. I might put you in my will.”

“he told me i was like a poem, all kinds of feelings bundled into one but i am a song without melody, a screeching noise you don't want to hear i am like an ointment but for the wrong wound; i can't heal you but i would burn i am like that paragraph you delete before sending an okay the last drop of coffee still stuck on your discarded cup i am the rubber band on your wrist, i am lost as soon as you set me down and like the moon on a moonless night i am there but not in your world, not in your eyes, not in your heart. i could have been your comfort shoe, but i broke your feet and you discarded me so now I'm just an occupied space on your shelf you don't use anymore I'm like the stain on the mirror when you're taking pictures; an irritation that stays like the push and shove on the subway station that doesn't make you stop and stare but the one that keeps you moving, completely unaware i'm the stranger on the street that you see yet you don't your eyes pass through me, not in focus, not in the zone i'm not the art kind of beautiful, i'm the beauty that lies there, ignored my existence is poetry, unnoticed, unaware, invisible to your eyes and you just keep moving and i stay, i stay, i stay right there”

“In those years, people will say, we lost track of the meaning of we, of you we found ourselves reduced to I and the whole thing became silly, ironic, terrible: we were trying to live a personal life and yes, that was the only life we could bear witness to But the great dark birds of history screamed and plunged into our personal weather They were headed somewhere else but their beaks and pinions drove along the shore, through the rags of fog where we stood, saying I”

“Some Consequences of the Made Thing The End. Above these words the sky closes. It closes by turning white. Not The white of all clouds or being within a cloud. White of worldless light. The End. Feel a silence there that reminds you of a scent. Crushed grass the hooves galloped through Or is it the binder’s glue? Some silence never not real finally can be Heard. Silence before the first words. Precedent chaos. Or marrow work. Or just the sound of the throat opening to speak. Like those scholars of pure water Who rode through mountains and meadows To drink from each fresh spring a glass And then with brush and ink wrote poems On the differences of sameness, You too feel yourself taste the silent page Of the end and the silent page of beginning. They taste so much of whiteness never more White than white that’s been lost. You have some sense of the book Altering, page sewn secretly next to page, Last page stitched to first. O, earth— It rolls around the solar scroll Turning nothing into years and years into Nothing. At The End you’re a witness to this work That wears the witness away. And who are you Anyway. Pronoun of the 2nd person. Lover, Stranger, God. Student, Child, Shade. Something similar gathers in you. Another way of saying I in a poem— Of saying I in a poem that realizes at the end That I am just a distance from myself. And so are you. That same distance.”

“There was a girl named Claire. For her, life was lonely, it was so unfair. She longed for happiness, but found it nowhere. And felt that when she is gone, no one will care. Then, one day, she decided, and took the dare. Years gone by, her family still lives their nightmare. Her mother's eyes, they are never without a tear. Cause, death without grief is rather rare. Someone, somewhere will always care”

“The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.”

“A man in a boat is crossing a river when he sees an empty boat on course to collide with him. This doesn’t make him angry even though he’s an angry person. But then he sees someone is in the boat — he calls out, telling them to change direction. When his first call gets no response, he calls out again. And when the second is also met with silence, he calls out a third time, throwing in some insults for good measure. Before, he wasn't angry — now he is. Before, the other boat was empty — now there's someone in it. When you imagine the boats empty you won’t be so angry.”

“We're the cure for the hatred caused by despair. We’re the good morning of a bus driver who remembers our name, the tattooed man who gives up his seat on the subway. We’re every door held open with a smile when we look into each other’s eyes the way we behold the moon. We’re the moon. We’re the promise of one people, one breath declaring to one another: I see you. I need you. I am you.”

“The Lingerer by Stewart Stafford Another lonely start, O shadow companion, My twin bereft of heart, On grief’s stormy galleon. Each step disbelief, Strangers pass in proximity, In motion an artist’s relief, Abstract as infinity. The quickening pulse of streets, Tears on cheeks reflective, This scarred heart missing beats, Damaged and defective. Home now just where memory sits, Perspective greatly shifted, This shapeless form no longer fits, The body it was gifted. And if, my love, you see me now, I beg you, look away, Love’s blush departed with a bow, Then withered and decayed. © Stewart Stafford, 2021. All rights reserved.”

“The Night Watchman by Stewart Stafford Does the night watchman watch the night or does the night watch him? Is there anything in the darkness or is his eyesight growing dim? Does a beast growl in the shadows or is his stomach requesting food? Is his pay adequate compensation or is his boss just being rude? As he prays for the sunrise, does anyone hear his prayers? When he clocks out for breakfast, is anyone standing there? Does he creep home to his bed to count the hours down? Until he sits staring at the darkness once more with a quizzical and resigned frown? © Stewart Stafford, 2021. All rights reserved.”

“I want to be held, and the things that hold me down do half a job. Some days, I can't even fix it. Some days, I rot on the inside and refuse to cut myself down. Some days, my fruits hit pavement, explode with seeds meant for soil; and only I understand what a wreckage my smile is. Joy is a weight. It's heavy. Can't you carry it for me while I dance around the void, run my nails down its spine? Put a hand on each hip, square your shoulders, grip tightly. The future is trying to take me. Hold me back. Hold me down. Hold on until you're done and forget that I've drifted away before you reach for your pants. Because you knew, didn't you? A blindfold knows its job. And at the end of the day, the most selfish thing is trying to help another person.”

“Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth. 
 You still feel warmth.
Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you. Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less. Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work.
Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you. Work until your eyes are tired and head is heavy, and keep working even after that. Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes.
Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. 
You’re doing just fine.
You’re doing fine. I’m doing just fine.”

“A woman connected with her Wild Woman is one with the vibrations experienced from the energy of the earth as it slips between her toes. She spins rainbows with her mind and releases rain with her tears. She dances with the music of the wind in the trees and the rush of the water in a racing river. She howls like the she wolf under the full moon. The magic of her dreams moving forth from her and expanding like the galaxies of a trillion stars.”

“Queen and huntress, chaste and fair, Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep: Hesperus entreats thy light, Goddess excellently bright. Earth, let not thy envious shade Dare itself to interpose, Cynthia's shining orb was made Heaven to clear when day did close: Bless us then with wished sight, Goddess excellently bright. Lay thy bow of pearl apart, And thy crystal-shining quiver, Give unto the flying hart Space to breath, how short soever: Thou that mak'st a day of night- Goddess excellently bright.”