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“Using SROI to explore the value of our online question and answer service, askTheSite, helped us develop new mechanisms for speaking to young people and gain a real insight into the impact of our work. The project enabled us to demonstrate YouthNets commitment to robust impact measurement as well as our commercial approach to project evaluation. Perhaps most importantly, being able to assign a monetary value to askTheSite has enabled YouthNet to convey to current and potential funders how valuable the service is for both young people and the wider society in a language that they understand”

“When you choose a language, youre also choosing a community. The programmers youll be able to hire to work on a Java project wont be as smart as the ones you could get to work on a project written in Python. And the quality of your hackers probably matters more than the language you choose. Though, frankly, the fact that good hackers prefer Python to Java should tell you something about the relative merits of those languages.”

“I wish I could say I had some sort of master plan where one role leads to the next role, but a lot of it really is persistence and luck and being prepared when you are asked to jump on a project. There isn't any one rule that I follow. Obviously, I'll always shoot to work with the best actors, directors and filmmakers. I've been incredibly lucky to be able to do that.”

“It is absurd to imagine that any child will be able to earn a living, let alone contribute to resolving our world's complex problems, without knowing how to read and write. My foundation supports the National Writing Project so that teachers can be more effective in their efforts to improve literacy for all students.”

“People are funny -- they are able to project personality onto anything. I remember as a kid I spent a $ 5 bill once and felt so bad because the other $ 5 bill was now going to be lonely without all the other bills I had in my wallet, you just invest these dead things with life and that is our tendency as people. So animation takes advantage of that, grabs on to it, and runs with it.”

“I like confounding expectations. I can expand what it is I am able to do, and hopefully get to do more weird, interesting projects like this. There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone. And how the audience perceives that... It's out of my hands. And I don't get that frustrated by it, because I'm on to the next thing at that point.”

“It is notable how little empathy is cultivated or valued in our society. I put this down to our traditional racism and obsessive sectarianism. Even so, one would think that we would be encouraged to project ourselves into the character of someone of a different race or class, if only to be able to control him. But no effort is made.”

“Not only do we have the handsomest voice cast out there, along with the very lovely Black Widow, we also have an incredible voice cast, in terms of being able to handle the drama, the fun, the excitement and the promise that Marvel brings to every single one of our projects, which is epic adventure on the human spirit.”

“The scheduling thing is really weird with TV shows. Certain projects haven't been able to work out because of the schedule, so some of it is out of your control. You don't have very many opportunities. There isn't much time, so you want to make sure you're going to be doing something that you really feel good about or that you're going to have a good creative experience doing. You're taking up vacation time from your job, so you want it to be meaningful.”

“The problem with success is that you lose the capacity to fail and the capacity to surprise people. So, if I'm able to surprise myself every day, I can surprise you as well. If I enjoy someone's work and they offer me their project, I do it. So what's the point of the supposed creativity? If Mona Lisa could be made by anyone, then it wouldn't have been the most beautiful painting in the world. The knowledge that you can fail can make you come first.”

“I really am grateful to have so many people watch, and to be given the chance to create my next projects. I want to once again tackle the boundless possibilities of animated movies, and I hope to be able to create something that will leave both children and adults thinking that this world is a sparkling, brightly shining place.”

“You do hear from people that the things that you have done or projects you have worked on have made an impact on people's lives. I think it is important to take that seriously and to recognise that you are being followed and watched by some degree in what you do and you should use that. It's a real blessing to be able to make an impact on people's lives and to use that for the bettering of them.”

“I know "accessibility" is a term that's kind of thrown around wantonly today, especially with talking about visual media. But I think that the strength of comics [is how they] really allow you to transcend those last barriers between a reader absorbing the information of an experience, and a reader being able to project themselves into the [experience of the] people about whom they're reading.”

“I spend a lot of time going over old conversation summaries. A lot of the old ones are about ideas that ended in failure, the project didn't work. But hey, you know what? That was five years ago, and now computers are faster, or some new information has come along, the world is different. So we're able to reboot the project.”

“I finished VCA at the height of the last big recession in the early 90s, and seeing that I was not going to be able to join one of the dwindling number of commercial galleries, I started an ARI called the Basement Project which ran for three years. Things came a little at a time and all of a sudden it's 20 years later and I'm still making art, which is really all I ever wanted to do.”

“Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.”