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“The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.”

“This leads to a question - if a great many people are for a certain project, is it necessarily right? If the vast majority is for it, is it even more certainly right? This, to be sure, is one of the tricky points of democracy. The minority often turns out to be right, and though one believes in the efficacy of the democratic process, one has also to recognize that the demand of the many for a particular project at a particular time may mean only disaster.”

“If you have a privately owned system, there's going to be monies leaving the community that will go towards shareholder dividends and high salaries. If you have a community owned, municipally owned facility, those extra resources are being reinvested in the community and they can be going to weatherization and other projects that are vested in the community.”

“One of the most important things for a country, particularly when it's seeking to attract long-term capital in big risky projects that are going to have a payback over many years if not decades, is to be seen as being a predictable environment where tax changes will be few. But if they are going to come about they'll come about in a way that you know is predictable, understandable.”

“I've had production offers with artists I really admire, and oftentimes that doesn't work out. Sometimes it does, but... For instance I was asked if I wanted to do a Talking Heads album back in the late '70s, early '80s, and I was already working on a different project and didn't have time, so I never got the opportunity to work with them.”

“I try to write things that can't be made into movies. My novels have thwarted many attempts to film them and I think that was true of the essay, too. If you'd actually tried to be true to the essay, it would have been, perhaps, boring. So taking that narrow little cast of characters and expanding it out, that was what was exciting about the project for me.”

“With my union project in my hand, from town to town, from one end of France to the other, to talk to the workers who do not know how to read and to those who do not have the time to read....I will go find them in their workshops; in their garrets and even, if needed, in their taverns, and there, face to face with their poverty, I will compel them, in spite of themselves, to escape from this frightful poverty which is degrading and killing them.”

“Distractions are everywhere. And with the always-on technologies of today, they take a heavy toll on productivity. One study found that office distractions eat an average 2.1 hours a day. Another study, published in October 2005, found that employees spent an average of 11 minutes on a project before being distracted. After an interruption it takes them 25 minutes to return to the original task, if they do at all.”

“All children want to do is play in worlds they create and project on their external world. If allowed to do that, they are constantly building new neural structures for creating internal worlds and projecting them on their external world. And they build up an enormous self-esteem and feeling of power over the external world through their own capacities.”

“For example: (1) As if governed by Newton's First Law of Motion, an institution will resist any change in its current direction; (2) Just as work expands to fill available time, corporate projects or acquisitions will materialize to soak up available funds; (3) Any business craving of the leader, however foolish, will be quickly supported by detailed rate-of-return and strategic studies prepared by his troops; and (4) The behavior of peer companies, whether they are expanding, acquiring, setting executive compensation or whatever, will be mindlessly imitated.”

“Let but a single flash of reality -- the glimpse of a woman from afar or from behind -- enable us to project the image of Beauty before our eyes, and we imagine that we have recognised it, our hearts beat, and we will always remain half-persuaded that it was She, provided that the woman has vanished: it is only if we manage to overtake her that we realise our mistake.”

“Being a working mother is not easy, but I think it helps you choose what's important in your life. If I think about starting a new project - whether it be music, a movie or a fragrance - I always stop and think: Is this something I feel really passionate about? That way, if I'm not at home at least it's for something I really love, and my son can look up to that.”

“If Slumdog Millionaire projects India as a Third World, dirty-underbelly, developing nation and causes pain and disgust among nationalists and patriots, let it be known that a murky underbelly exists and thrives even in the most developed nations. It's just that the Slumdog Millionaire idea authored by an Indian and conceived and cinematically put together by a Westerner, gets creative Golden Globe recognition. The other would perhaps not.”

“Part of what we want to do with the Heroic Imagination Project is to get kids to think about what it means to be a hero. The most basic concept of a hero is socially constructed: It differs from culture to culture and changes over time. Think of Christopher Columbus. Until recently, he was a hero. Now he's a genocidal murderer! If he were alive today, he'd say, "What happened? I used to be a hero, and now people are throwing tomatoes at me!”

“If there is no idea in the drawing, there is no idea in the constructed project. That's the expression of the idea. Architects make drawings that other people build. I make the drawings. If someone wants to build from those, that's up to them. I feel I'm making architecture. I believe the building comes into being as soon as it's drawn.”

“If you want to do good research, it's important not to know too much. This almost sounds contradictory but really if you know too much and you get an idea, you will sort of talk yourself out of trying it because you figure it won't work. But if you know just the right amount and you get enthusiastic about your project, you go ahead, you do it and if you're lucky things'll work out.”

“In the 'in-itself' there is nothing of 'causal connections', of 'necessity', or of 'psychological non-freedom'; there the effect does not follow the cause, there is no rule or 'law'. It is we alone who have devised cause, sequence, for-each-other, relativity, constraint, number, law, freedom, motive, and purpose; and when we project and mix this symbol world into things as if it existed 'in itself', we act once more as we have always acted- mythologically.”

“I believe art prefers rules. For some artists, the worst thing you can do is say 'Do whatever you want.' Such permission can be terrifying. I know it is for me. Often it's better if you impose rules or restrictions on a project. Requirements can force you to be creative in unusual ways.”

“If a large number of people who are convinced alien abductions are real are hypnotising even larger numbers of others who suspect they might be, then it is likely there will be many alien abduction narratives flying around, as, indeed, there are. Of course, this is not proof they are not true, but it does provide a persuasive context for a simple psychosocial explanation. Hypnotism is a technique that triggers a mass storytelling project in which all the stories are linked.”

“As an actor, I never really had a strategy. I just take projects, as they come. It all comes down to the writing, at the end of the day, for me. I don't care if it's a two-line cameo or the lead of the thing, as long as the project has some weight behind the writing and it's interesting and I think people will enjoy it.”

“If you have ever seen the movie Night of the Living Dead, you have a rough idea how modern corporations and organizations operate, with projects and proposals that everybody thought were killed constantly rising from their graves to stagger back into meetings and eat the brains of the living.”