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Projects Quotes

“For Immanuel Kant, the term anthropology embraced all the human sciences, and laid the foundation of familiar knowledge we need, to build solidly grounded ideas about the moral and political demands of human life. Margaret Mead saw mid-twentieth-century anthropology as engaged in a project no less ambitious than Kant's own, and her Terry Lectures on Continuities in Cultural Evolution provide an excellent point to enter into her reflections.”

“I cannot... perceive any ground for hoping that any practical good would, while the funding system exists in its present extent, result from the adoption of any of those projects, which have professed to have in view what is called Parliamentary Reform... when the funding system, from whatever cause, shall cease to operate upon civil and political liberty, there will be no need of projects for parliamentary reform. The parliament will, as far as shall be necessary, then reform itself.”

“I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.”

“The project of organizing a democratic political movement entails the hope that one's ideas and beliefs are not merely idiosyncratic but speak to vital human needs, interests and desires, and therefore will be persuasive to many and ultimately most people. But this is a very different matter from deciding to put forward only those ideas presumed (accurately or not) to be compatible with what most people already believe.”

“When we find ourselves devoid of passion and purpose, the first thing we need to do is stop. But that's not easy. The rest of the world is zooming by at full speed. Left alone with ourselves, without a project to occupy us, we can become nervous and self-critical about what we should be doing and feeling. This can be so uncomfortable that we look for any distraction rather than allowing ourselves the space to be as we are.”

“I love making films, and as long as I love the subject, I just have a crazy amount of passion and energy for the project. The project that influenced me the most is this cooking show I do online. I film it all myself, and I think making so many of those gave me the confidence that all I need is a camera, and I could go and do an interview. The freedom to be a filmmaker - you just need a camera.”

“Many of us who read the literature of social science as laymen are conscious of being admitted at a door which bears the watchword "scientific objectivity" and of emerging at another door which looks out upon a variety of projects for changing, renovating, or revolutionizing society. In consequence, we feel the need of a more explicit account of how the student of society passes from facts to values or statements of policy.”

“I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.”

“I'm not an angry person, just very disappointed and contemptuous of my fellow humans' choices - and on stage those feelings sometimes are exaggerated for a theatric stage - you're on a stage you have an audience of 2500 or 3000 people: you need to project the feelings, the emotions it's heightened, and people mistake it for a personal anger but it's more dissatisfaction, disappointment and contempt for these things we've settled for.”

“I am not sure that there has been a "lack of progress." On the contrary, the concept of feminism is not only well established but is now also attracting interest from young women, including teenagers and pre-teens. But a new interest is also symptomatic of the failure of the feminist project and the need for its renewal.”

“I think as consumers Europeans are a lot more artist loyal irrespective of the genre of music or the type of project or the collaborative effort, and Americans are more media-loyal, because they need to be fed that media to know what's going on, because we're so inundated with promotion and marketing and everything that's going on - advertising.”

“One of the greatest challenges facing civilization in the twenty-first century is for human beings to learn to speak about their deepest personal concerns-about ethics, spiritual experience, and the inevitability of human suffering-in ways that are not flagrantly irrational. We desperately need a public discourse that encourages critical thinking and intellectual honesty. Nothing stands in the way of this project more that the respect we accord religious faith.”

“Frequently, we busily search for group service projects, which are surely needed and commendable, when quiet, personal service is also urgently needed. Sometimes the completing of an occasional group service project ironically salves our consciences when, in fact, we are constantly surrounded by a multitude of opportunities for individual service. In serving, as in true worship, we need to do some things together and some things personally. Our spiritual symmetry is our own responsibility, and balance is so important.”

“We need the conflagration of Love to change the world, we need the fire of love to illuminate the society. The cold, insipid and complicated codes don't change anything, don't transform anything. All the best social projects and the best political principles are useless if they are not written with the fire of Love. The real revolution is the result of transformation, only the storms of Love can transform the individual and the society.”

“We need way more intimacy than nearly anyone considers normal. Always hungry for it, we seek solace and sustenance in the closest available substitutes: television, shopping, pornography, conspicuous consumption - anything to ease the hurt, to feel connected, or to project an image by which we might be seen and known, or at least see and know ourselves.”

“If I looked at some of these pieces as if this project was not spoken-word but just short anthology, I probably would have fussed with some of the sentences, you know? Syllabication and prosody and such crap. Because the printed word is etched in stone. But for reading purposes I accepted this book of texts in the manner in which I wrote them, no need to fuss. Most of the shorter stuff was written as poetry. Meaning lots of white space on the page.”