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Projects Quotes

“I love what Chris & Katy are bringing to the table with Coal Train Railroad. It makes ME feel like a kid again! I think children of all ages will love the humor, silliness and the catchy, cool, and crazy music that reminds us all that music should be fun to listen to. I’m honored (and slightly tickled) to be part of this wonderful project. Thanks!”

“All children want to do is play in worlds they create and project on their external world. If allowed to do that, they are constantly building new neural structures for creating internal worlds and projecting them on their external world. And they build up an enormous self-esteem and feeling of power over the external world through their own capacities.”

“Even as a child I was fascinated by death, not in a spiritual sense, but in an aesthetic one. A hamster or guinea pig would pass away, and, after burying the body, I'd dig it back up: over and over, until all that remained was a shoddy pelt. It earned me a certain reputation, especially when I moved on to other people's pets. "Igor," they called me. "Wicked, spooky." But I think my interest was actually fairly common, at least among adolescent boys. At that age, death is something that happens only to animals and grandparents, and studying it is like a science project.”

“It's not easy to live every moment wholly aware of death. It's like trying to stare the sun in the face: you can stand only so much of it. Because we cannot live frozen in fear, we generate methods to soften death's terror. We project ourselves into the future through our children; we grow rich, famous, ever larger; we develop compulsive protective rituals; or we embrace an impregnable belief in an ultimate rescuer.”

“It is absurd to imagine that any child will be able to earn a living, let alone contribute to resolving our world's complex problems, without knowing how to read and write. My foundation supports the National Writing Project so that teachers can be more effective in their efforts to improve literacy for all students.”

“Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.”

“I don't know if it's a misconception, but I often get asked why I always make stories about family and love. Over the years, I´ve also directed commercials, a children's film, and TV - dramas (both comedic and darker), because I always feel the urge to go in a different direction with my next project.”

“In the case of my second film The Fish Child (El Niño Pez), I had written the novel about 5 years before I made into a film. In the case of The German Doctor I had published the novel a year before I started writing the script, I even had another project to shoot. But I had this idea of the powerful cinematic language from the novel that I couldn't let go of.”

“I really am grateful to have so many people watch, and to be given the chance to create my next projects. I want to once again tackle the boundless possibilities of animated movies, and I hope to be able to create something that will leave both children and adults thinking that this world is a sparkling, brightly shining place.”

“I had to create a children's show, because we wanted the money - and it was, interestingly enough, the first project at the Angel Island theatre space. We did the show, an adaptation of Grimm's Fairy Tales. It was hardcore Grimm - nothing was sanitized - and it was called 'The Mary-Arrchie Kid's Show.' It was well-received, and so I applied to do it through Urban Gateways in Chicago.”

“My point is you can fight racism and sexism and homophobia more effectively if you're doing it from the position that you're standing for the dignity of all people, and that you're actually standing for the underdog in the red states and the blue states. I think it's more effective when you're anti-racism and anti-sexism and anti-homophobia and that is the centerpiece for a project to uplift all humanity, and frankly to defend and uplift the children of all species.”

“I have abandoned so many projects but in the '80s when I left public life to be married and have real children - I love my children and I would never sacrifice them for anything - I had to find a way to simultaneously be a mother and wife and fulfill my duties and still be true to myself as a writer.”

“There's probably more of a struggle to get material and narratives published that really speak to black culture. And that has a lot to do with the mergers and buyouts and the corporations being more in control of the purse strings. We find that the projects have to come with higher expectations rather than books that just should be published. That's disturbing because we might find fewer and fewer children's books by African Americans or with black cultural themes.”