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Projects Quotes

“Since I found that one could make a case shadow from a three-dimensional thing, any object whatsoever - just as the projecting of the sun on the earth makes two dimensions - I thought that by simple intellectual analogy, the fourth dimension could project an object of three dimensions, or, to put it another way, any three-dimensional object, which we see dispassionately, is a projection of something four-dimensional, something we are not familiar with.”

“I love 'Sweet Valley,' but I love it from a different angle. There are people for whom it is their adolescence. They own it, in a way that even I don't. I've come to respect the project more because of the response than I've had. It's more important than I realized it was. I didn't understand the breadth and depth of it. now I'm beginning to more.”

“The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.”

“Sometimes all that saves me is being willing to make mistakes. There are projects that strike me as so beautiful, important, complicated, or just plain big, that they convince me of my own inadequacy. This awful state of reverence leads to paralyzing brain freeze. At times like that the only way out is for me to decide, 'To hell with it. I can't do it right, so I'll do it wrong. I can't do it well, but I can do it badly.' Sometimes, with luck, while I'm sweating to do it wrong, I stumble on a right way.”

“My job is to not be easy on people. My job is to make them better. My job is to pull things together from different parts of the company and clear the ways and get the resources for the key projects. And to take these great people we have and to push them and make them even better, coming up with more aggressive visions of how it could be.”

“Cultivate your own garden and let go of your tendency to examine and judge how others cultivate theirs. Catch yourself in moments of gossip about how others ought to be living and rid yourself of thoughts about how they should be doing it this way, or how they have no right to live and think as they do. Stay busy and involved in your own projects and pursuits.”

“One of the most important things for a country, particularly when it's seeking to attract long-term capital in big risky projects that are going to have a payback over many years if not decades, is to be seen as being a predictable environment where tax changes will be few. But if they are going to come about they'll come about in a way that you know is predictable, understandable.”

“Money is like a canvas or a shape shifter. It's like whatever you project on that canvas, that's what money is for you. Really, in its essence it's power. Most people relate to money the way they relate to power. They either think other people have it, and they don't and they're mad about it, or they feel fearful of it like having it would be a burden or a responsibility.”

“God build’s God’s kingdom. But God ordered this world in such a way that His own work within that world takes place through the human beings that reflect His image. That is central to the notion of being made in God’s image. He has enlisted us to act as His stewards in the project of creation. So the objection about us trying to build God’s kingdom by our own efforts, though it seems humble and pious, can actually be a way of hiding from responsibility, of keeping one’s head well down when the boss is looking for volunteers.”

“In the face of nature's overwhelming forces, humans needed a God who would protect them from harm. When they felt that they had broken the law or committed wrongdoing, people turned to a God who would judge them on the one hand and redeem their sins on the other. In this way, purely from slef-interest, the project of creating God in our own image proceeded--and continues to proceed.”

“It is not proper to project our feelings onto things or to attribute our own sensations and passions to them. Can it also be improper to see in them a guide, a way of life? To learn the art of remaining motionless amid the agitation of the whirlwind, to learn to remain still and to be as transparent as this fixed light amid the frantic branches this may be a program for life.”

“Being a working mother is not easy, but I think it helps you choose what's important in your life. If I think about starting a new project - whether it be music, a movie or a fragrance - I always stop and think: Is this something I feel really passionate about? That way, if I'm not at home at least it's for something I really love, and my son can look up to that.”

“I believe art prefers rules. For some artists, the worst thing you can do is say 'Do whatever you want.' Such permission can be terrifying. I know it is for me. Often it's better if you impose rules or restrictions on a project. Requirements can force you to be creative in unusual ways.”

“It's not reckless, because when we leap, when we dive in, when we begin, only begin, we bring our true nature to the project, we make it personal and urgent. And it's not abandon, not in the sense that we've abandoned our senses or our responsibility. In fact, abandoning the fear of fear that is holding us back is the single best way not to abandon the work, the pure execution of the work. Later, there's time to backpedal and water down. But right now, reckless please.”

“In an age in which we can project an image and score that image based on immediate Facebook and Twitter feedback, thus making a video game of life and a false-reality composed of lies, what gets lost is a joyful obsession with the work we create from the purest of motives, a sheer joy in the act of creation itself that causes us to lose ourselves in something else, and in a way die to ourselves over the absolute love of a thing we are breathing into life.”

“I've often hesitated in beginning a project because I've thought, 'It'll never turn out to be even remotely like the good idea I have as I start.' I could just 'feel' how good it could be. but I decided that, for the present, I would create the best way I know how and accept the ambiguities.”

“One big lesson I learned from movie [making] was I don't do creative projects that I headline unless I have all the control. I can't deal with having to live with other people's screw ups, and that's just sort of the way the movie business works. The people with the money are in charge. Until I'm in charge, I don't want to play that game.”

“The main thing is to do each project the way you want, and if they find an audience, that's terrific. And if they don't, there's nothing you can do anyway, so don't let it concern you that much. An awful lot of good movies have done badly and an awful lot of bad movies have done very well. There are no real rhymes or reasons for it. Sometimes the stars don't always align right. But if you've done the best you can, you feel pretty good about it.”

“I have enjoyed teaching most of the times that I have done it. I also like being by myself and making things and performing, so much that if I hadn't needed an income I probably wouldn't have done much teaching. Having said that, I think working with others, having to come up with art projects, and learning how to present your ideas in a clear way, to adults and/or kids is always interesting and rewarding.”

“As long as we try to project from the relative and conditioned to the absolute and unconditioned, we shall keep the pendulum swinging between dogmatism and skepticism. The only way to stop this increasingly tiresome pendulum swing is to change our conception of what philosophy is good for. But that is not something which will be accomplished by a few neat arguments. It will be accomplished, if it ever is, by a long, slow process of cultural change - that is to say, of change in common sense, changes in the intuitions available for being pumped up by philosophical arguments.”