“The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from every-day life. Relatively few are free enough from the spell of the daily routine to respond to rappings from outside, and tales of ordinary feelings and events, or of common sentimental distortions of such feelings and events, will always take first place in the taste of the majority; rightly, perhaps, since of course these ordinary matters make up the greater part of human experience.” FirstsHumansMatterEnoughFeelingsCertainCoursesImaginationCommonGreaterEventsReaderTasteDemandDegreesOrdinaryCapacityMajorityRapTalesAppealsRoutineSpellsSentimentalHuman ExperienceDetachmentDistortionDay LifeDaily RoutinesMacabre Book:H.P. Lovecraft: The Ultimate Collection (160 Works Including Early Writings, Fiction, Collaborations, Poetry, Essays & Bonus Audiobook Links) Source: H.P. Lovecraft: The Ultimate Collection (160 Works Including Early Writings, Fiction, Collaborations, Poetry, Essays & Bonus Audiobook Links)
“Are You Seeing Me? is written powerfully with both the heart and the head, and neither gives an inch. It's funny, moving and hugely insightful. Darren Groth puts the reader into the heads of Perry and Justine in a way that feels so true and so revealing that I think I've come away with a greater capacity for empathy. I didn't know a book could do that. We all need to spend some time inside this story.” ThinkingKnowsWayNeedsGivingFeelsHeartBookStoriesMovingGreaterWrittenSeeingReaderEmpathyCapacityInsightfulInchesRevealingDarrenJustine Author:Nick Earls
“This capacity for oversignifying, for reading in, is precisely what poets tap into, both in their own practice and in the poem the give to the reader; and in doing so they turn language against its own project of conceptual division, and use it to heal itself - and in the process - paradoxically - to articulate new concepts that it can't yet accommodate.” GivingUsePoetryTurnsReadingLiteratureLanguageProcessPracticePoetReaderProjectsConceptsCapacityHealDivisionAccommodateHeal Itself Author:Don Paterson
“Prophetic utterance, like poetic utterance, transforms experience and moves the receiver to new attitudes. The kinds of experience--the recognitions or revelations--out of which both prophecy and poetry emerge, are such as to stir the prophet or poet to speech that may exceed their own known capacities; they are "inspired," they breathe in revelation and breathe out new words; and by so doing they transfer over to the listener or reader a parallel experience, a parallel intensity, which impels that person into new attitudes and new actions.” KindMayPersonsActionMovingPoetryAttitudeKnownPoetReaderSpeechCapacityInspiredBreatheRecognitionProphetRevelationsPoeticIntensityListenersProphecyParallelsExceedTransfersUtterancePropheticReceiverNew WordsNew Attitude Author:Denise Levertov
“I strive to find materials that will engage students, expand their capacities as critical readers and thinkers, and feel immediately relevant to their daily lives and future work in court and social service systems.” FeelsSocialStudentsMaterialsReaderCapacityCourtStriveCriticalDaily LifeThinkerRelevantSocial ServiceFuture Work Author:Dean Spade
“Novels are routinely denigrated when characters are not found to be likable. Is Raskolnikov likable? Is King Lear? The plethora of such naive readers testifies to a failure of imagination - the capacity to see into unfamiliar lives, motives, feelings - and this failure must, at least in part, be the failure of the teaching of literature in the schools.” CharacterFeelingsSchoolFoundLiteratureImaginationNovelTeachingReaderKingsCapacityMotiveNaiveUnfamiliarLearRaskolnikov Author:Cynthia Ozick