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Reader Quotes

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Reader Quotes

“Labels don't mean much to me one way or another -- except when they close the minds of potential readers. I'd much rather we do away with genres and simply file everything under fiction. I know it can work -- one of my favourite record stores (Waterloo Music in Austin) simply files everything alphabetically and no one seems to have much problem finding what they're looking for.”

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Author:Charles de Lint
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“Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change.”

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Author:Randall Jarrell
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“It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.”

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Author:Yevgeny Zamyatin
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“You asked if I thought my fiction had changed anything in the culture and the answer is no. Sure, there's been some scandal, but people are scandalized all the time; it's a way of life for them. It doesn't mean a thing. If you ask if I want my fiction to change anything in the culture, the answer is still no. What I want is to possess my readers while they are reading my book — if I can, to possess them in ways that other writers don't. Then let them return, just as they were, to a world where everybody else is working to change, persuade, tempt, and control them.”

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Book:Conversations with Philip Roth
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“A book , once it is printed and published, becomes individual. It is by its publication as decisively severed from its author as in parturition a child is cut off from its parent. The book "means" thereafter, perforce, both grammatically and actually, whatever meaning this or that reader gets out of it.”

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Book:The Works of James Branch Cabell: Towsend of Lichfield
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“A good story is alive, ever changing and growing as it meets each listener or reader in a spirited and unique encounter, while the moralistic tale is not only dead on arrival, it's already been embalmed. It's safer that way. When a lively story goes dancing out to meet the imagination of a child, the teller loses control over meaning. The child gets to decide what the story means.”

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Author:Katherine Paterson
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“What is a novel? I say: an invented story. At the same time a story which, though invented has the power to ring true. True to what? True to life as the reader knows life to be or, it may be, feels life to be. And I mean the adult, the grown-up reader. Such a reader has outgrown fairy tales, and we do not want the fantastic and the impossible. So I say to you that a novel must stand up to the adult tests of reality.”

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Author:Elizabeth Bowen
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“I would call the attention of the reader to the difference between "reason" and "reasoning." Reason is a light, reasoning a process. Reason is a faculty, reasoning an exercise of that faculty. Reasoning proceeds from one truth to another by means of argumentation. This generally involves the whole mind in labor and complexity. But reason does not exist merely in order to engage in reasoning. The process is a means to an end. The true fulfillment of reason as a faculty is found when it can embrace the truth simply and without labor in the light of single intuition.”

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Book:The Ascent to Truth
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“Eve Byron has a permanent place on my must-buy list. Her characters are three-dimensional men and women who live on in readers' hearts long after they've turned the last page. ONLY IN MY DREAMS is pure Eve Byron, which means it's a pure delight. I fell in love with Lorelei and Dane, two of the most delightful characters I've encountered in a very long time. Byron's magical touch never falters. ONLY IN MY DREAMS is a surefire hit!”

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Author:Barbara Bretton
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“Don't have conversations taking place in empty space. Weave in background details of where the action (dialogue is a form of "action") is taking place. Don't have invisible people talking, either. Let the reader see them as they speak - their facial expressions and gestures. And by all means "cue" the speeches to the speakers.”

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Book:Writing for children and teen-agers
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“The key to good worldbuilding is leaving out most of what you create. You, as the author, had damn well better know the where all that dragon food comes from, but that doesn't mean that I, as a reader, want to read a five thousand word essay about you explaining it to me. I don't need to see the math, but I can tell by the details you provide whether or not you've thought these things through to their logical conclusions.”

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Author:Patrick Rothfuss
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“I'm an optimist and my heroines seem to be that way, too. It's too much work to be cynical and distrusting. That doesn't mean I create perfect stories and perfect people, however. What this means is that my stories are resolved in a manner that leaves the reader with a feeling of hope and happy expectation . . . and wanting to reach for another one of my books.”

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Author:Debbie Macomber
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“I am not a psychological novelist, and I try very hard not to allow the reader to see the plight or circumstances of the characters as individual psychological plights. That's my preference; still, a lot of people do read my novels as psychological studies, and they're right to read them that way too, if that's what they mean to them.”

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Author:Alix Kates Shulman
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“What a person loves at 20 may seem stupid at 35. That doesn't mean the book was stupid, it means that the time when it spoke to the reader is past. So . . . I'm cautious about rereading favorite books. I hate to spoil the good feelings they created. Keeping the good feelings is more important than rereading the book. Moving on is a good thing.”

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Author:Carl Deuker
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“I wanted to do something different. Therefore, the first person I thought would have been too exclusionary. It would have said me, me, me, me, me. I, I, I, I, I. As if I were pushing away my experiences from the experiences of others. Because basically what I was trying to do was show our commonality. I mean to say, in the very ordinariness of what I recount I think perhaps the reader will find resonances with his or her own life.”

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Author:Paul Auster
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“The term "bend sinister" means a heraldic bar or band drawn from the left side (and popularly, but incorrectly, supposed to denote bastardy). This choice of title was an attempt to suggest an outline broken by refraction, a distortion in the mirror of being, a wrong turn taken by life, a sinistral and sinister world. The title's drawback is that a solemn reader looking for "general ideas" or "human interest" (which is much the same thing) in a novel may be led to look for them in this one.”

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Author:Vladimir Nabokov
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“It sounds schmaltzy to say, but fiction is much more to do with love than people admit or acknowledge. The novelist has to not only love his characters - which you do, without even thinking about it, just as you love your children. But also to love the reader, and that's what I mean by the pleasure principle.”

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Author:Martin Amis
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“You must find some way to elevate your act of writing into an entertainment. Usually this means giving the reader an enjoyable surprise. Any number of devices will do the job.... These seeming amusements in fact become your 'style.' When we say we like the style of certain writers, what we mean is that we like their personality as they express it on paper.”

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Author:William Zinsser
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“By clarity I don't mean that we're always in kind of a simple area where everything is clear and comforting and understood. Clarity is certainly a way toward disorientation because if you don't start out - if the reader isn't grounded, if the reader is disoriented in the beginning of the poem, then the reader can't be led astray or disoriented later.”

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Author:Billy Collins
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“I would also hope that readers receive a larger understanding, or a different understanding, of what it means to be human, than they might have had before. We suffer from being quick to judge, quick to make excuses for ourselves and others, and I would like the reader to feel that we are all, more or less, in a similar state as we love and disappoint one another, and that we try, most of us, as best we can, and that to fail and succeed is what we do.”

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Author:Elizabeth Strout
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“There is all this stuff about how sensitive poets are and how in touch with feelings, etc. they are, but really all we care about is language. At least in the initial stages of the process of writing the poem, though later other things start to come in, and a really good poem usually needs something more than just an interest in the material of language to mean anything to a reader.”

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Author:Matthew Zapruder
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“I don't revise a lot when writing short stories. As far as the novel, I definitely thought more about plot. Honestly, I'm still pretty confused about what "plot" means. I've been reading some of my Goodreads reviews and one reader noted that the The Last Days of California "reads like a short story stretched to the breaking point, padded and brought into novel range..." I don't know what people want, really.”

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Author:Mary J. Miller
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