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Reader Quotes

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Reader Quotes

“The photographs are not illustrative. They, and the text, are coequal, mutually independent, and fully collaborative. By their fewness, and by the importance of the reader’s eye, this will be misunderstood by most of that minority which does not wholly ignore it. In the interests, however, of the history and future of photography, that risk seems irrelevant, and this flat statement necessary.”

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Author:Walker Evans
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“The best introduction by far to representation of the human figure in art. The Nude is a beautifully written work of sophisticated connoisseurship that analyzes art in its own terms rather than imposing strident, politicized categories on it. It outlines the major body types, male and female, in Western art and, via a wealth of illustrations, trains the reader's eye to detect and evaluate proportion. This book reveres art”

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Author:Camille Paglia
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“What are the hallmarks of a competent writer of fiction? The first, it seems to me, is that he should be immensely interested in human beings, and have an eye sharp enough to see into them, and a hand clever enough to draw them as they are. The second is that he should be able to set them in imaginary situations which display the contents of their psyches effectively, and so carry his reader swiftly and pleasantly from point to point of what is called a good story.”

ShouldFirstsHumansEnoughStoriesHandsSeemsEyeAbleHuman BeingsFictionSituationReaderDrawsCleverDisplayImaginaryCompetentGood StoryHallmarkPsych
Author:H. L. Mencken
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“It is only the basest writer who cannot speak of the sea without talking of "raging waves," "remorseless floods," "ravenous billows," etc.; and it is one of the signs of the highest power in a writer to check all such habits of thought, and to keep his eyes fixed firmly on the pure fact , out of which if any feeling comes to him or his reader, he knows it must be a true one.”

IfsKnowsFactsFeelingsEyeSpeakTalkingSeaReaderHabitPureHighestWaveRageChecksFixedHis EyesEtcFloodTrue OnesRemorseless
Book:The Genius of John Ruskin: Selections from His Writings
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“Writing is eternal, For therein the dead heart liveth, the clay-cold tongue is eloquent, And the quick eye of the reader is cleared by the reed of the scribe. As a fossil in the rock, or a coin in the mortar of a ruin, So the symbolled thoughts tell of a departed soul: The plastic hand hath its witness in a statue, and exactitude of vision in a picture, And so, the mind, that was among us, in its writings is embalmed.”

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Author:F. Scott Fitzgerald
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“The question so often asked of modern painting, "What is it?", contains more than the dull skepticism of the man who is not going to have the wool pulled over his eyes. It speaks of a fundamental placement in relation to the work, that of a voyager in the world coming upon a strange object. The reader reconstitutes the work by his active participation, by approaching the object, tapping it, shaking it, holding it to his ear to hear the roaring within. It is characteristic of the object that it does not declare itself all at once, in a rush of pleasant naïveté.”

MenWorldDoeEyeSpeakModernObjectsStrangeHe ManPaintingReaderEarsRelationFundamentalsActiveCharacteristicsPleasantHis EyesDullSkepticismParticipationShakingRoaringTappingWoolVetsPlacementActive ParticipationShaking It
Author:Donald Barthelme
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“Talking Taboo is a groundbreaking book. This chorus of bold female voices is presenting the church with an opportunity to engage real but all too frequently avoided or unseen issues impacting countless Christian women today. Their candid essays cover a wide spectrum of perspectives. Readers will resonate with some and be shocked by others. Talking Taboo took courage to write. Reading taboo takes courage too. So buckle up and brace yourself for an eye-opening but vitally important read!”

WritingImportantBookRealEyeTodayChristianReadingOpportunityVoiceChurchTalkingIssuesPerspectiveReaderFemaleWideOpeningShockedUnseenEssaysAvoidedSpectrumTabooPresentingChorusCandidBracesEye OpeningBucklesGroundbreakingChristian WomenFemale Voice
Author:Carolyn Custis James
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“Works of imagination excel by their allurement and delight; by their power of attracting and detaining the attention. That book is good in vain which the reader throws away. He only is the master who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day.”

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Book:Lives of the Most Eminent English Poets: With Critical Observations on Their Works
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“For centuries poets, some poets, have tried to give a voice to the animals, and readers, some readers, have felt empathy and sorrow. If animals did have voices, and they could speak with the tongues of angels-at the very least with the tongues of angels-they would be unable to save themselves from us. What good would language do? Their mysterious otherness has not saved them, nor have their beautiful songs and coats and skins and shells and eyes.”

IfsGivingWould BeEyeBeautifulSongSpeakLanguageFeltVoiceAnimalCenturyPoetReaderSorrowEmpathyAngelSkinsTongueSavedMysteriousShellsCoatsOtherness
Book:Ill Nature: Rants and Reflections on Humanity and Other Animals
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“The philosopher, who with calm suspicion examines the dreams and omens, the miracles and prodigies, of profane or even of ecclesiastical history, will probably conclude that, if the eyes of the spectators have sometimes been deceived by fraud, the understanding of the readers has much more frequently been insulted by fiction.”

IfsSometimesDreamEyeUnderstandingFictionHistoryReaderMiracleCalmPhilosopherFraudSuspicionDeceivedSpectatorsRoman EmpireInsultedProfaneOmenProdigies
Book:History of the Decline and Fall of the Roman Empire V2: the History Focus
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“The analytical writer observes the reader as he is; accordingly, he makes his calculation, sets his machine to make the appropriate effect on him. The synthetic writer constructs and creates his own reader; he does not imagine him as resting and dead, but lively and advancing toward him. He makes that which he had invented gradually take shape before the reader's eyes, or he tempts him to do the inventing for himself. He does not want to make a particular effect on him, but rather enters into a solemn relationship of innermost symphilosophy or sympoetry.”

WantDoeEyeLiteratureImagineEffectsParticularReaderShapesMachinesAppropriateConstructsSolemnCalculationsLivelyInventingAdvancingSynthetic
Author:Karl Wilhelm Friedrich Schlegel
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“You can lose a reader in a blink of an eye. If a person is an engineer or chemist or an anthropologist or whatever, you spoil the whole book for that person if there's obviously ignorance here. What's wrong with so much science fiction is that the science is so lousy that it isn't worth paying attention to.”

IfsPersonsBookWholeEyeLosesAttentionFictionIgnoranceReaderScience FictionPay AttentionEngineersSpoilBlinkChemistAnthropologistsBlink Of An Eye
Author:Robert Caro
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“Most readers look at the photograph first. If you put it in the middle of the page, the reader will start by looking in the middle. Then her eye must go up to read the headline; this doesn't work, because people have a habit of scanning downwards. However, suppose a few readers do read the headline after seeing the photograph below it. After that, you require them to jump down past the photograph which they have already seen. Not bloody likely.”

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Author:David Ogilvy
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“Also bear in mind, when you're choosing your words and stringing them together, how they sound. This may seem absurd: readers read with their eyes. But in fact they hear what they are reading far more than you realize.”

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Book:On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
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“Writers are voracious readers. Once I unlocked the mystery of the alphabet that led to words, a multitude of words connecting me to the world, there was no stopping me. Everything was fair game, from Louisa May Alcott to my older cousin's True Romance Magazines, from Lewis Carroll to the backs of cereal boxes. All of this fed me, but it took certain books to make me grow. I don't want to work without a sense of drama, without passion, or without both eyes open to the world around me.”

WorldWantMayBookEyeRomanceCertainPassionGamesGrowsMysteryReaderDramaFairsBoxesMagazinesFedsMultitudesStoppingCousinConnectingAlphabetCerealFair GameTrue Romance
Author:Gloria Naylor
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“We shall not attempt to give the reader an idea of that tetrahedron nose-that horse-shoe mouth-that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart-of those straggling teeth with breaches here and there like the battlements of a fortress-of that horny lip, over which one of those teeth projected like the tusk of an elephant-of that forked chin-and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination.”

IfsGivingIdeasWholeEyeLeftFiguresExpressionReaderMouthsRedHorseShoesLipsEnormousTeethCombinationNosesMelancholyElephantsMixturesHere And ThereMaliceChinsBrowsAstonishmentHornyBreachFortressesWartsLeft Eye
Book:The Novels of Victor Hugo: Profusely Illustrated with Elegant Wood Engravings
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“My objective always is to stay as close as possible and shoot the pictures as if through the eyes of the infantryman, the Marine, or the pilot. I wanted to give the reader something of the visual perspective and feeling of the guy under fire, his apprehensions and sufferings, his tensions and releases, his behavior in the presence of threatening death.”

IfsGivingFeelingsEyeWantedGuySufferingFirePerspectiveReaderBehaviorObjectivesReleaseTensionVisualsPilotsThreateningMarineApprehensionThrough The EyesInfantryman
Author:David Douglas Duncan
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“I would not want to forget the first time I read The Lord of the Rings. I would never want to forget that! That was so magical to me, and that was a real eye-opening experience. I was probably 11 when I read that and already a reader, but I think that book really showed me how you can be transported and how your imagination can take you to a whole other place.”

ThinkingWantFirstsBookRealWholeEyeImaginationForgetLordReaderFirst TimeRingsOpeningEye OpeningReal Eyes
Author:Sharon Cameron
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