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Reader Quotes

“Believe me, I love commerce as much as the rest of the readers of 'Businessweek.' But in art, you have to be true to yourself and your musical vision. People have known me well for a long time, so if I was chasing a trend and doing something that wasn't authentic to who I am, they would know it in just a few seconds.”

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Author:Lionel Richie
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“People like ourselves may see nothing wondrous in writing, but our anthropologists know how strange and magical it appears to a purely oral people - a conversation with no one and yet with everyone. What could be stranger than the silence one encounters when addressing a question to a text? What could be more metaphysically puzzling than addressing an unseen audience, as every writer of books must do? And correcting oneself because one knows that an unknown reader will disapprove or misunderstand?”

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Book:Amusing Ourselves to Death: Public Discourse in the Age of Show Business
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“Labels don't mean much to me one way or another -- except when they close the minds of potential readers. I'd much rather we do away with genres and simply file everything under fiction. I know it can work -- one of my favourite record stores (Waterloo Music in Austin) simply files everything alphabetically and no one seems to have much problem finding what they're looking for.”

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Author:Charles de Lint
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“The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.”

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Author:Charles de Lint
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“There are all sorts of theories and ideas about what constitutes a good opening line. It's tricky thing, and tough to talk about because I don't think conceptually while I work on a first draft -- I just write. To get scientific about it is a little like trying to catch moonbeams in a jar. But there's one thing I'm sure about. An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.”

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Author:Stephen King
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“I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.”

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Author:Tom Robbins
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“It is only the basest writer who cannot speak of the sea without talking of "raging waves," "remorseless floods," "ravenous billows," etc.; and it is one of the signs of the highest power in a writer to check all such habits of thought, and to keep his eyes fixed firmly on the pure fact , out of which if any feeling comes to him or his reader, he knows it must be a true one.”

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Book:The Genius of John Ruskin: Selections from His Writings
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“an Autobiography is the truest of all books; for while it inevitably consists mainly of extinctions of the truth, shirkings of the truth, partial revealments of the truth, with hardly an instance of plain straight truth, the remorseless truth is there, between the lines, where the author-cat is raking dust upon it which hides from the disinterested spectator neither it nor its smell... the result being that the reader knows the author in spite of his wily diligences.”

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Book:The Wit and Wisdom of Mark Twain
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“It's interesting when you're doing signing sessions with other writers and you look at the queues at each table and you can see definite human types gathering there.... My queue is always full of, you know, wild-eyed sleazebags and people who stare at me very intensely, as if I have some particular message for them. As if I must know that they've been reading me, that this dyad or symbiosis of reader and writer has been so intense that I must somehow know about it.”

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Author:Martin Amis
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“I think readers appreciate those of us who stay in the trenches and fight the good fight even when times get tough. I know that I, personally, lost respect for writers who, when there was a downturn in the market, started shouting from the rooftops that they wrote thrillers and suspense novels rather than horror. As far as I'm concerned, those wussboys should sever all ties with the horror community if that's the way they feel and get out of the way so real horror writers can do their work.”

IfsThinkingKnowsWayFeelsShouldRealFightingLostCan DoCommunityNovelReaderHorrorToughConcernedAppreciateSuspenseTiesShoutingThrillersTrenchesGood FightRooftopsDownturnSuspense NovelsFight The Good FightLost Respect
Author:Bentley Little
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“As far as I know, Clifford Pickover is the first mathematician to write a book about areas where math and theology overlap. Are there mathematical proofs of God? Who are the great mathematicians who believed in a deity? Does numerology lead anywhere when applied to sacred literature? Pickover covers these and many other off-trail topics with his usual verve, humor, and clarity. And along the way the reader will learn a great deal of serious mathematics.”

KnowsWayWritingFirstsDoeBookLiteratureDealsSeriousReaderAreasMathematicsSacredMathProofTheologyClarityMathematicalUsualMathematicianTopicsTrailsDeitiesProof Of GodMathematical ProofNumerology
Author:Martin Gardner
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“It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.”

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Author:Cliff Chiang
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“Comic book readers are just as abandoned by the corporate system as the creators, despite the importance supposedly given their hard-earned dollars. The average comics shop can offer only a tiny fraction of an industrywide selection that is itself extremely limited in scope. And even when readers know exactly what they want, the search can be maddeningly futile.”

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Author:Scott McCloud
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“Nothing detains the reader's attention more powerfully than deep involutions of distress, or sudden vicissitudes of fortune; and these might be abundantly afforded by memoirs of the sons of literature. They are entangled by contracts which they know not how to fulfill, and obliged to write on subjects which they do not understand. Every publication is a new period of time, from which some increase or declension of fame is to be reckoned. The gradations of a hero's life are from battle to battle, and of an author's from book to book.”

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Book:The Works of Samuel Johnson, LL.D.: With An Essay on His Life and Genius
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“It's easy to sell good news like this, and the authors confidently rely on classic fallacious arguments. They argue by declaration, which is what makes the books so amusing. In matter-of-fact, authoritative tones, the authors tell us how plants and human beings exchange energy - or they describe what angels look like, whether or how they're sexed, how they communicate with human beings, and how they differ from ghosts. Readers might be expected to wonder, How do they know?”

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Author:Wendy Kaminer
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“Are You Seeing Me? is written powerfully with both the heart and the head, and neither gives an inch. It's funny, moving and hugely insightful. Darren Groth puts the reader into the heads of Perry and Justine in a way that feels so true and so revealing that I think I've come away with a greater capacity for empathy. I didn't know a book could do that. We all need to spend some time inside this story.”

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Author:Nick Earls
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“Reading [poetry], you know, is rather like opening the door to a horde of rebels who swarm out attacking one in twenty places at once - hit, roused, scraped, bared, swung through the air, so that life seems to flash by; then again blinded, knocked on the head - all of which are agreeable sensations for a reader (since nothing is more dismal than to open the door and get no response).”

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Book:The Essays of Virginia Woolf, Volume 5: 1929 - 1932
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“my crime books are actually novels and are written as such. One might even say that each one is really two novels, one of which is the story I tell the reader, and the other the buried story I know and let slip now and then into a clue to whet the reader's interest.”

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Book:The Mary Roberts Rinehart crime book
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“I know not, Madam, that you have a right, upon moral principles, to make your readers suffer so much.”

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Book:The life of Samuel Johnson, LL. D., comprehending an account of his studies, and numerous works, in chronological order: a series of his epistolary correspondence and conversations with many eminent persons; and various original pieces of his composition, never before published; the whole exhibiting a view of literature and literary men in Great Britain, for near half a century during which he flourished
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“On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway.”

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Author:George Saunders
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