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Reader Quotes

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Reader Quotes

“You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.”

ThinkingWorldWayWantShouldWritingMindHeartBookSometimesHandsReadingLanguageTermForgetAttentionObjectsReaderSentencesDisappearIntenseRhythmProseSensationsHeart And MindManipulateTempoDynamicsSeducing
Author:Carlos Ruiz Zafon
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“There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word—tension—has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end—is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?”

WritingLittlesLongDoeEndsMatterFallNextHouseAnimalPiecesReaderIdealsSentencesTensionLengthInteriorsRopeInsistenceGaugesRise And FallDoes It Matter
Author:John Jeremiah Sullivan
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“Every man speaks and writes with intent to be understood; and it can seldom happen but he that understands himself, might convey his notions to another, if, content to be understood, he did not seek to be admired; but when once he begins to contrive how his sentiments may be received, not with most ease to his reader, but with most advantage to himself, he then transfers his consideration from words to sounds, from sentences to periods, and, as he grows more elegant, becomes less intelligible.”

IfsMenWritingMayMightHappensSpeakGrowsSoundReaderPeriodsUnderstoodAdvantageNotionSentencesEvery ManEaseConsiderationSentimentsElegantTransfers
Book:The Idler: With Additional Essays
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“I've always been a fast reader. Now I had to do it slowly, discussing each sentence. And every time I wanted to change something I had to come up with an intelligent defense I could be pretty sure that they would turn my suggestion down, as they had so many aspects to keep in mind. However, if I argued well, I could have a chance. I had to think of every comma, every word.”

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Author:Karl Ove Knausgard
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“The way in which the photograph records experience is also different from the way of language. Language makes sense only when it is presented as a sequence of propositions. Meaning is distorted when a word or sentence is, as we say, taken out of context; when a reader or listener is deprived of what was said before, and after. But there is no such thing as a photograph taken out of context, for a photograph does not require one. In fact, the point of photography is to isolate images from context, so as to make them visible in a different way.”

WayDoeSaidDifferentFactsLanguageTakenRecordsReaderPhotographyPhotographSentencesMake SenseDifferent WaysVisibleListenersPropositionsSequenceDeprivedOf ContextBefore And After
Book:Amusing Ourselves to Death: Public Discourse in the Age of Show Business
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“The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences.”

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Author:Jonathan Lethem
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“There are some simple maxims which I think might be commended to writers of expository prose. First: never use a long word if a short word will do. So, if you want to make a statement with a great many qualifications, put some of the qualifications in separate sentences. Third: do not let the beginning of your sentence lead the reader to an expectation which is contradicted by the end.”

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Book:The Basic Writings of Bertrand Russell
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“All your clear and pleasing sentences will fall apart if you don't keep remembering that writing is linear and sequential, that logic is the glue that holds it together, that tension must be maintained from one sentence to the next and from one paragraph to the next and from one section to the next, and that narrative - good old-fashioned storytelling - is what should pull your readers along without their noticing the tug.”

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Author:William Zinsser
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“Most people write the same sentence over and over again. The same number of words-say, 8-10, or 10-12. The same sentence structure. Try to become stretchy-if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you're generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.”

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Author:Janet Fitch
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“Joyce's writing in Dubliners contains some of the most unshowily beautiful sentences in the English language. I learned from him that if you write a good, clean line of English, you can get under a reader's skin. The reader won't even know why, but there you are. Didion, Berger, the many others I mentioned above, and many, many poets I haven't mentioned. Writers of this calibre are the moving targets the rest of us are always chasing.”

IfsKnowsWritingBeautifulMovingLanguageLinesHavensPoetReaderSkinsCleanSentencesTargetChasingEnglish LanguageJoyce
Author:Teju Cole
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