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“I don't consider an actor a star if he's paid $20 million and grimaces in front of the camera and has a stunt man stand in for him. They may be fine actors, but they're not role models. The real stars are wearing body armor in 130-degree heat . . . They're getting shot at and they don't have any stunt doubles standing in for them.”

“When an acting teacher tells a student 'that wasn't honest work' or 'that didn't seem real,' what does this mean? In life, we are rarely 'truthful' or 'honest' or 'real'. And characters in plays are almost never 'truthful' or 'honest' or 'real'. What exactly do teachers even mean by these words? A more useful question is: What is the story the actor was telling in their work? An actor is always telling a story. We all are telling stories, all the time. Story: that is what it is all about.”

“On the one hand, you have these huge budget films that cost millions of dollars. They are effects driven, they don't have well known actors in them, and they are making money. Well, some of them are. One the other hand, you have Stallone and Statham, and guys like DeNiro and Pacino, and Costner, who are all trying to make movies about real people. They are interested in character driven projects.”

“In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. [...] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.”

“Working with Jean-Claude is a lot of fun. Because he's a great actor who also happens to be a fighter. That combination doesn't usually come together anymore. Usually, you have to fight the stunt double and then act against the actor. In his case, you are fighting with a real guy. It takes a minute to get used to that. Because it doesn't happen any more.”

“When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.”

“The real challenge in acting is in comedy. It's easier to get that gasp in a drama. Not easy, because you still have to find that emotional pitch. And when you do something in drama and you hear that sob from the audience it's so fulfilling. But as a comic actor, when the laugh is supposed to come and you punch in that line and nothing happens it is dreadful. It's horrific and you feel like dying right there.”

“I've made a career over the last seventeen years of mostly playing men in uniform, especially cops. The one thing for an actor that is completely death is if you're bored, because that boredom will show in your work. So there was an inherent challenge in trying to keep it fresh, because it's something that I'm familiar with, but the real draw for me was at long last to work with Halle. She and I had come close to working on two other films together prior to this one that unfortunately had fallen apart for various reasons.”