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Real Quotes

“For Sony, owning a studio is a gamble and probably a pretty good one, now that in the broadband era having content is a great advantage when you sell devices that in a ubiquitous world of distribution can actually show programs, movies, content directly to the consumer. So that you actually create, in a digital world, real synergy.”

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Author:Howard Stringer
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“V-Day...if you need this one day in a year to show everyone else you truly care for "your loved one" I think it's quite stupid. I hate this commercialism. It's all artificial, and has nothing to do with real love.”

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Book:Business Plan: Building Brand Identity: An Indie Author's Advertising Plan
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“Let us make an arbitrary decision (by a show of hands if necessary) to define the base of every stratigraphical unit in a selected section. This may be called the "Principle of the Golden Spike." Then stratigraphical nomenclature can be forgotten and we can get on with the real work of stratigraphy, which is correlation and interpretation.”

IfsMayRealShowsHandsScienceDecisionPrinciplesForgottenGoldenInterpretationUnitsSectionsArbitrarySelectedGeologyCorrelationReal WorkNomenclature
Author:D. V. Ager
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“The Unheavenly Chorus is the definitive study of participatory inequality in America. Marshaling prodigious evidence, the authors show how money not only buys influence directly but also affects associations that are supposed to be democratic antidotes to concentrated wealth. A monumental achievement of careful scholarship, this book offers real knowledge of how politics actually operates.”

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Author:Robert Kuttner
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“If I've learnt one thing, it's that I need to surround myself with people who want to know the real Pete Wentz, not some myth they've concocted from a bunch of press clippings. I can open the door a centimetre wide, and some people think I'm showing them the whole room. But all they're getting is a glimpse. That's all I want to show most people.”

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Author:Pete Wentz
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“Is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles? When she shows us bright pictures, are we never to look at them, and try to reproduce them? And when she is eloquent, and speaks rapidly and urgently in our ear, are we not to write to her dictation?”

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Book:Jane Eyre
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“We thought it was only in science fiction that things created by humans could actually take over what is inherently our human heritage. But Thom Hartmann shows how we've already let that happen on a frightening scale - not in Frankenstein's monsters or Kubrick's creeping computer Hal - but in the corporations that present their friendly 'faces' to us as if we have nothing to fear from this ultimate usurpation of our rights as real humans.”

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Author:Ed Ayres
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“It is always disagreeable to take stands. It is always easier to compromise, always easier to let things go. To many women, and I am one of them, it is extraordinarily difficult to care about anything enough to cause disagreement or unpleasant feelings, but I have come to the conclusion that this must be done for a time until we can prove our strength and demand respect for our wishes. We cannot even be of real service in the coming campaign and speak as a united body of women unless we have the respect of men and show that when we express a wish, we are willing to stand by it.”

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Book:Love, Eleanor: Eleanor Roosevelt and Her Friends
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“If you look at a photograph, and you think, 'My isn't that a beautiful photograph,' and you go on to the next one, or 'Isn't that nice light?' so what? I mean what does it do to you or what's the real value in the long run? What do you walk away from it with? I mean, I'd much rather show you a photograph that makes demands on you, that you might become involved in on your own terms or be perplexed by.”

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Author:Duane Michals
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“Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.”

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Book:The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
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“The underlying reason for convergence seems to be that all organisms are under constant scrutiny of natural selection and are also subject to the constraints of the physical and chemical factors that severely limit the action of all inhabitants of the biosphere. Put simply, convergence shows that in a real world not all things are possible.”

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Author:Simon Conway Morris
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“When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.”

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Author:Stan Lee
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“Significant changes in the growth rate of money supply, even small ones, impact the financial markets first. Then, they impact changes in the real economy, usually in six to nine months, but in a range of three to 18 months. Usually in about two years in the US, they correlate with changes in the rate of inflation or deflation." "The leads are long and variable, though the more inflation a society has experienced, history shows, the shorter the time lead will be between a change in money supply growth and the subsequent change in inflation.”

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Author:Milton Friedman
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“I've made a career over the last seventeen years of mostly playing men in uniform, especially cops. The one thing for an actor that is completely death is if you're bored, because that boredom will show in your work. So there was an inherent challenge in trying to keep it fresh, because it's something that I'm familiar with, but the real draw for me was at long last to work with Halle. She and I had come close to working on two other films together prior to this one that unfortunately had fallen apart for various reasons.”

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Author:Benjamin Bratt
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