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Real Quotes

“But the real life of a writer resides in showing up at the keyboard every day, with the necessary patience and mercy, and making the best decisions you can on behalf of your people. It’s a slow process. It often feels hopeless, more like an affliction than an art form. Most of us will have to find our readers one by one, in other words, and against considerable resistance. If anything qualifies us as heroic, it’s that private perpetual struggle. Put down the magazine, soldier. Forget about the other guy. Remember who you are.”

PeopleIfsFeelsWritingArtRealRememberFormGuyProcessDecisionForgetStruggleReaderMercyWho You AreSoldierReal LifeResistanceMagazinesHopelessHeroicPerpetualAfflictionBehalfOther GuysKeyboardsShowing UpRemember Who You Are
Author:Steve Almond
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“The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.”

KnowsWorldWayRealProblemRealityFormResultsRecordsMaterialsAimCamerasStrivePhotographerChiefsReality Of LifeReal WorldDocumentariesTruthfulness
Author:Paul Strand
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“If we're all led to believe that poverty is just a matter of laziness or stupidity or whatever other justifications we can come up with, then we're not likely to be in a real position to do much about it when it comes to attacking the root cause of the problem. Instead of demanding a more equitable system for the distribution of social and economic goods, we blame the victim. This is insidious, because ideology is something we carry around with us in our heads; it forms the basis of our day-to-day understanding of the world.”

IfsWorldBelieveRealMatterProblemFormSocialCausesUnderstandingPovertyEconomicPositionRootsBasesVictimBlameCome UpStupidityIdeologyGoodsLazinessJustificationDay To DayDistributionAttackingInsidiousEquitableRoot Cause
Book:Making a Killing: The Political Economy of Animal Rights
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“The Buddha is your real body, your original mind. This mind has no form or characteristics, no cause or effect, no tendons or bones. It's like space. You can't hold it. It's not the mind of materialists or nihilists. If you don't see your own miraculously aware nature, you'll never find a Buddha, even if you break your body into atoms.”

IfsMindRealWisdomBodyFormCausesUnderstandingSpaceBreakEffectsOriginalsBonesYour BodyCharacteristicsAtomsNihilist
Book:The Zen Teaching of Bodhidharma
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“The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.”

RealFilmFormFashionDramaPhotographyStonesLondonReal LifeKitchenBritainRollingVagueExplosionsRolling StonesKitchen SinksPhotography And Film
Author:Charlotte Rampling
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“Your silent thoughts are like the roots of a plant. They remain hidden in the dark recesses of the earth, but from them stems the whole plant--its life and form, its strength and beauty. From them and through them the plant lives and dies. So, too, your thoughts, although hidden, are your real, vital force.”

ThinkingRealWholeEarthFormDiesForceDarkRootsPlantSilentStemRecessPlant LifeStrength And Beauty
Book:The Hidden Power of Kindness: A Practical Handbook for Souls who Dare to Transform the World, One Deed at a Time
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“Opposition to the truth is inevitable, especially if it takes the form of a new idea, but the degree of resistance can be diminished- by giving thought not only to the aim but to the method of approach. Avoid a frontal attack on a long established position; instead, seek to turn it by flank movement, so that a more penetrable side is exposed to the thrust of truth. But, in any such indirect approach, take care not to diverge from the truth- for nothing is more fatal to its real advancement than to lapse into untruth.”

IfsGivingLongIdeasRealCareFormTurnsSidesMovementPositionTruth IsDegreesApproachAimMethodTake CareResistanceInevitableOppositionExposedNew IdeasAdvancementThrustIndirectUntruthLapses
Book:Why Don't We Learn from History?
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“Another thing that escapes me is HOW to give substance to the forms. One day they look solid and 'real' and they seem to hinge upon each other and splinter and creak, fall with a thud to the bottom of the canvas and drag across the surface, and the next day they are like dust, all lightweight and just stuck there.”

GivingLooksRealSeemsFormFallNextOne DayBottomSurfaceStuckDustSubstanceDragCanvasNext DayDissatisfactionHingesSplinters
Book:Paula Rego
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“The isolated individual is not a real person. A real person is one who lives in and for others. And the more personal relationships we form with others, the more we truly realize ourselves as persons. It has even been said that there can be no true person unless there are two, entering into communication with one another.”

PersonsSaidTwoRealFormHumanityIndividualRealizingCommunicationIsolatedEnteringPersonal RelationshipsReal PersonTrue Person
Author:Kallistos Ware
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“Why is wisdom so fair? Why is beauty so wise? Because all else is temporary, while beauty and wisdom are the only real and constant aspects of truth that can be perceived by human means. And I don't mean the kind of surface beauty that fades with age, or the sort of shallow wisdom that gets lost in platitudes. True beauty grips your gut and squeezes your lungs, and makes you see with utmost clarity exactly what is before you. True wisdom then steps in, to interpret, illuminate, and form a life-altering insight.”

HumansKindMeanRealAgeFormLostStepsWiseFairsAspectConstantInsightSurfaceClarityGutsTemporaryFadesShallowLungsTrue BeautyPlatitudesTrue WisdomLife Altering
Author:Vera Nazarian
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“It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.”

ThinkingTryingHas BeensImportantRealMightFormArtistLostStrongJusticeMistakeDoubtReaderCostSafeCriticismSticksTongueStrongestTemptedBest WorkFallacyReviewersWhen In DoubtSneerImportant Work
Author:Wilfrid Sheed
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“There is something evocative about the idea of destruction. This act of destruction is the expression of an idea... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head.”

FeelsIdeasRealRealityFormLyingBehindsIssuesExampleExpressionDrawsDestructionAppearanceDrawingVisualsUrgesCaptureEraseOutward Appearance
Author:Antoni Tapies
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“Art is the one form of human energy in the whole world, which really works for union, and destroys the barriers between man and man. It is the continual, unconscious replacement, however fleeting, of oneself by another; the real cement of human life; the everlasting refreshment and renewal. For, what is grievous, dompting, grim, about our lives is that we are shut up within ourselves, with an itch to get outside ourselves. And to be stolen away from ourselves by Art is a momentary relaxation from that itching, a minute's profound, and as it were secret, enfranchisement.”

MenWorldHumansArtRealWholeFormLife IsEnergySecretOur LivesMinutesArt IsUnionsProfoundOneselfWhole WorldHuman LifeUnconsciousBarriersShut UpRelaxationFleetingEverlastingStolenRenewalGrimMomentaryCementReplacementsRefreshmentsItching
Book:The Complete Essays of John Galsworthy: Easyread Super Large 20pt Edition
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“Consider paint a film of light reflecting/absorbing material, and a colored paint a material which gives a particular, characteristic transmission of light via differential absorption and reflection. Call this reflected quality 'luminance' and measure it in millilamberts. This measure is as real and present as height, breadth, depth; and I find the phenomenon equally sumptuous and convincing. . . . Painted light, not color, not form, not perspective, or line, not image, or words, or equations, is painting. I make paintings which do not represent light, they are light.”

GivingRealLightFilmFormLinesQualityParticularColorPaintingMaterialsPerspectiveReflectionPaintDepthHeightCharacteristicsPhenomenonEquationsConvincingReflectingAbsorbingBreadthTransmissionAbsorptionSumptuous
Author:Jo Baer
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“Worry is the most popular form of suicide. Worry impairs appetite, disturbs sleep, makes respiration irregular, spoils digestion, irritates disposition, warps character, weakens mind, stimulates disease, and saps bodily health. It is the real cause of death in thousands of instances where some other disease is named on the death certificate.”

MindRealCharacterFormCausesSleepWorryDiseaseSuicideInstanceAppetiteDispositionSpoilSapDigestionCertificatesWarpRespiration
Book:The kingship of self-control [from Self-control, its kingship and majesty] by W.G. Jordon [sic].
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“To sum up: numbers appear to represent both an attribute of matter and the unconscious foundation of our mental process. For this reason, number forms, according to Jung, that particular element that unites the realms of matter and psyche. It is "real" in a double sense, as an archetypal image and as a qualitative manifestation in the realm of outer-world experience.”

WorldRealMatterReasonFormProcessNumbersParticularElementsFoundationManifestationRealmsUnconsciousAttributesOuter WorldsJungQualitative
Book:Number and Time
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“All the alleged key causes of SOE [State-Owned Enterprise] inefficiency - the principal-agent problem, the free-rider problem and the soft budget constraint - are, while real, not unique to state-owned enterprises. Large private-sector firms with dispersed ownership also suffer from the principal-agent problem and the free-rider problem. So, in these two areas, forms of ownership do matter, but the critical divide is not between state and private ownership - it is between concentrated and dispersed ownerships.”

TwoRealMatterStatesProblemFormSufferingCausesKeysUniqueAreasCriticalAgentsBudgetsFirmEnterpriseDividesOwnershipPrincipalConstraintsRidersPrivate SectorInefficiency
Author:Ha-Joon Chang
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“What is essential to understand at this point is that until now there was no such thing as mind and matter, subject and object, form and substance. Those divisions are just dialectical inventions that came later...They are just ghosts, immortal gods of the modern mythos which appear to us to be real because we are within that mythos. But in reality they are just as much an artistic creation as the anthropomorphic gods they replaced.”

MindRealMatterRealityFormModernSubjectsCreationObjectsEssentialsGhostInventionArtisticSubstanceImmortalDivisionBeing RealReplacedRationalityMind And MatterArtistic CreationForm And Substance
Author:Robert M. Pirsig
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“Fashion is not a real element of beauty in external objects; and to persons who possess a good endowment of Form, Constructiveness and Ideality, intrinsic elegance is much more pleasing and permanently agreeable, than forms of less merit, recommended merely by being new. Hence there is a beauty which never palls, and there are objects over which fashion exercises no control.”

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Author:George Combe
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