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“If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.”

“That the machine of Heaven is not a hard and impervious body full of various real spheres, as up to now has been believed by most people. It will be proved that it extends everywhere, most fluid and simple, and nowhere presents obstacles as was formerly held, the circuits of the Planets being wholly free and without the labour and whirling round of any real spheres at all, being divinely governed under a given law.”

“Real joy is becoming exceedingly rare among artists of any kind. And I have an idea that those who can and do communicate it are always people who have had a hard time. Then the joy has no smugness or self-righteousness in it, is inclusive not exclusive, and comes close to prayer.”

“It's the principle of it, I get a rush when I bust Some dope lines oral, that maybe somebody'll quote. That's what I consider real in this field of music, Instead of puttin' brain cells to work, they abuse it. Non-conceptual, non-exceptional, Everybody's either crime-related or sexual. For those who pose lyrical, but really ain't true, I feel: Their time's limited, hard rocks too.”

“Writing a novel is a very hard thing to do because it covers so long a space of time, and if you get discouraged it is not a bad sign, but a good one. If you think you are not doing it well, you are thinking the way real novelists do. I never knew one who did not feel greatly discouraged at times, and some get desperate, and I have always found that to be a good symptom.”

“To its devotees the bowtie suggests iconoclasm of an Old World sort, a fusty adherence to a contrarian point of view. The bowtie hints at intellectualism, real or feigned, and sometimes suggests technical acumen, perhaps because it is so hard to tie. BowTies are worn by magicians, country doctors, lawyers and professors and by people hoping to look like the above. But perhaps most of all, wearing a bow tie is a way of broadcasting an aggressive lack of concern for what other people think.”

“The more I drive myself into the depth of my inside, the more things come up to my vision, visibly or invisibly... I even do not know if I am seeing them with my eye or with my mind. I just need to copy them on my canvases. But this mental process is always overwhelming. I often have hard time to deal with my emotion on this state. You could call this depression on surface? But actually, so many 're-birth' and 'reform' are going on on my thoughts, inspiration, philosophy...etc in the underwater. I believe this struggle make my art real. My art always comes from my emotion.”

“The idea, shared by many, that life is a vale of tears, is just as false as the idea shared by the great majority, the idea to which youth and health and riches incline you, that life is a place of entertainment. Life is a place of service, and in that service one has to suffer a great deal that is hard to bear, but more often to experience a great deal of joy. But that joy can be real only if people look upon their life as a service, and have a definite object in life outside themselves and their personal happiness.”

“I don't have a favorite body part nor do I have a favorite exercise. Everyone who is honest prefers machines over free-weights, because machines are more convenient and cause less muscle pain and require less concentration and are generally less dangerous. BUT, if you like to have real gains you have to train hard and heavy, and you have to chose always the LEAST favorite exercises which actually give you the best possible results. So go for the least favorite exercises, the free weights... and go for the muscle pain!”

“My music is so mine, it's hard to turn it over to someone else. I have to be really involved in the production. It's like someone else taking care of your kids - if they don't treat them well, you're going to be pissed off. I'm actually co-producing [Backwoods] with my guitar player of 20 years, Kent Wells. We make a good combination... I think we're going to have a real good record.”

“In real life I'm not the character I play in my films. I'm reasonably competent, I work very hard, I'm disciplined, I lead a very middle class life. I work in the mornings, I have lunch, I practise my clarinet, I go to the movies, I eat out in restaurants or watch ball games on television or at the ball games.”

“I think that at the end of the day I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the New York Times crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.”

“In our constant search for meaning in this baffling and temporary existence, trapped as we are within our three pounds of neurons, it is sometimes hard to tell what is real. We often invent what isn't there. Or ignore what is. We try to impose order, both in our minds and in our conceptions of external reality. We try to connect. We try to find truth. We dream and we hope. And underneath all of these strivings, we are haunted by the suspicion that what we see and understand of the world is only a tiny piece of the whole.”

“We take it for granted that life is hard and feel lucky to have whatever happiness we get. We do not look upon happiness as a birthright, nor do we expect it to be more than peace or contentment. Real joy, the state in which the Yequana spend much of their lives, is exceedingly rare among us.”

“I never envisioned myself playing for the U.S. Olympic team -- growing up, I never envisioned playing in the NBA, to be real with you. I never envisioned that type of stuff. So this is like a dream that I never had come true. It's like I'm a part of what's really going on. It's still very hard for me to believe that I am really going to be a part of the biggest thing in the whole entire world.”

“Joy is a part of my process. In fact, I'd go so far as to say that poetry, as a practice, necessitates a sense of joy. It's exhilarating to come into contact with the things we write into being. And a real sense of play and abandon – even when we are relying on hard-won technique, and even when the aim is deadly serious. How often do we get the excuse to stop, think, and then stop thinking altogether and try to listen to what sits behind our outside of our thoughts? Poets are lucky.”

“Live Free or Die Hard may work better for an audience that doesn't know much about the series is than it will for Die Hard die hards, who will be wondering who that impersonator is and what he did with the real John McClane. The original Die Hard came out of nowhere to blitz the 1988 summer box office. The fourth installment arrives with a weight of expectations that Atlas would have trouble shouldering and, when the dust settles in September, it's unlikely that Live Free or Die Hard will be one of this year's big success stories.”