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“It is very clear from the historical record that without British help neither Wahhabism nor the House of Saud would be in existence today. Wahhabism is a British-inspired fundamentalist movement in Islam. Through its defense of the House of Saud, the US also supports Wahhabism directly and indirectly regardless of the terrorist attacks of September 11, 2001. Wahhabism is violent, right wing, ultra-conservative, rigid, extremist, reactionary, sexist, and intolerant.”

“I remember when A love Supreme was released - I heard it at a friends house. ... Man it was incredible. That record sounded different than the rest. I was trying to gather my spirituality together, trying to get an understanding of life ..... I felt Coltrane was the first musician who made a transition from one side to the other.”

“Well, I think that there's a clear record, I worked with Ronald Reagan in the early '80s and his recovery program translated into today's population of about 25 million new jobs in a seven-year period. As Speaker of the House, I worked with President Clinton and he followed with a very similar plan. And we ended up with about 11 million new jobs in a four-year period.”

“The big story now is that President Bush is coming under attack for his service in the National Guard. The White House said, 'no no,' that they have payroll records to show that he served in the National Guard. But today, the commanding officers can't remember seeing Bush between May and October of '72. President Bush said, 'Remember me? I'm the drunk guy. Remember me?'”

“... We have seen dog-tired Members of Congress marching lockstep ahead with their eyes fixed only on the end of the 100 Days of the 1995 Republican 'Contract with America' reform efforts. Many of the changes wrought by the House were passed without the benefit of a single hearing, or at best with a minimal legislative record. Is this what Jefferson and Madison had in mind?”

“It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.”

“Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.”

“I've always found that when you're trying to create illusions with sound, especially in a science fiction or fantasy movie, that pulling sounds from the world around us is a great way to cement that illusion because you can go out and record an elevator in George Lucas's house or something, and it will have that motor sound.”