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Records Quotes

“Art is the distillate of life, the winnowed result of the experience of a people, the record of the joyous adventure of the creative spirit in us toward a higher world; a world in which all ideas, thoughts, and forms are pure and beautiful and completely clear, the world Plato held to be perfect and eternal. All works that have in them an element of joy are records of this adventure.”

“I think that people have been claiming hip-hop as being dead since the moment it started. I think there are people - and I can be included in that category sometimes - that get frustrated feeling like maybe the industry has handcuffed itself, or trained its artists to do or think about music in a way that classically hasn't led to the greatest records in hip-hop.”

“Everything that’s out now…rap wise and music wise in general [is whack]. I mean, you know whack when you see it. So I’m on a crusade against whackness, and I hope no whackness comes my way. That’s my move, my mission for this record: to combat whackness on all fronts – to make sure that people know what quality music is. It’s not so much about message, but have something to say.”

“The most important thing regardless of my stats or anybody else's stats is the win-loss record. In the locker room people are always telling me, you're doing this and that. I don't really pay that much attention so long as we have a 'W' in that column; that's the kind of thing that makes me really happy. It blows all stats out of the water.”

“Steve Jobs gave a small private presentation about the iTunes Music Store to some independent record label people. My favorite line of the day was when people kept raising their hand saying, "Does it do [x]?", "Do you plan to add [y]?". Finally Jobs said, "Wait wait - put your hands down. Listen: I know you have a thousand ideas for all the cool features iTunes could have. So do we. But we don't want a thousand features. That would be ugly. Innovation is not about saying yes to everything. It's about saying NO to all but the most crucial features.”

“I learned how difficult it is to be an artist. There are always compromises. The record company wants you to do this, your fans want you to do this, your family, you can't concentrate on your work. It's a hard thing to be an artist and not give up. That's why I have so much respect for people like Dylan and Neil Young and Tom Waits, because they keep at it. I have a new respect for a true artist.”

“I think the least important thing about science fiction for me is its predictive capacity. Its record for being accurately predictive is really, really poor! If you look at the whole history of science fiction, what people have said is going to happen, what writers have said is going to happen, and what actually happened - it's terrible.”

“The Patriot Act allows Federal agents to look at public and university library patron circulation records, books checked out, magazines consulted, all subject to government scrutiny. There used to be a time in this country when we were worried whether our young people knew how to read. Now some in our government are more worried that government agents be able to find out what people are reading.”

“I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?”

“I was at a dinner party with a group of people, and we were talking about fake names. You know, how its difficult to come up with a really great fake name. Its a very specific type of gift. You don't want to go too far into the silly, and you don't want to go too far into the banal. I always thought one of the funniest names ever was Gern Blanston, which came from a Steve Martin routine on one of his early records.”

“Success to me is self-determined, the life I live today, to come from a kid strung out on angel dust, homeless, at some points sleeping in the street. No money, not knowing where the next meal was coming from. No sex, no relationships, people that didn't love me, didn't care about me, to where I am today... that's successful. When I signed my record deal I always wanted to be respected by my peers for my ability and my skill level.”

“The success factor is a combination of intuition and honestly, it's mostly only intuition. A design business is inherently dependent upon the intuition of its chief designer. Luckily I have a track record that if you show me five pairs of shoes I will almost always pick the one pair that will sell the best. It's just a gift I have for mass taste - a link with what people want in a certain moment in time.”

“Perhaps I may record here my protest against the efforts, so often made, to shield children and young people from all that has to do with death and sorrow, to give them a good time at all hazards on the assumption that the ills of life will come soon enough. Young people themselves often resent this attitude on the part of their elders; they feel set aside and belittled as if they were denied the common human experiences.”

“My experience with being on a record label over the years has been when both of your agendas are in sync, and they're the same goal, it's great to have another army of people and resources and money. But most of the time, they're not the same. Their agenda is just simply to sell plastic discs at any cost, and yours is to preserve - at least in my case - your integrity, and hopefully sell some plastic discs, too.”

“I learned in the last few years that it's really unhappy and really unsustainable to try and base your well being on something as arbitrary as record sale and critical acclaim and the interests of the public. All of those things are so fickle. So my approach now to music is I want to make records that I love, and I hope that other people love them, then that's OK.”