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Reflection Quotes

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Reflection Quotes

“The energy you give off based on your beliefs... your emotions... your behavior... the vibrational frequency you give off is what determines the kind of reality experience you have... because physical reality doesn't exist except as a reflection of what you most strongly believe is true for you. That is all that physical reality is. It is literally like a mirror.”

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Author:Darryl Anka
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“On reflection, moral judgment in the arts appears rather as a tribute to their power to influence emotion and possibly conduct. And reflecting further on what some critics do today, one sees that a good many have merely shifted the ground of their moralism, transferring their impulse of righteousness to politics and social issues.”

ArtTodaySocialEmotionMoralIssuesInfluenceJudgmentReflectionCriticsImpulseGood ManRighteousnessSocial IssuesReflectingTributeMoral JudgmentMoralism
Book:The Culture We Deserve
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“Love enters the heart unawares: takes precedence of all the emotions--or, at least, will be second to none--and even reflection becomes its accomplice. While it lives, it renders blind; and when it has struck its roots deep only itself can shake them. It reminds one of hospitality as practiced among the ancients. The stranger was received upon the threshold of the half-open door, and introduced into the sanctuary reserved for the Penates. Not until every attention had been lavished upon him did the host ask his name; and the question was sometimes deferred till the very moment of departure.”

LoveHeartSometimesMomentsAsksNamesEmotionAttentionHalfDoorsReflectionRootsBlindStrangerShakesHostHospitalitySanctuaryReservedThresholdDeparturePrecedenceAccomplices
Author:Sophie Swetchine
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“Happiness and sadness are just two eternal truths like day and night. A man of superior intellect is never affected by these emotions. They are not base emotions at all but a reflection of our thoughts, a reaction to our perspective on things we see, hear and do. Equanimity is not only desirable in a warrior, but a must. Without it, you are as good as dead in the battlefield.”

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Book:ASURA: Tale of the Vanquished
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“He thought back on his family with deep emotion and love. His conviction that he would have to disappear was, if possible, even firmer than his sister's. He remained in this state of empty and peaceful reflection until the tower clock struck three in the morning. He still saw that outside the window everything was beginning to grow light. Then, without his consent, his head sank down to the floor, and from his nostrils streamed his last weak breath.”

IfsStillsStatesLightLastsThreeGrowsEmotionMorningSawsReflectionWindowEmptyWeakAnd LoveBreathsConvictionDisappearPeacefulClockTowersConsentDeep Emotions
Book:The Metamorphosis
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“When it comes to such open-heart reflection, I'm a firm believer in the observer effect, which states that anything you try to observe is automatically changed by the mere fact that you're looking at it. The way I see it, if you try to study your emotions on a microscopic level, the best you can do is understand how it feels to hold the magnifying glass.”

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Author:Neal Shusterman
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“The emotions between the races could never be pure; even love was tarnished by the desire to find in the other some element that was missing in ourselves. Whether we sought out our demons or salvation, the other race would always remain just that: menacing, alien, and apart.”

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Book:Dreams from My Father: A Story of Race and Inheritance
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“What chiefly distinguishes the daily press is its incurable fear of ideas, its constant effort to evade the discussion of fundamentals by translating all issues into a few elemental fears, its incessant reduction of all reflection to mere emotion.”

IdeasFearEffortEmotionIssuesReflectionFundamentalsPressesConstantMereDiscussionTranslateReductionElementalsIncessant
Book:H.L. Mencken: Prejudices: First, Second, and Third Series
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“When they got to their hotel she went straight up to bed, but he paused to get a drink. There was, in the vestibule, a flower stall and he bought a handful of roses, stiffly wired into a bouquet, before proceeding to the oppressive gorgeousness of their bridal suite. The lift was lined with looking glass, so that as he shot upwards he got an endlessly duplicated version of himself, stout and nervous, a light cloak flung over his shoulder and flowers in his hand: an infinitely long row of gentlemen carrying offerings to an unforgiving past.”

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Author:Margaret Kennedy
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“The overindulgence of emotion leads to a crisis of hope, but so does the repression of emotion. The person who denies his Feeling Brain numbs himself to the world around him. By rejecting his emotions, he rejects making value judgments, that is, deciding that one thing is better than another. As a result, he becomes indifferent to life and the results of his decisions. He struggles to engage with others. His relationships suffer. And eventually, his chronic indifference leads him to an unpleasant visit with the Uncomfortable Truth. After all, if nothing is more or less important, then there's no reason to do anything. And if there's no reason to do anything, then why live at all?”

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Book:Everything Is F*cked: A Book About Hope
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“Stendhal knows the source of his greatest happiness and his worst misery: the reflexivity of his spiritual life. When he loves, enjoys beauty, feels free and unconstrained, he realizes not only the bliss of these feelings but, at the same time, the happiness of being aware of this happiness. But now that he ought to be completely absorbed by his happiness and feel redeemed from all his limitations and inadequacies, he is still full of problems and doubts: Is that the whole story?—he asks himself. Is that what they call love? Is it possible to love, to feel, to be delighted and yet to observe oneself so coolly and so calmly? Stendhal’s answer is by no means the usual one, which assumes the existence of an insurmountable gulf between feeling and reason, passion and reflexion, love and ambition, but is based on the assumption that modern man simply feels differently, is enraptured and enthusiastic differently from a contemporary of Racine or Rousseau. For them, spontaneity and reflexivity of the emotions were incompatible, for Stendhal and his heroes they are quite inseparable; none of their passions is so strong as the desire to be constantly calling themselves to account for what is going on inside them. Compared with the older literature, this self consciousness implies just as profound a change as Stendhal’s realism, and the overcoming of classical-romantic psychology is just as strictly one of the preconditions of his art as the abolition of the alternative between the romantic escape from the world and the anti-romantic belief in the world.”

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Book:The Social History of Art: Volume 4: Naturalism, Impressionism, The Film Age
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