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Rooms Quotes

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Rooms Quotes

“That's the words: "So I'm back to the velvet underground" - which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff - "back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."”

“Once various forms were signed, I was separated from my free will, led down the corridors into a room which was now to be the boundary of my existence, told to surrender my clothes, handed that comic invention, the hospital gown, and sent to bed in broad daylight like a child being stripped of her privileges.”

“When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes.”

“[T]his free and easy old-bachelor sort of life is quite full of fun and jollity. Pease and myself room together; and everything like order and neatness is banished from our presence as a nuisance--old letters and old boots and shoes, duds clean and duds dirty, books and newspapers, tooth-brushes, shoe-brushes, and clothes-brushes, all heaped together on chairs, settees, etc., in dusty and "most admired confusion." Now, what is there imaginable in clean, tidy private life equal to this?”

“During my drinking decades, I lived like a pig. My room was a hazardous pile of stilettos, tube tops, wine bottles, ashtrays, and old magazines. I valued nothing. Everything that came into my life was disposable: clothes, opportunities, people. My bedroom looked as if my insides had spilled out onto the floor.”

“Pride can go without domestics, without fine clothes, can live in a house with two rooms, can eat potato, purslain, beans, lyed corn, can work on the soil, can travel afoot, can talk with poor men, or sit silent well contented with fine saloons. But vanity costs money, labor, horses, men, women, health and peace, and is still nothing at last; a long way leading nowhere.--Only one drawback; proud people are intolerably selfish, and the vain are gentle and giving.”

“When I'm writing a song, things are always popping into my head, it's not so direct. It feels more like I'm in a room and there's this whole big jumble of clothes on the floor and it's like choosing what to wear. There are a lot of different things in there and you kind of pull something out and think, "No, that's not right," or you're like, "Yes I'll put this on with this."”

“People ask why I do monochromatic clothes; the reason is because I'm thinking in proportion to the world. In this room, your head is going to look so much more interesting if it's on a monochromatic column. Whereas I think people think of outfits and gets a little too fussy, a little too detailed. I'm always thinking of the line of a person standing with their head in a room and I always feel like a stalk, or a stem, or a pillar is nicer. I always think of everything architecturally.”