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“Absurdism, like methodical doubt, has wiped the slate clean. It leaves us in a blind alley. But, like methodical doubt, it can, by returning upon itself, open up a new field of investigation, and in the process of reasoning then pursues the same course. I proclaim that I believe in nothing and that everything is absurd, but I cannot doubt the validity of my proclamation and I must at least believe in my protest.”

“[London is] like the sight of a heavy sea from a rowing boat in the middle of the Atlantic.... One lives in it, afloat but half submerged in a heavy flood of brick, stone, asphalt, slate, steel, glass, concrete, and tarmac, seeing nothing fixable beyond a few score white spires that splash up like spits of foam above the next glum wave of dirty buildings.”

“I no longer believe the conservative message that children are naturally selfish and destructive creatures who need civilizing by hierarchies or painful controls. On the contrary, I believe that hierarchy and painful controls create destructive people. And I no longer believe the liberal message that children are blank slates on which society can write anything. On the contrary, I believe a unique core self is born into every human being; the result of millennia of environment and heredity combined in an unpredictable way that could never happen before or again.”

“Moss grows where nothing else can grow. It grows on bricks. It grows on tree bark and roofing slate. It grows in the Arctic Circle and in the balmiest tropics; it also grows on the fur of sloths, on the backs of snails, on decaying human bones. ... It is a resurrection engine. A single clump of mosses can lie dormant and dry for forty years at a stretch, and then vault back again into life with a mere soaking of water.”

“Inside each of us is a unique person resulting from millennia of environment and heredity combined in a way that could never happen again and could never have happened before. We aren't blank slates, but we are also communal creatures who are born before our brains are fully developed, so we're very sensitive to our environment. The question is: How to find the support and the circumstances that allow you to express what's inside you?”

“Debts that must be paid ... that sums up the concept of karma. But I would add that karma is not a burden that you have to carry. It is also an opportunity to learn, a chance to practice love and forgiveness, a chance to learn lessons that are valuable to us. Karma offers us the chance to wipe our dirty slate clean, to erase the wrong doings of the past.”

“As a child of the 1970s, I couldn't hold a narrative in my head; I was lucky if I could hold a joke in my head, because every time you turn on television or radio, it wipes the slate clean - at least in my case. After I gave up television, I found I could carry longer and longer stories or ideas in my head and put them together until I was carrying an entire short story. That's pretty much when I started writing.”

“You can start over again! Don't even think about quitting now! It is easy to replay in your mind how things did not work, how much you lost, what you are going through, how angry you are. There is no amount of conversation or magic that is going to wipe the slate clean. You are wasting valuable time and energy that could be used to regain a new normal and start another version of your life. Even though you are hurt and you may be feeling down — stop kicking yourself! Face what has happened. Make the decision to start over again.”

“The religion that has transformed Western civilization for two millennia is a blank slate for liberals. Their closest reference point is conservative Christians, meaning people you're not supposed to hire. And these are the people who carp about George Bush's alleged lack of intellectual curiosity.”

“The place that I worked I used to joke about it. There was a, every morning at 10:30 I'd come into work and I'd go into this cubicle that had a little upright piano and fake white cork bricks on the wall, and a little slate that came out of the wall that you could actually write on. And a door that locked from the outside. Every day from 10 to 6, we'd go in there and pretend that we were 13 year old girls and write these songs. That was the gig.”