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Songwriting Quotes

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Songwriting Quotes

“I write songs. Then I record them. And later, maybe I perform them on stage. That's what I do. That's my job. Simple. I don't feel comfortable doing interviews. My profession is music, and writing songs. I like to do it, but I hate to talk about it...Music is spiritual. The music business is not. Being famous was extremely disappointing for me. When I became famous it was a complete drag and it is still a complete drag.”

“It turned out so well because it was the first album that I could identify with in terms of lyrics. ("Captain Fantastic") It was passionate...I could associate myself with every song...It's a unique album in our history. This was the story of us..."Curtains", the lyrics to that are so beautiful because it sums up our friendship so much, and our relationship.”

“The essence of my lyrics is the desire for peace and harmony. That's all anyone has ever wanted. How could it become outdated?...We are trying to communicate a fulfilled ideal...I am a reflection of what I sing. Sometimes I have to get serious because the things I've been through are serious...The way I see it, rock n' roll is folk music.”

“What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh...Songwriting is best. It's the hardest-finest-tightest. It also requires the most discipline.”

“I can't draw. But I can draw with sound. That's the most useful thing I learned in terms of what my craft is... The arrangements were mine. They were little lines and stuff that I had written myself... And I was locked into this idea that vocals didn't count, melodies didn't count, songwriting craftsmanship didn't count. The only thing that counted was high arching guitar solos...”

“For years I walked around with the phrase "Green River" because I had seen that on a soda fountain drink when I was probably 8 or 9 years old, and I went, 'Gee, I like that.' Another one was "Lodi", which I thought sounded really cool. I got this cheap little empty plastic notebook at my local drugstore, and bought a little slab of filler paper and the very first title I wrote in it was "Proud Mary". I had no idea what that title meant.”

“I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was...I've never had any discipline whatsoever. I just wait on a song like I was waiting for lightning to strike. And eventually-usually sometime around 3 in the morning-I'll have a good idea. By the time the sun comes up, hopefully, I'll have a decent song.”

“Martin, Dave, and I get together and rough out a few songs and put them on cassettes for some reference...With the actual music, I'm not interested in objectivity, quite the opposite. I want a solely and totally subjective experience...A lot of pop music is about stealing pocket money from children.”

“I was sleeping in the woods one night after a gig we'd played somewhere, when I saw this girl appear before me. That girl was Emily. (on how he wrote "See Emily Play") "Chapter 24"-that was from the "I Ching", there was someone around who was very into that, most of the words came straight off that. "Lucifer Sam" was another one-it didn't mean much to me at the time, but then three or four months later it came to mean a lot.”

“I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.”

“I've just really been into melody and lyrics and songwriting. Writing a rap, to me, is easy. I could write a rap like that. But writing songs and melodies and s**t that's hopefully going to stick around for 30, 40 years is f**king hard...If you have good songs and you're talented, people will eventually come to your shows, people will buy your music.”

“If I have any regrets, I could say that I'm sorry I wasn't a better writer or a better singer...When I was younger, I felt it was my duty to wake people up. I thought poetry was asleep. I thought rock 'n' roll was asleep...An artist may have burdens the ordinary citizen doesn't know, but the ordinary citizen has burdens that many artists never even touch.”

“I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.”