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Sorrow Quotes

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Sorrow Quotes

“Works of imagination excel by their allurement and delight; by their power of attracting and detaining the attention. That book is good in vain which the reader throws away. He only is the master who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day.”

“Every man is of importance to himself, and, therefore, in his own opinion, to others; and, supposing the world already acquainted with his pleasures and his pains, is perhaps the first to publish injuries or misfortunes which had never been known unless related by himself, and at which those that hear them will only laugh, for no man sympathises with the sorrows of vanity.”

“Writing is alchemy. Dross becomes gold. Experience is transformed. Pain is changed. Suffering may become song. The ordinary or horrible is pushed by the will of the writer into grace or redemption, a prophetic wail, a screed for justice, an elegy of sadness or sorrow. ... There is always a tension between experience and the thing that finally carries it forward, bears its weight, holds it in. Without that tension, one might as well write a shopping list.”

“There's an old adage in writing: 'Don't tell, but show.' Writing is not psychology. We do not talk 'about' feelings. Instead the writer feels and through her words awakens those feelings in the reader. The writer takes the reader's hand and guides him through the valley of sorrow and joy without ever having to mention those words.”

“Writing itself, if not misunderstood and abused, becomes a way of empowering the writing self. It converts anger and disappointment into deliberate and durable aggression, the writer's main source of energy. It converts sorrow and self-pity into empathy, the writer's main means of relating to otherness. Similarly, his wounded innocence turns into irony, his silliness into wit, his guilt into judgment, his oddness into originality, his perverseness into his stinger.”

“I think the underlying purpose is expression. It's not about technique, it's not about hitting the right note, writing the perfect prose, having the perfect brushstroke. It's about expression of oneself, the things around you, and the emotions. I think expression is the one word that I would use, whether it's for sorrow, tragedy, joy, or even the need to express and be heard.”

“The writings of latter-day prophets clearly teach that the sorrows and sufferings endured by Adam and Eve upon their leaving the Garden of Eden were ordained by God and were a necessary part of their-and our-earthly experience. President Howard W. Hunter, then a member of the Quorum of the Twelve Apostles, taught: "We came to mortal life to encounter resistance. It was part of the plan for our eternal progress. Without temptation, sickness, pain, and sorrow, there could be no goodness, virtue, appreciation for well-being, or joy."”

“The most important aspect of writing the pieces that make up this eighth book was yielding to my obsessive side, letting my own "complicated grief" in on the process. You can imagine how tempting it is to try to fight the part of you that loops and loops, caught up in tangled sorrow from which it seems there's no escape.”

“I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.”

“All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.”

“I want to go on living even after my death! And therefore I am grateful to God for this gift, this possibility of developing myself and of writing, of expressing all that is in me. I can shake off everything if I write; my sorrows disappear; my courage is reborn. But, and that is the great question, will I ever be able to write anything great, will I ever become a journalist or a writer?”

“And in the end, of course, a true war story is never about war. It's about sunlight. It's about the special way that dawn spreads out on a river when you know you must cross the river and march into the mountains and do things you are afraid to do. It's about love and memory. It's about sorrow. It's about sisters who never write back and people who never listen.”

“One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.”

“There is much pain that is quite noiseless; and vibrations that make human agonies are often a mere whisper in the roar of hurrying existence. There are glances of hatred that stab and raise no cry of murder; robberies that leave man or woman for ever beggared of peace and joy, yet kept secret by the sufferer --committed to no sound except that of low moans in the night, seen in no writing except that made on the face by the slow months of suppressed anguish and early morning tears. Many an inherited sorrow that has marred a life has been breathed into no human ear.”

“There is nothing you can do except try to write it the way that it was. So you must write each day better than you possibly can and use the sorrow that you have now to make you know how the early sorrow came. And you must always remember the things you believed because if you know them they will be there in the writing and you won’t betray them. The writing is the only progress you make.”

“No words can express how much the world owes to sorrow. Most of the Psalms were born in the wilderness. Most of the Epistles were written in a prison. The greatest thoughts of the greatest thinkers have all passed through fire. The greatest poets have "learned in suffering what they taught in song." In bonds Bunyan lived the allegory that he afterwards wrote, and we may thank Bedford Jail for the Pilgrim's Progress. Take comfort, afflicted Christian! When God is about to make pre-eminent use of a person, He put them in the fire.”

“Did you think you could have the good without the evil? Did you think you could have the joy without the sorrow? . . . . I have been thinking much about pain. How could I help it? . . . . Sooner or later, regardless of the wit of man, we have pain to face; a reality; a final inescapable, immutable fact of life. What poor souls, if we have then no philosophy to face it with! This pain will not last; it never has lasted. I'll think about what I am going to write tomorrow-not about me, not about my body.”

“Nature in darkness groans and men are bound to sullen contemplation in the night: restless they turn on beds of sorrow; in their inmost brain feeling the crushing wheels, they rise, they write the bitter words of stern philosophy and knead the bread of knowledge with tears and groans.”

“I who once wrote songs with keen delight am now by sorrow driven to take up melancholy measures. Wounded Muses tell me what I must write, and elegiac verses bathe my face with real tears. Not even terror could drive from me these faithful companions of my long journey. Poetry, which was once the glory of my happy and flourishing youth, is still my comfort in this misery of my old age.”